I'd wish my usage of the term "theatricalization" to be taken, not in a negative way, at all, but, rather, in a "neutral" one. Actually, I began considering the word "novelization", but, as the reading is delivered on the stage, and as it works so well in that setting, I consider it to be a better way of describing it.
That notwithstanding, the concept is also useful for expressing my impression that Sweeney did a lot of "adapting" to her, let's say, "spiritual" experiences, in order to drive her message home more effectively. Regarding this, the well-timed aparition of both couples of mormons looks rather suspicious.
But I hardly think this is something to make much of, as it's a well known fact that most writing is "subjective" (i.e., a fiction), in some measure, and rhetoric ought to be expected. In any case, I'd have preferred that Sweeney had avoided over-dramatizing her lecture: it gets too pathetic on occasions, and too teary from time to time -in a noticeable forced way-.
Also, perhaps, I'd have liked the author to comment more about the "imprint" phenomenon, that is, the lasting effects of religion being instilled in young minds. Sweeney refers to it in passing: "once a Catholic, alwasys a Catholic".
Apart from that, I think this is a work worth listening to: it explores the experiential aspect of the free-thinker mind, which is a matter rarely considered on more "technical" atheist books.
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