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bill doyle

Bloke who took to audiobooks in order to beguile long hours on the road travelling to photography gigs across his home state. Now addicted!

adelaide, south australia | Member Since 2011

  • 18 reviews
  • 118 ratings
  • 462 titles in library
  • 38 purchased in 2015

  • Storms of My Grandchildren: The Truth about the Coming Climate Catastrophe

    • UNABRIDGED (12 hrs and 28 mins)
    • By James Hansen
    • Narrated By John Allen Nelson
    • Whispersync for Voice-ready

    In Storms of My Grandchildren, James Hansen - the nation's leading scientist on climate issues - speaks out for the first time with the full truth about global warming: the planet is hurtling even more rapidly than previously acknowledged to a climatic point of no return. Although Hansen was Al Gore's science adviser for the 2006 documentary An Inconvenient Truth, his recent data shows that our situation is even more dire today.

    Brad says: "This is a must read"
    "Read him before you rant about him!"

    In the early part of the 21st Century few figures have been as respected, and simultaneously reviled, as Jim Hansen.

    Perhaps only his colleague Michael Mann has surpassed him as a target of the so-called climate 'skeptic' community - many of whom, sadly, fail to live up to their self-assumed name.

    Many would have you believe that the man is a fanatic, an environmental extremist, a zealot - even a scientific incompetent and/or fabricator of facts!

    Can I suggest that if you give this book a fair hearing - literally in the case of the audiobook - you simply cannot justly hold these claims to be true.

    That Hansen is a sincere man is undoubtable. That he presents a compelling case for recognising the risks we are collectively running in conducting a radical experiment on the one atmosphere we possess is also beyond dispute.

    Hansen, director of NASA'a Goddard Institute of Space Studies, has been doing this for a long time, and is one of the pioneers of the field of climatology, and is certainly the first internationally-known advocate of the phenomenon we know as Global Warming.

    Certainly one can argue with some of his prescriptions; though a rapid phase-out of our reliance on coal can hardly be questioned if we accept the evidence, whether we should embrace nuclear power or adopt a tax-and-dividend strategy - as opposed to the market mechanism of cap-and-trade (now, ironically, opposed by many 'Free Traders', who tend to deny the reality of anthropogenic climate change) - will remain much more open to debate.

    But these are exactly the points we should be discussing in the face of such a crisis, and nobody is a greater authority on the predicament that we are in than Hansen himself.

    Hansen presents himself, convincingly, as a centrist, small 'c' conservative type of fellow, who really would be quite happy to just do the Science and avoid the abrasive scrutiny of the limelight, were it not for the fact that he feels he owes his grandchildren a livable future.

    He presents the dangers graphically and clearly. He has concluded that 350 ppm of atmospheric CO2 is the maximum safe target - this, Dear Reader, is already well surpassed, and receding further into the distance with every day that passes. This suggestion of Hansen's has been the inspiration for Bill McKibben's climate action group,

    Beyond 350ppm we enter dangerous waters indeed. Hansen is certainly the most prominent qualified authority to warn of the most dire consequences, with regard to future sea-level, extreme weather events - the eponymous 'storms' - and even runaway feedback mechanisms leading to genuinely catastrophic consequences.

    One can only hope things will never be that bad - but we ignore such voices, merely because what they are saying triggers our defensive 'that could never happen to me (or my children!)' reflex, at our peril.

    The excursion into a short, pedagogic science-fiction story based on a future hyper-warmed Earth towards the end of the book constituted the only really jarring note in the story itself for me.

    I also found the reading by John Allen Nelson to be mildly jarring - rather too uninflected for my taste, and somewhat monotonous.

    But neither of these mild reservations is sufficient to mar my enthusiastic endorsement of this audiobook.

    4 of 4 people found this review helpful
  • Not the Impossible Faith

    • UNABRIDGED (12 hrs and 49 mins)
    • By Richard Carrier
    • Narrated By Richard Carrier
    • Whispersync for Voice-ready

    Written with occasional humor and an easy style, and thoroughly referenced, with many entertaining "gotcha!" moments, Not the Impossible Faith is a must-listen for anyone interested in the origins of Christianity. Richard Carrier, PhD, is an expert in the history of the ancient world and a critic of Christian attempts to distort history in defense of their faith.

