Had a friend recommend Salvatore and I bought this book without reading the synopsis. Had I, I likely wouldn't have. I'm not a fan of high fantasy with its elves and dwarfs. I actually stopped listening to this book until and didn't pick it up again until I'd exhausted all the audiobooks in my library. Once I finally got into the story (and it took about a few hours of listening) I found it enjoyable. I might actually pick up the next book in the series to see where this all leads.The book ends in such a way that much of the story presented thus far has been tied well enough to end here. I do have a few questions that I'd like answered.
IF YOU HAVENT READ TEH OTHER BOOKS, PLEASE READ THE ORIGINS SERIES FIRST BEFORE WORKING YOUR WAY TO THIS BOOK. THERE IS JUST TOO MUCH HISTORY AND CHARACTER BUILT IN THE PREVIOUS BOOKS AND EXPERIENCES OFTEH PRIMARY CHARACTER THAT WOULD BE LOST TO YOU IF YOU HAVENT READ THEM FIRST.
I will definitely keep reading Salvatore's books, but I am incredibly disappointed in Victor Bevine's performance. I loved Mark Bramhall's interpretation of the characters. It was a joy to hear every word. Bevine sounds like a joke, with no empathy or enthusiasm.
A silly comparison, but never the less: Bramhall's dwarven "Bah" sounds like BWWÆÆÆÆH!, while Bevine sounds like, well, "bah", like a sheep falling asleep.
Bruenor's long anticipated meeting with Gauntlgrym
No, I will most likely skip the other books where he's narrating. I was surprised, and horrified, of how bad he was.
It does, and it has.
Please bring back Mark Bramhall to narrate the other books!
No, I love the character of Drizzt, but this story is weak.
The story line is way to jumpy, the time keeps progressing without any hint of what happened in between the years. They kill off two characters and theres nothing but a minor mention of it. The character of Barrabus is obviously Artemis Enteri. I didnt have to get past the first 4 chapters to know that. Its painfully obvious. I am a devout R.A. Salvatore fan, but I cant finish this book.
I think a younger, less critical reader would enjoy this more.
Yes. Being a gamer/dnd nerd, I had often heard about how amazing these Drizzt centered books were. I was expecting an author that elevated the source material, and what I found was ... something I would expect from an 8th-grader, after he had watched all of the LOTR movies back to back.
he really does commit to the portrayal of the characters. his rendition of a gnome makes you conjure up an image of a gnome, his dwarf the same, etc etc.
Some people might object as to how critical I am of this book, considering it is set in a DnD universe. "What do you expect?", I imagine them saying. All I can say in response is, humble source material can give rise to serious literature. For example, the Dragon Age books: based on a video-game, fantasy setting, but with some nuanced, intricate characters, and an engaging, somewhat sophisticated plotline. Gauntlgrym was not this. It was awful. I quit after about an hour.
Perhaps the story picked up but it was not quick to draw me in. Didn't get more than a few hours into it before I was bored enough to switch to something else.
This was literally the worst fantasy book I have ever heard. It was like Salvatore sat down with a group of teenagers playing a midnight game of dungeons and dragons and simply transcribed it into a book. The storyline might have been salvagable but there was very little coherence to the sequence of events and the overall writing was awful.
As an example, 40% of the book was overly detailed descriptions of fights:
"The elf drew his +1 broadsword and leaned left as he swung it right with his left hand, slightly bending his right knee to bring his head level with his shield which was magically enhanced by his belt of giant strength. This move was quickened by the agility boots he obtained using his magical wands. The sword connected with its target and he rolled back to his left while wrenching his right arm behind him to bring his sword up around his shield to rengage his opponent." Add 10 more similar paragraphs before this one foe is dispatched.
Rinse and repeat about 60 times in the book
That is every fight sequence.
Apparently there was minimum page count before Wizards of the Coast would pay Salvatore for the book.
I fought through the whole book sincerely hoping that the storyline would justify the terrible writing but it never truly did.
The narration was just ok. The character voices were pretty obnoxious and managed to make the horrible dialogue a little less coherent.
Overall, I will not finish this series nor will I read another book by Salvatore.
Another amazing story from R.A. Salvatore. The depth and attachment I have carried throughout Drizzt's adventures picked right back up in this series.
The new gripping characters and while the story picks up after decades it seems like only yesterday that Drizzt and company were knee deep in Luskan dead.
No I would not.
Yes it was but could not.
I do much of my listening on the road to and from work (keeps the road rage at bay), I am not able to listen throughout an entire story in a single sitting. I have not written a review before because for the most part (minus the absence of James Marsters in one book of the Dresden Files) I enjoy the various narrators but in this case I have had great difficulty with the voice acting. In a span of 30 minutes I heard different voices used for the same characters which made it difficult to catch who was saying what. I found myself voicing over what I felt some characters should sound like....(see the Tranitions Series). Not having Mark Bramhall voice this series is a failure, and to me takes away from this amazing and heartbreaking story.
The novel suffered from an excess of dialogue. I was dying to get to the action! I grew so bored with the talk, talk, talk, that I gave up on the book before anything happened.
No, the works of Marion Zimmer Bradley show that it is possible to write compelling fantasy set in the past.
I didn't even try to identify any of the chacters.
I couldn't tell you - were there scenes?