Sunderland, MA, United States | Member Since 2014
I enjoy most of Georgette Heyer's books, but really *loved* this one. The Duke of Avon is perhaps Heyer's most memorable character (she must have thought so too, since she resurrected him from a slightly different incarnation that appears in her first-ever book, "The Black Moth," and then brought him back for a sequel--I think the only time she ever did that--in "Devil's Cub.")
I was swept up in this one from the beginning. Love the narration, the story, and the hero(s), and really love Leonie, our heroine (who also shows up again in Devil's Cub). Ending is somewhat surprising given Heyer's usually lighthearted approach, but all works together for the best.
Brother Cadfael is a monk and herbalist/healer in a 12th-century Benedictine abbey on the border of England and Wales--an historically accurate location whose ruins can still be visited. The novels are set during a time of civil war and unrestas two cousins, Steven and Matilda (the Empress Maud) compete for England's throne. This series, published between 1977 and its author's death in 1995, helped launch the "historical sleuth" genre of mysteries. As with many series, the early-middle entries (Chronicles 3-8 in my opinion) seem to me to be the strongest. This entry, Chronicle 4, is one of my favorites.
There is an embarrassment of riches on Audible when it comes to narrator choice for this series. Patrick Tull, best known for his splendid narrations of the Aubrey/Maturin nautical novels, is an excellent choice for the "monastic" atmosphere of the series. But since Cadfael's stories lack the action of Aubrey's sea battles and political intrigues, Tull's low-key (if forceful) presentation can become soporific. Sir Derek Jacobi played the title role in the BBC dramatizations. Stephen Thorne is a classic English reader; his presentations are faultless, but not compelling. Then there's Johanna Ward.
It may seem strange to have a woman narrate these stories, in which almost all the major characters are male. But I found her reading to be highly enjoyable, moving faster and with more energy than other versions of these stories I've listened to. Whichever narrator you choose, if you like classic historical mysteries with lots of period ambience, you should enjoy these books.
Some people have found this second volume of the trilogy a letdown after the superb "Amulet of Samarkand," but I actually liked it better. A very satisfying ending sets up the final-volume finale. Simon Jones is at the top of the all-time great narrators list, and when he's matched with terrific characters and a suspenseful story, it's audio bliss.
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