    Nathanael says: "Excellent critique"
    "Fish, meet barrel."

    In the course of listening to this audiobook I was reminded of Noam Chomsky's systematic, morbidly-fascinating - and somewhat disturbing; 'should I be watching this?' - demolition of B.F. Skinner's behaviourism.

    You don't have to have read J.P. Holding's original to enjoy this book. There is a wealth of fascinating material in here, and the context is set up effectively enough to follow the refutation.

    Or demolition.

    As a happy agnostic - I don't call myself an atheist simply because I really couldn't be bothered feeling obliged to argue over such self-evidently irrational beliefs - Carrier's book was a (slightly guilty) pleasure, with much of historical interest. A Christian would be less likely to enjoy it, obviously, depending on the extent of their ahistoric fervour. But it's notable that reading Carrier and Bart Ehrman has made me MORE inclined to pick up a bible, not less...

    It's debatable whether Carrier really should read his own books - mellifluous he ain't - but it's a perfect union of tone and content.

    2 of 2 people found this review helpful
  • The Martian

    • UNABRIDGED (10 hrs and 53 mins)
    • By Andy Weir
    • Narrated By R. C. Bray
    • Whispersync for Voice-ready

    Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive—and even if he could get word out, his supplies would be gone long before a rescue could arrive. Chances are, though, he won't have time to starve to death. The damaged machinery, unforgiving environment, or plain old "human error" are much more likely to kill him first. But Mark isn't ready to give up yet. Drawing on his ingenuity, his engineering skills—and a relentless, dogged refusal to quit—he steadfastly confronts one seemingly insurmountable obstacle after the next. Will his resourcefulness be enough to overcome the impossible odds against him?"

    Michael G. Kurilla says: "Macgyver on Mars"
    "Best case against the live-crew space program yet!"

    'What?' you say. 'Triumph of the human spirit', 'boldly going etc. etc.' - surely this book is making a case for the exact opposite of curtailing the real-live-human space program?

    Doubtlessly it is, but then how, definitively, almost surreally, pointless this whole account is. Towards the end the author - rather disingenuously, surely? - inserts the words 'if this was a movie...' into his protagonist's narrative, but that's exactly what this book is, really; one very prolonged script treatment for a summer multiplex blockbuster.

    For a start, the main character is the usual glib, quip-happy smartarse, and one suspects the author had a few high-fee-commanding heavyweights in mind throughout. And then there's the plot, which struggles valiantly to achieve the new peaks of out-of-this-world implausibility required to pack them into the 'plexes.

    But what's really striking is the absolute lack of either science or wonder. If you've ever suspected the whole 'putting people in space' thing was a galactically-expensive circular exercise in letting the privileged people in space primarily research what happens to, um, the privileged people in space, nothing in this book will contradict you. Sure, there's an absolute overload of engineering, but actual science? Ummm... not so much. Towards the end of the story hand-waving references are made to our hero 'collecting samples' and doing,um, 'research' - and this is about the level of detail provided! One suspects that the author suddenly realized there hadn't really been any hitherto, and, hang on, this is what all the 'boldly going' is supposed to be about, isn't it?

    But it's not, really, deep down, is it? It's really about creating action blockbuster scenarios. In real life. So expensive they make summer-blockbuster outlays look like pitiful stacks of small-change by comparison. Because it's assumed that the breathless listener simply cannot figure out that this mission, as described, is a blatant failure. No, we must all fantasize that this is really some sort of semi-stumbling first step on the road to a wider galactic frontier...

    Dream on.

    What's really striking is the absolute lack of a vision of another world - Mars - in this novel. It's dusty, It's red. It has rocks. The main enemy on the protagonist's planet-crossing traverses is... boredom! We're promised a dramatic landscape that - remarkably - never materializes! Our hero is simply never moved by a sunset on another world. Incredibly, he never looks to the small blue dot of Earth and pines! Or ponders! I mean; seriously? The entire fricking Universe merely serves as a backdrop for a narcissistic, wise-cracking, tech-geek action adventure!

