Yeah, I've listened to the 2006 Abridged version several times now and I'm already on my second listen of this Complete Edition. The book is just fantastic zombie entertainment all over.
The narrations are all excellent and the story is a creative approach to the zombie apocalypse genre.
Sure, if I had 12 hours to spend in a sitting.
I'm so glad that Audible and Random House finally listened to the complaints from the fans and fixed the error. The missing audio (especially from the first zombie story) was just obnoxious. It's good to have a real Complete Edition.
I'll keep this brief. Look at my previous review of the initial issue of this audiobook. This addition is what we should have heard from day one. Why this didn't happen is beyond me, but it's similar to looking at a director's cut of a movie you already love. You get further insight and pleasure out of the experience.
If you have been on the fence, and don't own the original version, get this NOW. Again, read my first review, and you'll see why.
Sorry, any more that I'll write on this is wasted. It's that good.
This has been, hands down, my worst audible experience and my first time having reviews removed from any site
The story was good, but not the one advertised during preorder.
I'm That Guy
I know I'll take some heat for this, but I am looking forward to the movie. From what I see from the movie trailers, it is absolutely nothing like the book, but more what I like about zombie stories.
By no means is it a bad story, hence the 3 rating. It just isn't what I look for in a zombie story, hence the 3 rating.
I much prefer heart pounding, intense, heat of the moment, no-way-out, oh s#!* all is lost stories. Always better if I do not know if the characters are going to survive. Obviously in this "zombie documentary" they do because their the ones telling the stories post apocalypse.
If you enjoy docudrama's, or are a die hard Zombie Fanatic it's a really nicely done book. But if you just want heart pounding action, chose something like the Day by Day Armageddon books. I enjoyed those immensely.
Here are the facts:
1. Audible made a mistake and put "unabridged" next to the book's title. They admitted their mistake and offered me a refund (via email), which I declined. I'm sure they'll honor a refund to you as well.
2. This edition is A) the first release (which did have some "in-chapter" edits) and B) a bunch of new stuff. That's why chapter 3, for example, is missing some passages: because they were missing in the first edition.
3. Your complaints or requests for an unabridged version should go to Random House, for they are the producers of the audio book.
4. Despite the (yes, very annoying) omissions, this new edition is simply excellent.
5. #4 is an opinion. Not a fact.
I can now enjoy the book in the car ride to work
It is a new way of telling a zombie story
Yes it was
There seems to be a few tracks missing. Most notable the first story with the Chinese doctor between the doctors arrival at the village and him first seeming the young boy.
Dental hygienist, runner, avid reader, and best of all....a lover of music :)
Very much! World War Z not only has a strong stroyline, but the audiobook is a lengthy one - roughly 12 hours or so to keep its listeners plenty entertained. It can be quite difficult to simply review the audiobook without remnants of the story popping up in my review. But I must say, it was not easy to simply put this one down....not even for 5 minutes.
The narrator. As many fans of the book know, this story revolves around the narrator's encounter with various survivors of the post-apocalyptic zombie war. The survivors recount their experience with the undead and what measures were taken in order to survive. I very much enjoyed the narrator's interjections with questions I myself may have asked.
I have not had the privilege to listen to Max Brooks in other stories.
Yes. It was difficult to put this story down. As mentioned earlier, the story was not only engaging, but the voice performances were quite exceptional (although some accents seemed to be forced).
This edition of World War Z is one that I would not pass up. Audible recently updated this version to its entirety. I thank Audible for listening to its members! I don't want to discuss too much about the story...just experience it for yourself!
A great addition to any zombie literature fan!!
Could not finish this drivel, this is some low grade, zombie boredom. I kept giving this book the "just one more chapter..." hope, but finally gave up at chapter 21. I got sucked in by all the five star reviews. I hope the movie is better, or is this whole title all a big marketing scam? Book = returned
SET REVIEWS TO BE SORTED BY 'MOST RECENT' INSTEAD OF 'MOST HELPFUL'!
On one hand, this book deserves five stars across the board for sheer ingenuity and chutzpah, not to mention the colossal achievement of a single cohesive work of fiction in which so many countries, races, ethnicities and cultures are represented. And all performed by the most incredibly talented and diverse multicast in Audible history! This stunning diversity gives it the ring of truth, so much so that if you change "zombies" to "zika (or other) virus" in your head, this reads/sounds like an almost realistic post-pandemic, planetary interview series.
And therein lies the first of Z's two flaws worthy of mention: It's too true-sounding and too humorless (even with Carl Reiner, Alan Alda, Rob Reiner, and Martin Scorcese all doing their damnedest to inject a little funny during their sections) to work as a page-turner. After awhile I just got burned out on hour after hour of the horror of the traumatized survivors and their unrelenting PTSD and sadness, even with the frequent changes in country, scene and amazing speaker, and had to pause the book frequently and intersperse my Z-chapters with chapters of another book containing at least a modicum of humor. The book is just that realistic.
Except when it isn't. And unfortunately, those times consist 100% of Max Brooks, the author (who clumsily and completely unconvincingly plays the Interviewer), every time he interrupts one of these amazing monologues with an unrealistic-sounding and unnecessary question. He should have just let this work stand as an artful series of monologues (which is what they 99% are, even in this occasionally-interrupted format), with no interviewer, and maybe just a realistic-sounding journalist or documentary-style commentator (think Edward Hermann, Morgan Freeman, or David McCullough*) to introduce transitions between speakers/locations. That would have made it nearly a five-star listen.
*No female narrators need apply; this book, amazing as it is, is nevertheless a dude fest that fails the Bechdel test pretty miserably.