The best Le Carre yet, revealing the impenetrable moral equivocations of the corporate ascendancy in politics and war. The author reads with such simplicity and depth.
In a beautifully narrated presentation, Atkinson's novel unfolds to us, layer upon layer, a story of great depth and character. A thriller, a saga, a deep well of richness in which to immerse yourself.
The narrator does not help the overly complicated and yet simple-minded plotting of this overblown thriller.
This one is a little more fantastical and less character driven than other of Goddard's intricate plotted stories. But Michael Kitchen's narration always elevates any material and so it was a very enjoyable journey.
Why oh why did the publishers move away from Gerard Doyle as a narrator for Stuart Neville's books? I actually returned this one because I couldn't bear to hear Alan Smyth read one more word of Stuart Neville's fine writing. Forced character voices and a wretched habit of hitting sentences with false emphases and exaggerated emoting which made it sound like it was being read by an adolescent. Narrators like Gerard Doyle, Michael Kitchen and Anton Lesser elevate and enhance the experience without distorting the tone of a novel. I wish publishers (or whoever chooses the narrators) would take more care.
Second only to Snowman. Nesbo gets better and better and this one is intricate and thrilling. Robin Sachs is a terrific narrator and perfect for the tone of this series. But someone should tell him how to pronounce Harry's last name. It has two syllables.
Love Connelly, have listened to every one of his books. Thought Len Cariou was the best Bosch narrator, although there have been many good ones. Unfortunately Michael McConnohie has ruined this latest of the series with his announcer-type of narration. Jeez, it's not a commercial on the radio, it's a mystery! Couldn't they get a good actor or narrator for this very successful and excellent writer?
The combination of compelling story telling, trenchant humor and delicious characterizations conspire to make this a classic Zen mystery. Michael Kitchen owns this series in his mastery of the ironies and complexities of tone in Dibdin's terrific book.
For anyone who read the Artemis Fowl series, John Keating's narration will be a huge disappointment. Colfer is a witty and smart writer, but Keating trivializes and "cartoons" the writing. Why oh why didn't the wonderful Nathaniel Parker read this book... especially since it is Colfer's first, and we hope not last, venture into writing for adults. Still and all, a must listen because the writing is so good.
Obvious, awkwardly written and bereft of character: I couldn't get through it though I tried.
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