First, Nadia May does a fantastic job reading this novel. She brings out the satire, where appropriate, but without laying it on too thick. She animates the characters, but especially Moll herself. The pathos of some of their stories comes through as well, and the HORROR of Newgate Prison.
The story itself is full of sympathy for its main character, almost, it seems, despite Defoe's stated Whig tendencies. I would definitely listen again!
Timothy West is always amazing, so we'll focus on the rest. This surely must be one of Trollope's bleakest novels. No character goes completely unscathed. But on the other hand, not one is left completely undeserving of our sympathy or at least some respect. But it is, for precisely those reasons, one of the most satisfying. There are at least two amazing characters in Winifred Hurtle and Augustus Melmotte. Well worth the listen!!
Wonderful book in the Palliser series. The heroine is a brilliantly sketched woman of deep skulduggery, and her shenanigans play out beautifully here.
Whithout a doubt Timothy West is the BEST reader of Trollope on Audible. And this story, the next to last in the Palliser series, is one of the most affecting.
This novel succeeds in detailing, and almost exuding, sympathy for a young, ambitious man. But even more, it provides an astonishingly empathic reaction to the limitations inherent on the lives of three stunning femaie characters. Of the many Trollope novels I've read (at least a dozen), this ranks with the best.
The first and only Trollope I've been unable to finish. Got 3/4 of the way through, but this book is TOOOO much about the same things--marriage, marriage, marriage--with too little of anything else, such as character development. Too bad!
David Rakoff as a narrator can only be taken in small doses; he is lugubrious, monotonous, boring. His writing, on the other hand, is lovely, challenging, and well worth the time.
Entwistle's annoying habit of punching up the "slyly humorous" bits of internal monologue are not nearly as evident here, allowing her otherwise lovely evocation of Flavia to shine. Bradley, too, while still tending to over-express the obvious in Flavia's analysis, has written a tighter, more affecting book than the last two in the series.
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