    Don't get me wrong; it's a sufficiently entertaining ripping yarn to have gotten me through to the finish, certainly, but, please, let's never do this in reality, eh?

    We have - relatively - inexpensive machines that can go to Mars and take samples. And a world full of real problems down here that could do with the rest of the money...

    (Proper review-style note: the narration perfectly suits the story.)

    0 of 0 people found this review helpful
  • Lost on Planet China

    • UNABRIDGED (10 hrs and 52 mins)
    • By J. Maarten Troost
    • Narrated By Simon Vance
    • Whispersync for Voice-ready

    When the travel bug bit, J. Maarten Troost took on the world's most populous and intriguing nation. As Troost relates his gonzo adventure - dodging deadly drivers in Shanghai, eating yak in Tibet, deciphering restaurant menus (offering local favorites such as cattle penis with garlic), and visiting with Chairman Mao (still dead) - he reveals a vast, complex country on the brink of transformation that will soon shape the way we all work, live, and think.

    Dan says: "Funny but harsh with some underlying truth."
    "Simon Vance; redeemer of one long whinge?"

    China is another country - they do things differently there.

    I suspect strongly that Simon Vance's narration is all that saves this book from utter unbearability - his soothing, very British intonations smoothing-over and camouflaging a tale that should, in justice, probably be delivered in a nasal, wheedling, north-American whine.

    The Chinese, you see, in Troost's eyes, simply cannot do anything right.

    His account is in the gonzo comic style, and might almost be compared to Bill Bryson, except that Troost has little interest in the locals' opinions. After all, he has so many of his own to give us.

    Make no mistake - this is an entertaining account, and doubtlessly, of course, much of his criticism is justified, particularly of the regime. But it's striking how his cynicism - and, I'll add, his skepticism - switches off the moment he crosses the 'border' into Tibet.

    Probably one to digest before traveling there yourself for the first time, on a forewarned is forearmed basis; hell, after all, it's unlikely your own experience would be worse!

    1 of 1 people found this review helpful
  • The Prague Cemetery

    • UNABRIDGED (14 hrs and 13 mins)
    • By Umberto Eco
    • Narrated By Sean Barrett
    • Whispersync for Voice-ready

    Nineteenth-century Europe, from Turin to Prague to Paris, abounds with the ghastly and the mysterious. Conspiracies rule history. Jesuits plot against Freemasons. Italian priests are strangled with their own intestines. French criminals plan bombings by day and celebrate black masses by night. Every nation has its own secret service, perpetrating forgeries, plots, and massacres.

    Mario says: "Classic Umberto Eco"
    "a protagonist of sheer, unrelenting awfulness..."

    I see this as a return to form - this is, for me, Eco's best work since Foucault's Pendulum; after having more-or-less sworn off him after wading through 'The Island of the Day Before', I'm glad I decided to give the genius responsible for The Name of the Rose 'one more go' via this novel.

    Admirers of Pendulum would recognise much in this account: the erudite history; the arcane knowledge of matters both bizarre and mundane; the disturbing, queasy paranoia.

    But what really marks this book is the sheer bloody awfulness of the protagonist!

    The audible sample's risible, poisonous rant is a great introduction to him - be warned, this man is absolutely appalling, and his repulsiveness is unrelenting, and little relieved in the course of the narrative. If you find the sample blackly comic and strangely compelling you may enjoy the book; if, on the other hand, you find yourself grossly offended this is unlikely to be the story for you.

    After all [mild spoiler alert], just how repulsive would you expect the author of the Protocols of the Elders of Zion be? Well, at least this awful, surely?

    Just don't expect much in the way of justice or redemption at the resolution. This is a novel about humanity at its absolute basest. This unprincipled, antisemitic, xenophobic, ultra-reactionary psychopath holds an unforgiving mirror to the darkest side of the European psyche. And we all know what followed...

    In short, a truly dreadful story, beautifully read by Sean Barrett.

