What a horrible time in history for women. Painful to read this historical fiction about the lives of the dancers and opera performers during the time Degas was painting them. This author easily transported me into the lives of three sisters struggling to succeed during the late1800's.
It is a heart wrenching story of survival and sisterly love while also trying to obtain their dreams.
The research that went into the story. Also the way the author used Degas' art and the study of the criminal face to help the listener understand peoples perception. Marie and Antoinette's characters were well developed. The imagery was wonderful. Not being a dancer, I appreciated the detail that went into the descriptions of the steps and emotions the girls experienced while dancing.
well modulated voices and the use of French accents to make it feel more authentic. The man reading Figaro was a great touch to help listeners shift gears.
maybe The Degas Dancers?
This is one of those books that make a reader want to learn more about the subject.
I've spent my entire life around the written word - writing it, editing it, teaching it. So, it's no wonder I also love to read it!
There are some things about this novel about poor sisters living in the slums of Paris in the late 1800s that I really liked. For example, the author paints a vivid picture of the place and time so we can almost feel what Marie and Antoinette are going through. When Marie works so hard to pass her ballet exam to move up to the cadre, the reader can feel the poor girl's fatigue. Basically, I liked the story (up to a point) and got caught up in their dramatic situations -- how they both had to work so hard for so little; how they had to deal with their father's death and their mother's alcoholism; how Antoinette is so in love with the loser Emile that you want to just shake her; and how Marie succumbs to her patron, Mr. Lefevre, which nearly ruins her life and almost destroys her future.
The author's senses of verisimilitude of the time and place feels spot-on.
But, there is no joy in this book and, most importantly, very little hope for these characters. It is dreary, depressing and dramatic. It is also somewhat repetitious, as you see similar scenes play out at different times again and again. If the book were shorter, the dreariness wouldn't feel quite so overwhelming. But, it is long and all-encompassing and soon becomes oppressive.
The book is nicely written; the author's use of language is superb. And, she creates an environment that is realistic and characters that you feel for. But, eventually, it was too oppressive an experience. I wanted to like this more than I did...but I just didn't.
The narration was superb, though. I really loved the voices of the two sisters; they were distinct and yet had similar tones.
Did not grab my attention initially but once it did I loved it. Great character development in a historical setting with literary liberties
A creative backstory behind Degas' dancers, what their lives might have been, struggling to survive in old Paris. The characters were fascinating, the narration brought them alive, and the emotional swings of the story kept me anxious to get back for more.
The ultimate multi-tasking is to read a book while driving
I really enjoyed this fact-based back story to Degas' famous sculpture "The little dancer of fourteen years". The two main characters: Antoinette and Marie, were very appealing and engaging. The subject matter, of the difficult lives of the 'petit rats' who barely lived above the poverty line and hoped for deliverance from the Paris Opera was also fascinating and enlightening. The fact that these ballet girls' lives were intertwined with a number of murders that scandalised 1880's Paris all made for a gripping tale.
There were numerous memorable moments, but Marie's audition for the cadre was a lovely moment.
It was fine, but (unlike The Poisonwood Bible) the voices were not individual enough to separate the characters easily.
i like to read. i like to listen.
what a well imagined and written story. you don't have to be a fan of Degas to enjoy the story "behind" his ballet paintings...thought, it's amazing how author wound a tale of sisterhood and misery and mistrust and love all based on images that Degas produced.
i was truly enthralled by each of the sister's stories (as they were told in alternate chapters), and of course the culminating final moments of their childhood stories were chilling and touching and exciting.
i'm assuming that the reader was supposed to have moments of falling deeply in love with the sisters, then feeling anger towards them, then sympathy, pity...running through the gamut of emotions for (and with) each of them. of course i had a "favorite" sister. whom i was rooting for and empathizing with and with whom i wanted to choose the right path for success.
i will confess, i did not like the way that Antoinette's narrator read her part. it took me a few chapters to separate myself from her reading of it...and just hear the words, not her reading. if it was solely narrated by her, I'm not sure i'd have gotten through it...and that would have been a real shame, as this is one of the best stories i've listened to in a while. Marie's narrator, however, was spot on.
i really truly loved this story. in itself it felt like a painted picture...which makes the writing a success.
I just couldn't seem to get into this story. The narration seemed hard to follow as well.
I live in Scottsdale, Arizona. I have 5 grown children, play ukuele exercise, and read.
Honestly, I tried. I even went away, read another one, and came back. Finally just deleted it. the book is beyond boring, and the reader is even worse.
Mainly, she was monotone. No variance to her voice. I'd drive along, and realize that I flat couldn't remember what she just read.
Editing, and definitely a new reader.
I do not recommend.