C. Telfair

This is a great addition to a wonderful series. There's something about Walt Longmire and his friends and family that draws the reader/listener into their world.

Much of this appeal is due to the terrific narration of George Guidall. He IS Walt Longmire - and Bear and every other character. He brings such heart and expression to the experience!

This book is particularly involving, because there's a baby, a Dog, and a wedding! You just can't help caring about these characters and about the resolution of the mystery. And you hope for more.

I was excited about revisiting - in audio - a series of books which I have so enjoyed over the years. In one way, I was not disappointed, because the performance by Steve West is quite good, and all the quirky characters I remembered are still there. The aristocrats, the wannabes, the shop-and-bar keepers.

But, on the whole, these characters have not aged particularly well. Although the "pub" title trademark remains interesting, "Aunt Agatha" and "Melrose Plant" now seem more the copies from older British mysteries that they actually are. There's a dated, self-conscious feeling here that is not as apparent in the original, classic series of Dorothy Sayers, Ngaio Marsh, Marjorie Allingham and, to some extent, Agatha Christie.

Is it possible that American authors really can't quite capture the traditional, cozy British who-done-it? Maybe - and I think I'd rather just remember the Jury/Plant series as something I really liked 25 years ago. No need to revisit.

This is a very informative and interesting audio. My husband and I listened to it on a cross-country road trip, and it took up a fair number of days and states! We learned a lot!

Both a history of the contentious battle leading up to WWII and a semi-biography of Lindbergh (and, to an extent his wife Ann,) this new work by Lynne Olson succeeds on the first count but falls a bit short on the second. So many people were involved in the anti-war and America First movements, and their motives were so varied, that the account and the cast of characters is sometimes too complicated to follow, and the Lindberghs are absent for much of the discussion. I found myself wanting to get back to them.

But this is at heart the tale of two very different, very opinionated, very stubborn men of great influence in a turbulent time. Hearing their story (and that of other pro-and-anti-WWII activists) is a reminder that no action in American history has been without controversy, not even the response to the Hitler movement in Germany. Some of those who opposed war were genuinely and earnestly convinced that involvement in WWII would be disastrous for America - they were labeled traitors and anti-Semites. Those who wanted to come to the aide of Britain were called war-mongers. It is painful to recognize in these historical arguments the same short-sighted intolerance and vicious personal attacks which are so common in today's politics.

Japan ultimately settled the argument between the interventionists and the isolationists.
Lynne Olson justly reminds us that such periods of debate should not be forgotten.

I have loved this series! Maisie Dobbs remains an admirable commentator on both the difficult and admirable social changes taking place in Post-WWI-Britain. This book is no exception, in that it deals with the post-Empire immigration struggles which brought new vitality but also often-resisted change to all of Europe's countries.

That said, Maisie has alas become a very predictable character. Her ambivalence about her relationships, her origins, and her wealth are becoming a bit stale. This once intriguingly different woman is too often now just too good to be true. And the increasingly syrupy narration of Orlagh Cassidy has not helped.

I hope the ending of this addition to the series foretells a vibrant, new direction for Maisie. The 1930s are advancing, and all her readers know what is coming for Britain within the next decade. Here's hoping Winspear returns to form as WWII approaches!

It's just not the same in Philadelphia. I liked this entry in the excellent series, but "Kindness" lacks something because it's not in Wyoming and Montana. There's just not that same sense of belonging in a place.

So, enough for varying the locale - now it's time to return home and keep the series there! Anyone who's a fan of Longmire (and there are many of us!) will want to listen to this addition, but I wouldn't start here.

As usual, George Guidall is just perfect!

Pandas are a wonderful subject for one of the Magic Tree House books. The kids love them, but they learn here some of the realities of life for these endangered animals.

This is a terrific series, and it's nice to have an audible version. Can't help wishing, tho, that Mary Pope Osborne would allow someone else to "read" them. She obviously cares about the material, but I think children would benefit from a professional narrator.

