As a work of historical fiction, a piece of genealogical interest, a story of redemption, an interesting narrative of the value of intergenerational communications, this is a great piece on many levels. It is also extremely well written. The narrators were amazing and added so much to the enjoyment. My only regret is that there was so much profanity in the modern-day section. I suppose it was a purposeful effort to draw a distinction between the generations, but for me it was jarring and unnecessary, particularly with the level of writing in this book. I only wish I could find an edited version to share!
While this was an OK book, it really belongs in the young adult / young teen section. It reminded me of books I read when I was about thirteen. It did prompt me to read more about Orphan Trains, which I did find interesting, so I did get something out of it>
I have a 3 hour commute to work every day so I listen to audiobooks to help with my drive. It's added some happiness to my day (if it's a good book)!
I have never had a desire to hear a book a second time.
The Chaperone was similar.
I could not stand when she narrated the voice of Molly.
Listened to this moving story in one listen. I was reluctant to use my credit for this, as I prefer the mystery/thriller genre. Boy, I'm glad I went ahead with it! I won't spoil it, but there are two women, so different in appearance yet with such similar experiences. Don't disregard this amazing journey full of life, experience, and love. The narrators nailed it!!
The interplay between Molly's story and Vivienne's was extraordinary! The unfolding of Vivienne's history was perfect - how could a young child survive such overwhelming circumstances - and yet she did and lived to tell about them. The narrators were wonderful. I loved this book and will recommend to everyone! Beautifully written and compelling. My heart goes out to all the children who rode that orphan train!
Addicted to Audible!
Having recently listened to The Chaperone, the topic of the Orphan train intrigued me and I was eager to read more about it. This book contrasts the experience of a modern day "orphan" navigating the foster care system with the experience of a woman who experienced the Orphan Train as a child and how it affected her life. I enjoyed the way the book bounced between each time period drawing parallels between the common problems experienced by the orphaned children. The sadness of being unloved, the personality traits that are developed when you learn to mistrust, the attitudes of society. It also reminded me of The Language of Flowers. If you enjoyed either of these books I think that this would be a great choice. The only downside was the narrator, her narration was great except when she read with an Irish accent which was terrible. However, it didnt detract enough from the story to make it a difficult listening experience
The story was fairly interesting, but the reader has an very irritating voice. I kept thinking that I would have enjoyed it more if there was a different reader.
No. I would not have purchased this after listening to the small bit, but my book club selected it.
No I don't know which one has the chirpy voice.
At least I can discuss it when my book group meets.
Runner, Commuter, Dietitian with a passion for U.S. History.
Starts out promisingly enough with depiction of an emigrant Irish family's disaster followed by eldest daughter Niamh's trip to Minnesota on what must have been one of the final orphan trains, in 1929. The depiction of the children, the train and the "adoption stops” seem authentic and kept my interest. The book uses the popular device of swinging back and forth between two characters - modern day foster child Molly and present day Vivian, now 91, nee Niamh. Molly's story line is far weaker. Molly is assigned community service for stealing a library book - an old, tattered paperback copy of Jane Eyre, not pinching "World of Warcraft" from Walmart, so as not to frighten sensitive readers. Molly's community service is to help Vivian sort old boxes in a large, roomy attic in a house on a Maine island that surely seems familiar to any reader of modern American fiction. The portrayal of Molly's foster mom is a complete caricature that annoyingly makes the author's bias crystal clear. For example, while I personally support Vegetarianism, I found myself rooting for the evil Foster mom to sling a T-bone steak in Molly's lunch bag. I strongly recommend ditching this book before Vivian grows to adulthood to avoid some of the most improbable plot twists in modern fiction. Certainly you want to bail before the final chapters. If the book went any further, elderly Vivian and young Molly would be posting selfies on Instagram. While the author appears engaged in the actual orphan train segments early in the book, she seemed to lose interest as the plot progressed, stringing together one wild coincidence after another until grinding to a neatly resolved, predictable halt. Narrations, I think, were supposed to be Irish accents but they were often too muddled to fully assess. Many a native Minnesotan is caught with a bit of the brogue, except for poor Mr. Sorensen's incomprehensible dialect from somewhere in the land of Evil Adults. The book piqued my interest in the topic, however, and if I ever make it to Kansas, the Orphan Train museum in Concordia is on my bucket list.
I LOVE books. And dogs & quilting & beading & volunteering.
Some awful decisions were made about orphans in the early parts of the 1900's East Coast cities-where the influx of immigrants who had no work but many children lead to train loads of youngsters being brought to the midwest and literally given to people who wanted kids to work farms or sew or even act as nanny to the receiving parents own children.
This novel really got to my heart as it details the story of two orphans-one a victim of the orphan train and the other a product of the foster care system we have today. They come together and each learns from the other.
A wonderful listen...made me grateful for my parents.
A gentle story of an orphaned girl in the 1920s, sad but uplifting in conclusion. Would recommend.