I was sadly disappointed in this book, as Matheson is one of my favorite writers. I listen to the Audible recording of "Stir of Echoes" about once a year, and have read most of his works. This book, particularly as I hadn't read it before, is weirdly derivative. Anyone who knows Shirley Jackson's "The Haunting of Hill House", which is almost a decade older, can't help but see the screaming similarities, and anyone who's read "The Shining", which came out nearly a decade after "Hell House", will see that Stephen King took many of the poorly-fleshed out ideas of "HH" and explored them more richly. The characters in "HH" are unoriginal and misogynistic, considering it was 1971 and not 1951. I have no complaints about the reader, but overall I thought the story had been done to death myriad times since the Civil War, and this version does not stand on its own merits.
This book is written in a pleasant, joshing tone; a self-deprecating ex-Marine survivalist trying to keep his family and friends alive, under siege in a gated suburban community during a standard zombie apocalypse. I enjoy zombie novels and horror in general, and I've read all the best. Tufo's writing is cutesy and his storytelling clear - he never reaches the literary genius of Jonathan Maberry or the originality of Scott Kenemore, but the character is solid and the narration above par. I *was* enjoying it.
Then I reached past the midpoint of the novel, and the few female characters began to be featured in more-detail. I had to check the publication date to be sure I was listening to a book written in 2010, and not 1940. Tufo's female characters come in two types - aggressive whores and mean, inept feebs. How has this Master Survivalist raised two teenaged sons who stand side-by-side in battle with him, can shoot like marksmen and reload with their eyes closed, yet his daughter - their *older* sister - doesn't know which end of the gun to put the ammunition into. His wife is equally useless, pouty and sullen, and isn't motivated to kill a zombie until she spots the dead slut who almost ruined their marriage years ago. The daughter has value ONLY because she brings a gun-toting boyfriend into the group.
ALL the women in this book are useless at best, and evil detriments at worst. The wife is a chain-smoking bitch who petulantly withholds sex and says things like "If you don't know what you did, I'm not going to tell you!" and cares more about damage to the carpet and the resale value of their house DURING THE ZOMBIE APOCALYPSE. If this is meant for laughs, it's not even a little bit funny. The "other wives" -- and that phrase is used -- are a bunch of similar sniping harridans, more interested in stabbing each other in the back than doing anything remotely helpful.
Tough white guys are pretty standard in this variety of fiction and I'm accustomed to it. I read the Walking Dead series and have been very glad that the often-brutally sexist portrayal in the graphic novels has been largely corrected in the TV series. But even in the original format, women may have been victims, but they were also strong, smart and worth having around.
I understand that there are a half-dozen more books in the Zombie Fallout series, but I fear that Mark Tufo has too many personal issues he dumps into his novels. I won't be reading or recommending any more of them, and will warn half his audience to stay away or risk being greatly insulted.
The second book in the phenomenal Joe Ledger series is possibly even better than the first. I've purchased some of Jonathan Maberry's earlier works now to read on my Kindle, but Ray Porter is THE MOST WONDERFUL NARRATOR IN AUDIBLE HISTORY and handles Maberry's deft prose with compassion and style. I was so thrilled to find out there are 3 more books in the series as well as two scheduled for publication. I have left all other fandom behind. If you're a fan of fantasy fiction, scifi, military novels, martial arts, police procedurals, dystopian thrillers or plain old superb writing, start with PATIENT ZERO and carry on from there.
I've been painfully disappointed in Stephen King many times. From his pompous re-write of the perfectly lovely original "The Stand", adding 500 pages an editor had wisely removed, to his obnoxiously adolescent wind-up of the otherwise pleasant character studies of "Under The Dome".
I had no intention of reading 11-22-63 until several online friends in an eBook club recommended it. I knew they had also felt the same misgivings about the novelist, so I finally decided to take the gargantuan plunge.
I'm so glad. This book is wonderful in both its humility and its enormity. The passionate protagonist is entirely believable and lovable, and his opinions become your opinions, his experiences, your experiences.
I had some misgivings about Craig Wasson, whose voice at first struck me as too ordinary for a monumental story, but I was wholly in the wrong. Wasson's voice is a perfect fit, his accents are wonderful, his characterizations superb. He "gets it" when it comes to voicing a female character, as well, casting his voice slightly lighter but not doing the falsetto which mars many a reading. I definitely detected an imitation of Jimmy Stewart in one character, and James Mason in another, but those were beautifully done and gave distinction to each male speaking.
No spoilers, I won't betray the ending, or any particulars, but to say, for a change, you can TRUST the author to handle the ending of this delicate work with satisfying energy. It's NOT the ending I feared, it's NOT the ending I guessed! And it doesn't disappoint.
