This is a pretty good book that does what it says it will do: Sets out portraits of the worlds countries at the time as they represented themselves and as they actually behaved. But the audio presentation is ruined by a reader and/or producer who has no idea how to pronounce the terms used or the names of people or places.
For example, the French centime is pronounced SAHN-teem, not SENT-time; a "row", as in tussle, sounds like, "Ow! You hit me", not Row, like your boat gently down the stream; Camille Saint-Saens is san-SOHNS, not sant sigh-ENS.
Simple words were mispronounced, like saying "pro-TESTS in the streets", instead of, "PRO-tests in the streets." Granted, the Qing Dynasty is not commonly known to be pronounced CHING Dynasty, but in the age of the internet wouldn't it behoove producers of audiobooks to check these things out? It's certainly not KWING Dynasty, as pronounced in this book; there's no "u".
My enjoyment of this book was ruined by cringing every few minutes at the continued, flagrant disregard for the listener's intelligence as regards simple knowledge of the proper pronunciations. But what can one expect when the makers of the product are ignorant themselves?
How hard can it be to simply check these things before recording? Otherwise, the reader did a serviceable job, his voice reminding me of the excellent Scott Brick.
This is the first time I have ever been inspired to write a review for an audiobook. Too bad it's because of the poor quality of its production.
I know the current trend is to eliminate the engineer and producer/director, and have the voice actor record and edit themselves without oversight, but if this is a product of this kind of system perhaps it should be reconsidered, and preferably abandoned.
Quality work needs the input of professionals of specific disciplines. Let the engineers record, the directors direct, the producers produce, and the actors act.
If this sort of shoddy product is the result of cheap budgets why do them in the first place?
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