7 hours in I still really didn't know who the characters were, and more importantly just didn't care. The non linear structure didn't bother me as much as the fact that there was no real protagonist. No one was really likable or all that interesting. I thought the story was needlessly complex and unjustifiably, self consciously obscure. If you're going to make something "hard to figure out" there has to be a payoff somewhere, and after 7 hours I still hadn't found one. So I just gave up. There are far better books around , despite the excellent writing.
Not all that much story, way too many words. I love detail and long, long books by accomplished writers: Steinbeck, Dickens, Hardy, Stephenson - but this seemed mostly just filler. 29 Hours should have more information.
He did what he could; he did make the blustery, arrogant characters very unpleasant
Not so much deleting a scene as removing the verbal bloat within them
I am sorry to be so negative, Ms.Catton's editors have failed her. There were many opportunities for beautifully drawn characters and backgrounds in the book.
This story is told and retold slightly different while strongly the same. In spite of the multiple characters, Ms Catton's descriptions create clear distinctions avoiding confusion over who is who. The book is very different thanks to the distinctive writing style. Be warned: if you decide to listen to this book - it is very long and repetitive but there is no way it could be any different. I thought I was at the end only to realize that was not the case. I understand the story, the plot, the character and the achievement of the complex writing but I do not understand the end. So the wheel goes around again?
It was difficult to keep all the characters and intrigue straight in my head - and I'm still not entirely sure I know exactly what happened - but I really enjoyed this listen. The whole thing reminded me very much of Dickens in that there was a large cast of very interesting, well-drawn characters and the novel was completely plot-driven. The narration by Mark Meadows is absolutely fantastic. I really don't know if I would have been able to power through the rather confusing beginning if it weren't for him (I listen while I work - so this book might not be quite as mystifying for the completely undistracted listener). And I'm really glad I did power through - I think this was my favorite audible book of the year.
This story is just really really long. The narrator does a good job but the story just isn't particularly interesting after the first few hours. It would have been much better if the length was trimmed. The story was too convoluted.
Also, there were too many characters - it was really hard to 1) keep track of them 2) care what they were doing
Maybe - the plot premise was interesting, it was just issue with length & number of characters
Yes - he did his best to keep the tone interesting
Too long winded and it took too long to go anywhere
The accent was a bit thick and I was easily distracted.
I did not like any character
I found the audio book narrator, Mark Meadows, to be marvelous! His ability with accents and in particular his delicious interpretation of Lydia was inspired, and his excellent character distinctions did a great deal to help my own understanding of, and ability to differentiate between the many characters. Bravo, sir!
This is an exceptionally well-written book, but fair warning, it has a complicated, non-linear plot requiring (on my part) taking notes on the characters, places, times and relationships both revealed and secret between each of these elements.
There's always time for reading
I enjoyed the Luminaries: a fascinating account of gold fields of New Zealand. The characters are all colorful, very Dickens-like, and the book is very well read. The biggest challenge is that there are many characters and it is very long. Even listening regularly, it is easy to get a bit confused, particularly as the book jumps around date-wise a bit. That being said, it is a really good book and deserved of its awards and accolades.
The reader was able to bring all of the characters to life. The prose is so sumptuous and detailed -- you get lost in the moment, drinking in the settings and descriptions.
I loved the way that the story folded into itself -- truth revealed at the crux between the past and the future. The book celebrates language. I enjoyed the names of all the characters and places -- had a Dickensian onomatopoeia.
He was able to bring the voices to life in all the languages and accents.
It would have to be Emery Staines -- the most pleasant, optimistic and positive of the cast.
I was sorry that the story ended. I wanted to hear more about the resolution -- what happened to the Widow Carver. Did the Maori walk free? Was there love at long last for Anna and Emery? But like a bountiful meal, I left the table sated with much to digest. It was a marvellous listen.
On the wild fringes of New Zealand, a hermit dies, a prostitute overdoses, and a wealthy young man vanishes in the course of a single, stormy evening. Set in a rugged prospecting town during the gold rush of the mid-19th century, The Luminaries weaves 12 lifelines around these events, forming a vivid tableau of love, betrayal, and suffering.
Eleanor Catton’s novel, highly structured and marked by idiosyncrasies, is an undeniable tour de force – a whopping 834 pages or almost 30 hours aurally – it mixes a highly modern framework with a Dickensian tenor to form an eccentric and fresh piece of literature. I won’t comment on the peculiarities of the novel’s organization as that point has been belabored extensively, but I will reiterate the comment about the difficulty of its translation into an audio format.
Without reference pages, the novel is unwieldy - it’s a bit like trying to understand the shape of an elephant only by groping along blindly. The protagonists (12 primary characters and a phalanx of secondaries) take turns telling their narrative, and for the audience, orienting their myriad relations proves challenging. It’s not impossible, however. The Luminaries requires more attention than most audiobooks but given the size of her cast, it’s hardly surprising. For me, the narrator in particular was magnificent and more than made up for any delayed comprehension.
One of the most prominent themes is the weight astrology bears on plot progression. Each successive chapter and its action take place under an advancing star sign. As a reader unaware of all but the most basic horoscopy, I had the putout sensation that some significant portion of the plot was being acted out behind a curtain of my ignorance.
But even unaware of the zodiac subtext, I'm still in awe of Catton’s 12 luminaries. They encompass a portion of New Zealand’s historical diversity and she aptly lays out their personalities in a fashion reminiscent of a diviner skilled with a deck of tarot cards. She painstakingly draws each man’s strength only to flip the trait on its head to reveal the intrinsic weakness. It’s marvelously done – the construction is obvious in retrospect but natural in context. Catton doesn’t merely paste these men onto their astrological signs, but allows them to evolve organically, maintaining a coherent and believable sense of their character and personal history.
The ending was the only aspect that elicited genuine complaint from my corner. After such a long climb to the top, the weightless conclusion galled - at first because I wanted something more substantial, then because I knew it aligned with the rest of the book. The finale: ephemeral and circular, indistinct and directed by ineffable forces, works seamlessly with the spirit of everything that falls before it. I’ve since realized (reluctantly so) that demanding greater closure from her phenomenal work is as futile as demanding concrete answers from celestial bodies.