Best book I've ever read? Nah! Best Stephen King book ever? Nah! But entirely worth the investment, especially the Audible version.
When I choose a "cozy" mystery centered in traditional women's worlds of cookery, needlecraft or typing, I look forward to clever story told with warmth and humor. This story had a fairly surprising windup at the end (rather abruptly), but the characters were tired and not very likable. Two sisters who know nothing of one another's lives, yet there is no explanation of an estrangement. They had a happy childhood and are close in age. One falls on hard times and comes to live with the other knowing NOTHING about her sister's life, career, friendships or finances. They treat each other as virtual strangers. One is surrounded by friends and everyone loves her, so why has she been so cold to her sister? It would have made more sense to make them old college roommates just back in touch. Anyway, it was a completely humorless tale and the writing was mechanical at best. The solution to the mystery comes out of left field at the end. Susan Boyce did a fine job reading. I found her delivery a little stilted after a while but I don't think there was much more she could do with the prose she was given.
An almost perfect presentation of a brilliant, engaging, clever, wry and gripping story. The characters are brand-new, yet so tenderly brought to life that you feel you'd recognize them on the street. This book packs an emotional wallop and still manages to be wholly believable. I just learned that the second book in the series is out, and I know what I'm listening to next!
The main character may be closer to a charming Andy Carpenter or young Spenser, but his story places him in sinister company and surroundings more familiar to readers of Robert Crais, Michael Connelly, Adrian McKinty and Dennis LeHane. Anyone who appreciates great storytelling and flawless characterizations will love this audiobook.
I saw the film when it came out about 15 years ago, but had not realized that the book was the first of a series until Audible advertised it that way. I bought the first and am so happy that I did. Patricia Highsmith's prose is flawless, her storytelling and character development without peer. The narrator, Kevin Kenerly, does a remarkable job, even elegantly mispronouncing the words that Tom mispronounces in his head. His voice is fluid, naive and arrogant - all perfect for this genteel madman. I'm definitely going to continue with the series. Highsmith had an astonishing gift for accurate portrayal of a sociopath, even while psychiatry was struggling with a medical definition. The book is so classic, as it exists within our lives of motorcars and airplanes and telephones, and yet so far removed. Could Tom Ripley have gotten away with anything had there been computers, DNA, Interpol? Fax machines? Video cameras? Cell phones? I'm so pleased that Audible is including such classics in its library.
I enjoyed this book although it wasn't among Joseph Finder's best. It was still pretty good, with vague supernatural overtones. Not super-intriguing, but easy to follow. I didn't have a problem with the narrator as others have, in fact, I found his voice suitable to the first-person narration, if a little hesitant. The characters were all well-fleshed out, the story takes some crazy leaps which one won't expect and perhaps the wind-up is a little bit contrived. But overall it's another fun, engaging novel of good people caught miserably in bad circumstances, using Extraordinary Powers to get unentangled, and maybe save the world!
I went back through my library to listen to the Andy Carpenter series from Book One, and I'm enjoying it more than ever. These books are modestly short, and wonderfully relaxing to listen to, and Grover Gardener's easy, youthful voice and vague NJ accent are a delight. This book was a pretty wild ride, but so far (this is the latest one I've heard, although I have 3 more downloaded, I think the David Rosenfelt is a genius at consistency. His plots are always clever, always dog-friendly but not cloyingly so, and his characters are beyond endearing. You have to LOVE these people. Very worth a credit, OR full price, as you can listen again and again. I can't wait to start the next one!
Listening to this dated recording of these classic-yet-aging stories, one can barely imagine the furor that the original publication of the title short story endured. Readers of The New Yorker canceled subscriptions over it, and threatening hate mail arrived for months. The story was banned overseas.
Now, the reader of these short stories plows through them witlessly. Her voice reminds me a bit of Cherry Jones, but her clear delivery is competent without finesse. The editing of these tapes-to-aa file is tragic, as the final, chilling line of "The Lottery" plows right in to the title of the next story without so much as a breath in between, and this happens at the end of every subsequent story as well. Without a hard copy of the book, it's extremely difficult to know when one story ends and the next begins.
On a sadly comical note, several times in the file a male voice breaks in and announce "Side Three" or whatever the next flip side of the tapes (or LPs?) would be. The recording is clean for such a badly edited copy. Anyone who isn't a connoisseur of 1940-60s short stories is bound to be very bored by these delicate tales, and without an appreciation of Jackson's larger works is apt to be confused as to how they were published in the first place. I happen to have loved her books since the 1960s, and knowing a great deal of her tragic personal life fleshes out these frail tales into a bold, heartbreaking bas relief.
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