Rave reviews left me waiting through the entire book to understand what made this a great book. Still waiting... Articulate author but simply could not see the point. Repetitive imagery, disappointing pace.
Say something about yourself!
I love the beautiful and heartfelt reviews listeners have thus far shared; there is so much revealed in their responses. How could there not be if they experienced this book. I say experienced because if you just listen, if you don't at some point feel something inside of you open and resonate with Gaiman's tale, you missed a dimension of this book-- as much as if you missed the secret hidden 3D pictures in those once popular Stereogram books. (You can find some at www.eyetrick.com to see what I mean. I struggled with those dang things!)
The Ocean at the End of the Lane is about more than just growing up or defining an adult world with a child's mind: it is about the process and mechanisms, the loss of innocence, becoming of this world. Gaiman maps this mystical, but very real dimension--as fearful as it is beautiful; primordially familiar--yet different for each one of us. The landscape is the experiences that as children we felt but did not have the sophistication to understand; the fears, the comforts, the effects we hadn't yet aligned with cause. A world where our favorite color, or feel, or taste might materialize in some form as a landmark or grounding we understood amidst the confusion of an adult world. Gaiman presents a pure and unfiltered portrayal of that world, which he captures brilliantly.
I've read very few of Gaiman's books because I don't usually choose fantasy. Those I've read were good, but still a little like a chocolate lover choosing vanilla. As I began reading this, I thought it more like Coraline, another read suited more for adolescents. It wasn't until the picture really came into focus that something resonated inside, and I stepped into this book. I thought back -- when the babysitter told me I'd stepped on a devil thorn and a blue line would start to climb up my leg, reach my heart, and I'd die...remembered my grandma's swing tied to a horse chestnut tree, and smelled the mint along the her ditch banks... I'm sure each reader filled in their own response, or landscape to this world. It all popped out in front of me; I saw, and felt, the genius in this book. Baudeliare said, "Genius is childhood recalled at will" If that is so, then Gaiman is definitely a genius that shares his brilliance with pen and paper, and reminds us that we were (or maybe are) once geniuses ourselves.
*Having Gaiman present his work is another aspect of magic. His voice lulls you into this world; it saves you when it is dark and threatening, it comforts you when it is frightening, and it holds a hint of a child that speaks to your own inner child. Just Wonderful.
I'm not sure what all the excitement was about, perhaps this is not my genre of book. I was quite surprised to be hearing such a fantasy-like novel, I did not get that impression from the description or reviews.
If you're into magic, dragons, and mystical creatures, you'll probably like this book.
I was captivated by the picture on the cover and the brief blurb I read. Without any other info, I set about listening. Gaiman is a very good writer and an even better narrator - so it was easy to be captivated by the story telling - at least early on. I kept waiting for the story to become more interesting and to take some unexpected twist to keep me interested. It never did. Instead, by the end of the story, I developed a new appreciation for what it meant to write for a young audience and decided that it was no coincidence that the opening of the book was a quote was from Maurice Sendak. So - if you are interested in a contemporary children's story with magic, good, and evil, try this one. If you are looking for a more substantive story and you are not inclined to listen to children's stories, try something else.
Short, Simple, No Spoilers
Little British boy meets intriguing odd young Hettie and her mother on an old quirky farm. While dabbling in another world, oddities come to life bringing about dire consequences for all around.
Interesting shell of a world, lacks depth and backstory for characters. Gaiman is a wonderfully descriptive writer as with the family home where you can see yourself running down the meadow looking for a hole in the fence and smell and taste the blackberry jam in the porridge. Lacking are the threads to tie together all the fanciful ideas to draw you in. I didn't love the book, but parts were inventive, clever and found the ending rewarding. Having the author narrate is always pleasant as he/she can add expression in all the right places.
As with all of Neil Gaiman's books I enjoy the confined small, but huge feel to the story. I like the sparse few characters which all have an important role to play. I enjoy the slow learning about the roles and that at the end you still want to know more, but are left wanting.
I would compare it to Graveyard Book also by Neil Gaiman. I would make this comparison because it too has the same small, but important story to tell. It too has the same sparse list of characters that you don't get to know everything about. It too leaves you wanting to know more.
Neil Gaiman unlike many other authors narrating brings a feeling to the books future state that he communicates through inflection that you don't get otherwise and would not get through all, but the most skilled of narrators.
I would take old Mrs. Hempstock to dinner. She being the oldest and wisest of the Hempstock women and seeming to be the most open to discuss honestly the early history of the universe.
I bought this book because the story synopsis seemed interesting, and it had rave reviews. But overall it seems like a child's narration of a horrible nightmare, where someone is after you; things happen you don't understand and you can't get away. I just don't understand why so many people thought it was a great book!
I love to read books; and now just recently I've discovered that audio books are very cool!! I'm also an author. You can find the SciFi book "The Curse of Europa" here on Audible or on Amazon.
At first I was a little hesitant of listening to an author read his own book. Authors can usually write a great story, but not many can speak a great story (myself included.) But Gaiman made it work! One benefit of the author reading their own story is that they know exactly HOW the dialog was intended to be delivered. They know where they want inflection, where it should be whispered, or exasperated, etc.
I like Science Fiction, good straight-up realistic SciFi! This is not SciFi, it is fantasy. But... I liked it. I liked it a lot. Gaiman tells a great story (both in his writing and in his narration). Half the time I thought the boy in the story was me at that age. I can't think of anything I didn't like about the story and the ending was perfect.
Much more fairytale Coraline/Stardust/Graveyard Book than American Gods/Anansi Boys/Neverwhere, but still a decent novella. Felt like a story from Fragile Things carried to completion. It was neat to hear that there was a lot from his early childhood that was pulled into this story, and it was a surprise to him that the short story grew into this -- for my money, though, I like Gaiman when he's more grit and gristle.