On the whole, I thought this was a worthwhile course. Although I was familiar with most of the philosophers and philosophical movements covered in the course, I got introduced to some I had not heard much about before. His summary of Hegel is particularly excellent, since Hegel is notoriously hard to summarize.
However, I admit to being rather disappointed by the lecturer's aside about "Foucault's exploration of sexuality - which he also explored in his personal life, and died of AIDS". I found this unnecessary and subtly homophobic. Furthermore, it had the effect of subtly eroding the potential validity, or objectivity of this theorist's work.
It was a little thing. But when I heard it, it disappointed me and forced me to question the objectivity of many of the lecturer's earlier assertions on philosophers I knew less about.
I've just spent the most delicious, rich16 hours with this audiobook course. This course is organized around the central theme of American individualism - its presence and absence in the texts, the making and breaking of persona, the way it plays into society and the way society affects it. It's a nuanced, deep dissection of how that has played out in the American novel and other ancillary writings.
Prof. Weinstein offers some vibrant new ways into reading some familiar, and some not so well-known pieces of American literature. I'd buy any course he taught.
Prof. McWhorter's lectures were outstanding I learned so much that I didn't know about the origins, the structure and the evolution of human language. It really opened up a whole new world on a subject I didn't even realize I was all that interested in.
I found his continuous dismissal of the effect of culture on language a little ...um... questionable, but this is his take on it, and he resides in a field that doesn't have a lot of time for cultural criticism, so that's okay. I took it on board that this is one way into the subject, and one I didn't know a lot about.
I'll never listen to dialects or accents the same way again. I'll never bemoan the eclipse of certain words in my language, or the addition of new ones I find silly again. It's language growing and changing and without it, a language dies.
Wonderful. This is a keeper. I'll be listening to it again.
This is a very comprehensive course on Nietzsche. Not just his works and his thoughts, but there is a rather helpful and contexualizing of his life as well.
It's a real pleasure to listen to lecturers who love their subject. A few, though by no means all, of these Courses series are taught by people who have a really selective preference for certain parts of what their teaching, but not all of it, and it shows.
Professors Higgins and Solomon are tremendous fans of Nietzsche's work; it comes through in their passion and enthusiasm for the topic and it makes some of the harder-to-grasp concepts presented much easier to take on board.
I also really appreciated some of the back and forth, dialogic style of the presentation. It made the apologetics more vibrant and fertile.
This was an incredibly compelling audio course. I appreciated Prof. Solomon's inclusion not only of philosophical thinkers but also writers like Camus, Hesse, Dostoyevsky and Kafka. Their inclusion helps greatly to bring the elements of the philosophy out of dry generalities and into the real of human experience.
I highly recommend this course for anyone interested in existentialism, but also for a richer look at the works of writers mentioned above.
Professor Markos is a passionate teacher on the history of poetry. I was a little disappointed that he was only covering poetry when I started the course, but quickly got engrossed in his lectures because he has organized the course very well and so some of the more difficult concepts of that emerge in the 17th, 18th and 19th Centuries were very well explained.
However, when Prof. Markos gets to the 20th century, it becomes very clear just how disenchanted he is with even modernity, not to mention post-modernity. His derision is obvious and unhelpful. Primarily because, for instance, people like Derrida are some of the hardest philosophers to understand when it comes to literature. I could have used less derision and more information.
I am an unapologetic devotee of the Joe Ledger novels. Maberry's hero just gets more broken, wittier and more loveable with every novel.
It leaves all the other paranormal /military thrillers behind in the dust. But so do all the others in this series.
Ray Porter's narration is flawless.
This examination of the Dyatlov pass was interestingly structured and had a good sense of immediacy. A hard thing to achieve in a book that looks at a 50 year old mystery. Although not as slick as a professional narrator, the author does an excellent job of narrating his own text. My one criticism is the ending. The skepticism that is sustained throughout the book falters rather badly at the end.
I was really hoping to like this. I'm a fan of the paranormal detective/thriller genre. But apart from being superficially 'noirish', this was deeply disappointing. It's gravely lacking in any of the attributes that make the genre engaging. It does nothing creative with any of the various paranormal mythologies. The plot is predictably structured and plods along. But all that would be forgivable if the characters had any depth or humour or a spark of intelligence.
It was not helped by the clichéd and annoying narration.
People often dismiss Grisham as lightweight airplane novel material, but after years of listening to some pretty dismal storytelling, my return to Grisham reminded me of what an incredibly skilled writer he is. Admittedly, Jake's wife is a bit of a prop to show he's a family man, but on the whole, his characters are meaty and challenging. The plot is solid and well-constructed and gripping and his pacing is absolutely immaculate.
At no point did I do what I usually do these days, which is groan and wish the writing had been better edited. There's no fat on this story. It's all lean, page-turning (pod-listening?) goodness.
In an era of a lot of self-published, unedited, badly finished fiction, John Grisham is a long, tall drink of cool water.
This is a really lighthearted little mystery/romance series. No depth to speak of, but humourous in places.
I did guess the solution of the 'who-done-it' very early in the book, which was a little disappointing. Also, the author could have done a slightly better job with research. The heroine calls 999 (the number for emergency in the UK - equivalent to the US 911) several years before it was instituted.
However, high praise for the narration. Katherine Kellgren is excellent.
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