    0 of 0 people found this review helpful
  • The Lake Frome Monster: An Inspector Napoleon Bonaparte Mystery, Book 32

    • UNABRIDGED (3 hrs and 54 mins)
    • By Arthur W. Upfield
    • Narrated By Peter Hosking

    What is the Lake Frome Monster? Why are the Aborigines so terrified of it? And what dreadful part did it really play in the sudden death of a former roving reporter? When Inspector Napoleon Bonaparte is called in, everything goes against him. There is even a vicious attempt on his life....

    bill doyle says: "Short, well read, and geographically-challenged!"
    "Short, well read, and geographically-challenged!"

    First off, as a South Australian, I have to point out that I was mystified by the idea of someone working along on a fence on the border between New South Wales and my home-state, and yet somehow confronting a 'Lake Frome Monster' and being near 'Lake Frome Station'. Um, do you reckon? Google 'Lake Frome South Australia map' and you'll see why this troubles me.

    However, Upfield's novels usually have something of the fantastic about them, and compared to planes that land themselves after the pilot has bailed out or people driven to murder by their thwarted addiction to staring into windmills this geographic anomaly is pretty mild!

    In fact, the plot's relatively straightforward, the solution surprisingly plausible, and the dated 'isms' (sexism, racism) pleasantly constrained.

    So go ahead, but be aware this won't while away the long drive to, say, Broken Hill. This, the unfinished novel, completed from his notes after Upfield's death is, perhaps not surprisingly, brief.

    As usual, Peter Hosking reads beautifully.

    2 of 2 people found this review helpful
  • Weird Life: The Search for Life That Is Very, Very Different from Our Own

    • UNABRIDGED (8 hrs and 3 mins)
    • By David Toomey
    • Narrated By Eric Martin

    In recent years, scientists have hypothesized life-forms that can only be called "weird": organisms that live off acid rather than water, microbes that thrive at temperatures and pressure levels so extreme that their cellular structures should break down, perhaps even organisms that reproduce without DNA. Some of these strange life-forms, unrelated to all life we know, might be nearby: on rock surfaces in the American southwest, hydrothermal vents on the ocean floor, or even in our own bodies. Some, stranger still, might live in Martian permafrost, swim in the dark oceans of Jupiter's moons, or survive in the exotic ices on comets.

    Douglas says: "Very Interesting..."
    "weird life - perhaps!"

    As many have pointed out, this isn't a catalogue of the monstrous and marvellous. This is a discussion of the hypothetical boundaries of life as we could anticipate finding it sprawled across the universe.

    First off, let me say that I bet we never find any evidence for giant dirigible beings floating up and down in the thick, turbulent gaseous atmosphere of some distant, surfaceless planet. I mean, what the hell are they eating? Where are the parallels in our own atmosphere?

    This kind of sets the tone for the 'gee whiz', science-fictiony aspect of much of the book, and as a consequence I, for one, significantly discount the author's apparent 'optimistic' assumptions about the virtual inevitability of life virtually everywhere you might chance to look.

    As for the 'if' 'if' 'if', and 'then' robot brains have taken over and are evolving themselves, and that's the kind of intelligent life SETI will encounter stuff - give me a break! Because, like, smart phones! Geez!

    Surely the core of life is that life strives, and life intrinsically cares very much about the continuation of its own existence? Programming some hyper-processed chip of sand to BEHAVE as if it did (and, sorry, that is all that it will ever do) is not even close to being the same thing, but could, ironically, turn out to be one of the most suicidally reckless acts undertaken by our suicidally reckless species.

    Oh, and what about your bloody hands, people!? Giant centipedes ain't going to evolve the intelligence to build technological civilizations - and, vitally, to store and readily transmit the information required - any more than dolphins are! Or develop much in the way of an intellect at all! Another sad limiting case the author doesn't really tackle - if you cannot manipulate the world around you competently there is no selective pressure for you to evolve the kind of brain-power we recognise as intelligence. Let's face it; any putative wind-tossed gasbag's thought processes would amount to little more than 'da da dum dum' and 'ooooh'.

    There is much of interest in this book, and much that is genuinely thought-provoking. But if you're looking for a catalogue of freaky animals, go elsewhere, and otherwise anticipate a fairly regular 'yeah, sure' response...

