If you're a history, sociology or anthropology nerd, this book is a fun, light listen, in the vein of the $64 Dollar Tomato. I think the first section, on the evolution of the modern apple, is the most fascinating of the book.
I'm a big fan of Scott Brick's narration - he's easily one of my favorite male narrators.
This book is filled with love, and humor, and ridiculousness. I've listened to it twice now. Love this book! Seriously.
Too rapey. Within the first chapter, the implication that the main character is in constant danger of being raped or coerced into semi-consensual sex soured me on the entire book and I'm returning it for my credit.
I want so very much to love this series. It's so close to good, but the ways it fails are really spectacular to me.
One - why write in a couple dynamic if they're going to be petty and awful towards each other? Abby is downright snotty about helping Dutch out, and then he's just dreadful towards her. It's uncomfortable. The author doesn't seem to like these two as a couple.
It's the author's prerogative to write whatever dynamic she wants, but it's my prerogative not to listen. I'm done with the series once I finish this book.
Two - the treatment of TJ, the single gay character in the book, was small-minded and awful. If your punchline is a person, and the person is funny because he's gay, you've missed a mark somewhere.
We found this book to be quirky, adorable and quite enjoyable. I think it's worth your time, though expect a very idiosyncratic little story.
One - this book ends in almost a cliffhanger; there's no resolution.
Two - at the end, it gets suddenly a little creepy and a little dark, and needs a trigger warning.*
Three - from the author's website, it looks like it's book one in a series. Book 2 is due out in hard cover sometime next month.
With all of that out of the way, I loved this world. I loved the protagonist, I loved that it's a fantasy world that's absolutely NOT elves and orcs. I appreciated the language and the plot twists, even though I called them fairly early.
adding some space for trigger warnings, which are also a lot spoiler:
*You'll probably catch on through the scenes with the visiting dignitaries that one of the king's daughters is being pawed at by members of a court described as "debauched". For a brief, sickening, awful few minutes, it seems that a Princess is being traded in marriage to a child molesting viceroy. I almost stopped listening. child trafficking, complicit family members, etc. I stopped reading game of thrones, because I don't need that stuff in my fiction, right? But the heroine literally jumps in and stops the proceedings, at the risk of her position at court, and the story is redeemed. Mostly. I still don't know that I feel the need to waft child rape and molestation through my otherwise enjoyable fantasy stories - "realism" aside.
This is a lovely, heartbreaking, awkward book - perfect for the story it tells. It's worth hanging in and listening to the interview with the author at the end.
I love the characters, the reader, the pacing. Deborah Harkness writes with the clarity of somebody who knows a city and loves it; the campus of Oxford is as much a character in the story as Diana or Matthew. The story is witchy and full of vampires without being cliche or trite.
It took me a little while to catch on to the time shifts - pay attention to those. Once the rhythm and cadence of the story catches you, it's easy to see the characters in their world. I listen to very few books a second time, and would seriously consider relistening to Night Circus.
I avoided all spoilers. I had no idea what the story was about, or who the major players were - just that there was a strong female lead.
This story isn't quite a thriller - there's too much politics for that. But it was a pleasant, engaging set of intertwined plots. And the narrator was pretty much perfect for the part.
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