In "The Importance of Being Earnest," Oscar Wilde's very upright English aristocrat Lady Bracknell says something like " I hate arguments; they are so often convincing."

Well, this book is a convincing and not-altogether-welcome argument, but an important and sobering one nevertheless. Using rock-solid evidence from lots of sources (modern and historical), Robert Kaplan tells us why we shouldn't dismiss geography as a determiner of politics simply because technology has made the world so "small". Our assumption that the whole world would be democratic if it just had the chance and the right example has tripped the US (and others) up most recently in Afghanistan and Iraq. The overturn of oppressive governments in Egypt, Tunisia, Libya, and potentially Syria may not be turning out the way we thought/hoped they would either.

So, woe to those who don't know or heed the lessons of history and the enormous influence that geography has always had on the peoples of the world! I suppose this should be self-evident, but it wasn't made clear in the history classes I took.

Many of the theories of geopolitical history and warfare are quite detailed and scholarly and will be more than some readers wish to explore. The lessons, though, seem to me to be essential in understanding not only the past but in preparing for the future.

These truths may be unpalatable and frightening for those of us who believe that, at heart, all human beings basically think alike and want the same things. I suspect Kaplan's more realistic and more cautionary view of the world is correct, and we should all hear about it.

I was often uncomfortable listening to this, but I recommend it highly for those who want a clear-eyed view of what may be coming in the future!

I really have enjoyed the books of this series. This one, however, confused me on several levels. First of all, there's the really unlikely series of coincidences upon which the story and solution of this mystery are based. This number of connections would be hard to swallow in the smallest of villages; we're expected to believe that all these people come together exactly at this time and after all these years in a city the size of London!

I'm also trying to figure out the significance of the title and the information given in Chapter-beginning quotes about the old Crystal Palace. It's history is interesting, but the relevance to this story seems a bit obscure.

Gemma and Duncan and their developing relationship and blended family have been an important part of this series. Their domestic bliss, alas, so desired by fans, does not now add much tension or mystery. It's easy to see why authors delay these happy endings for as long as possible. Not to say they have become dull, but such perfect, loving people don't offer the same intrigue that the early Gemma/Duncan byplay did.

The smooth, lilting quality of Gerard Doyle's voice proves a bit too lulling for this sometimes slowly moving story. I think he's usually wonderful as a narrator, but he's not well suited to this listening experience.

This has it all - great setting, characters, love triangles, tragedy, and a lot very welcome comedy, as well!

I had never read this first book by George Eliot, but I must now rate it as one of my favorites. And I suspect that is partly because I have just first experienced "Adam Bede" in the audio format! The dialects of Eliot's wonderful people would be hard-going in book form, but Wanda McCaddon renders them understandable yet full of character and personality.

This is a familiar old story. Class distinction, misplaced affection in Victorian England leads to unhappiness and tragedy. Yet the strong, the hard working, and the morally resolute prevail in the end.

Adam Bede, the title character, is not necessarily the most interesting or the most important character in this book, yet one understands why the author chose him to represent what she believes to be the epitome of British virtue. It's not a revolutionary or a shocking novel, but Eliot weaves the old tale with a real mastery of description, characterization, and humor. I highly recommend this book, and especially the narration of Wanda McCaddon.

Over the past month, I have read all 4 of Tana French's Dublin police mysteries. I have enjoyed their complex characters; their reflection on the effects of modern globalization on traditional values and culture; their discussion of the devastation wrought by the economic downturn; and French's flair for poetic and descriptive language.

With "Broken Harbor," however, the author has gone too far. As in the case the first and third series entries, the book is just too long. These characters and this plot never for a moment rang true to me, and I figured the conclusion out well ahead of the end. There's a real disdain expressed here for young professionals and the manner in which prosperity has supposedly 'destroyed' the Irish culture and way of life. It seems to me that French's pessimistic and judgmental attitude diminishes "Broken Harbor".

What a disappointment!