    0 of 0 people found this review helpful
  • Let the Dead Sleep: Cafferty and Quinn, Book 1

    • UNABRIDGED (9 hrs and 43 mins)
    • By Heather Graham
    • Narrated By Natalie Ross

    It was stolen from a New Orleans grave - the centuries-old bust of an evil man, a demonic man. It’s an object desired by collectors - and by those with wickedness in their hearts. One day, its current owner shows up at Danni Cafferty’s antiques shop on Royal Street, the shop she inherited from her father. But before Danni can buy the statue, it disappears, the owner is found dead…and Danni discovers that she’s inherited much more than she realized. In the store is a book filled with secret writing: instructions for defeating evil entities.

    bill doyle says: "it's a scary bust!"
    "it's a scary bust!"

    SPOILER ALERT (but you know what's coming anyway!)

    All-American girl bereft by recent loss of her dear, dear, faultless, kind-hearted, salt-of-the-earth character father. CHECK

    Handsome investigator who initially clashes with said heroine and then... well, you know the rest. CHECK

    Heroine doesn't bother to clarify what her sainted father - bless him - was actually up to, and what this supposed legacy from him to her is until chapter 5, despite constant references to it by the other characters. CHECK

    Heroine is supposed to be committed to doing something by way of profession - in this case she's, like, an artist - but exhibits no marked inclination to undertake any activities relating to it. Except for the occasional plot purpose (see below). CHECK

    It's set in New Orleans so we get a sort of liberal, first-amendmenty tour of Voodoo from an apparent closet rationalist, not-at-all-crazy-and-scary voodoo priestess who helps us understand it's all really not-at-all-crazy-and-scary, and Good Voodoo isn't really the problem. Whew! CHECK

    Comically silly villain. CHECK (not many are sillier, actually!)

    And deluded menials. Who think they can harness 'the power' for themselves. Mwahahaha. CHECK

    Sex scenes that manage to pitch somewhere between the comic and the turgid. CHECK

    Heroine doesn't work out the multiply-telegraphed reference to, you know, that thing that's been niggling at her in the two sentence instruction from her sainted father - God rest his soul - until just before the climax (not the one alluded to above!) despite its, ahem, blinding obviousness. CHECK

    Cell phones that work in a heavy stone-walled crypt, underground. CHECK

    Heroine who's specifically instructed not to trust anyone is left alone at the strategic moment and trusts, you guessed it, a wrong someone. CHECK

    A wrong someone who, despite all that's gone on before, squibs out on simply and conveniently killing, rather than just knocking out, the heroine's putative 'protectors', because it just wouldn't do to kill a dog now, would it? CHECK

    And, wow, like that finished painting she did in, like, an hour in her sleep was prophetic all along! And you'll never guess who the sacrifice depicted was!? CHECK

    And, like, wow, that other woman was the evil priestess all along! Who'd'a'thunkit?! CHECK

    Let's face it; you've heard this book before. But it may beguile a few hours if you're relatively untroubled by the above...

    As for the reading, it's spirited enough (boom boom!), but perhaps you, like me, will remain unsure who's supposed to be a Scot, and who's Irish, and whether nationals of either country would recognize themselves...

    7 of 8 people found this review helpful
  • Unnatural History of the Sea

    • UNABRIDGED (12 hrs and 48 mins)
    • By Callum M. Roberts
    • Narrated By Callum M. Roberts
    • Whispersync for Voice-ready

    Humanity can make short work of the oceans' creatures. In 1741, hungry explorers discovered herds of Steller's sea cow in the Bering Strait, and in less than thirty years, the amiable beast had been harpooned into extinction. It's a classic story, but a key fact is often omitted. Bering Island was the last redoubt of a species that had been decimated by hunting and habitat loss years before the explorers set sail.

    JOHN H. RUSSELL III says: "Fish for You"
    "A great tale of the sea. Read it."

    Even if you think you know what we've done to the oceans, the fact is, you probably don't.

    Roberts does a great job making you aware of this in painstaking, but never laboured, detail.

    Particularly interesting is the treatment of secular hero, and Darwin ally, Thomas Huxley, who managed to be hopelessly wrong about the interaction between natural systems and market forces not once, but twice, and who doubtlessly went to his grave thoroughly convinced that it was reality that was the party at fault! His high-handed, patronising treatment of witnesses at his inquiry is cringe-inducing, and gave me a new perspective on the man, and the foibles of intellectual arrogance.

    Which, really, is the message of the book. Free markets in the oceans are a disaster. Marine parks and competent regulation are the solution.

    At the very least you'll gain an insight into why your grandchildren ended up living off jellyfish...

    0 of 1 people found this review helpful
  • Fidelity

    • UNABRIDGED (11 hrs and 7 mins)
    • By Thomas Perry
    • Narrated By Michael Kramer
    • Whispersync for Voice-ready

    When Phil Kramer is shot dead on a deserted suburban street in the middle of the night, his wife, Emily, is left with an emptied bank account and a lot of questions. How could Phil leave her penniless? What was he going to do with the money? And, most of all, who was he if he wasn't the man she thought she married?

    Jerry Hobart has some questions of his own. It's none of his business why he was hired to kill Phil Kramer. But now that he's been ordered to take out Kramer's widow, he figures there's a bigger secret at work - and maybe a bigger payoff.

    richard says: "Thomas Perry is, quite simply, brilliant."
    "A miserable little story, sparingly told."

    This seems to be Thomas Perry's attempt to write a kind of 'No Country for Old Men'.

    He doesn't make it.

    A bunch of not-particularly-sympathetic and not-particularly-rounded characters meander through a mystery tale that's competent, rather than compelling. Frankly the revelatory 'twist' exposition which is compulsory in these things was not only thoroughly telegraphed, it was stretched almost beyond breaking-point, and if I hadn't been driving I'd have fast-forwarded through most of it it!

    (And, yet again, we are left to wonder 'what is it with the contemporary American admiration of sociopaths'?)

    Anyway, you get what you pay for, and it's well read. Only, if you have a choice, go for Cormac McCarthy, eh?

    1 of 1 people found this review helpful
  • Zombie Economics: How Dead Ideas Still Walk Among Us

    • UNABRIDGED (8 hrs and 6 mins)
    • By John Quiggin
    • Narrated By Gideon Emery

    In the graveyard of economic ideology, dead ideas still stalk the land. The recent financial crisis laid bare many of the assumptions behind market liberalism--the theory that market-based solutions are always best, regardless of the problem. For decades, their advocates dominated mainstream economics, and their influence created a system where an unthinking faith in markets led many to view speculative investments as fundamentally safe.

    Josh says: "Mediocre"
    "They shamble among us, crying out for our brains!"

    We live in a world in the feverless grip of undead and undying ideas, whether it be the notion that climate change really isn't happening and the world's science academies are actually over-run by secret Communists, or that austerity is a peachy - and 'commonsense' - antidote to recession.

    Though Quiggin's interests range across the Zombie spectrum, his specialty is Economics, and this is where he concentrates raining his defensive blows in ensuring that the dead stay down, as they're supposed to.

    He patiently, and entertainingly, explains all the reasons that the premises of what he calls Market Liberalism - and what you may know as Thatcherism, Reaganism, or Economic Rationalism - were rendered defunct and incapable of resuscitation by the Global Financial Crisis of 2008.

    Why have ordinary working people voted against their own best economic interests, across the Anglophone world in particular, for decades? Why do we live in a society where corporations are people, billionaires are 'just plain folk' - and need hardly be expected to pay much in the way of tax accordingly - and yet schoolteachers and climate scientists are dangerous elitists who threaten our way of life? Oh, the humanity!...

    To really know what's gone wrong for the living you must understand the undead, and Quiggin's short tome is a great place to start.

    If I have a criticism it's that Quiggin's short history of ideas in Economics tends to be strongly focused on academics; it sometimes seems as though the ideas might truly only have propagated within ivory towers, rather than having been buoyed along in the social marketplace by the interests of those they have served. Since 1979 that has been, almost exclusively, the 1%; Wall Street, not Main Street, and they have lavishly promoted their necrotising notions with the unprecedented spoils at their disposal.

    This is a great place to start to inoculate yourself against the Zombie pathology.

    Gideon Emery's proficient reading gives a solid Australian voice to this Antipodean author.

    0 of 0 people found this review helpful

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