I've come to expect epics from TW so my only complaint here is that the story ended much too soon. This is classic Tom. Down in the dirt with the over-privileged and posers of the art world. His writing becomes more poetic with each new novel. Lou is a terrific narrator, as good as any I've ever heard.
Love novels, love to laugh.
Once again Tom Wolfe gives us a wonderful novel. The characters are so defined and the story is great. He's an amazing author. I loved CHARLOTTE SIMMONS and this book is equally as terrific. Lou Diamond Phillips is the perfect choice to narrate this novel.
In mid winter in Oregon, it was good to spend some time in Florida.
The narration. The reader shouted at me, affected bad approximations of accents and ruined the book. I like reading because it invites my mind and imagination to fill in the blanks. A well narrated audio book allows space for the listener to enjoy and imagine. This reader left nothing.
Absolutely not. If this was someone's first audio book they would probably never listen to another again.
Pretty much anyone.
Tom Wolfe Genius
Bonfire of the Vanities - same hilariously insidious sadistic approach to character development - utterly impossible to put down - jokes within jokes wrapped in jokes in every paragraph. If you read the same paragraph 12 times, you'll double over laughing for 12 different reasons - it reads like a knife through butter but every sentence is densely packed.
Strong, Bad Spanish
have to think about that one
My point in writing this is to encourage Audible to get a different narration - even if by the same guy - Phillips is excellent but fails fatally in one absolutely critical area: Cuban Spanish. Spanish in general, actually. For example, an important character goes to a Cuban gym called "Ññññññño, Qué Gym!", which is short for "Coño! What a gym!". "Coño" is like saying "whoa!" is English, but a bit more profane. You pronounce ño like this "nyo". But Phillips says "no". Now, I'm not Cuban and I'm not an expert in Spanish and I had hoped to benefit from hearing all of the Spanish in this book pronounced with a proper Miami Cuban accent, but EVERY GRINGO who knows the slightest thing about Cuba knows that it's nyo, not no! Everybody says ñññño all the time. It was practically the first thing I learned to say when I was in Cuba. If he gets THIS wrong, everything is suspect, and sure enough, a few pages later he says "DEE os me oh" instead of "dyos me oh" for "my god". This is not a Cubanism. It's just plain old "my God". In any Spanish dialect it's gonna be "dyos me oh" - one syllable on Dios. Again, EVERYBODY says "ay dios mío" (oh my god) over and over and over. If you can say "dee os me oh" and not hear that it sound wrong ... that's not good.
So, in summary, Tom Wolfe might be the greatest writer of fiction of the last century and this book is another stunning example of his art - it just needs a more authentic narration. It's too bad because in every other way Phillips is eminently listenable. I'd give him at least 4 stars if not for the horrendous errors in Spanish.
I have not finished the book yet, but I have to tell you...I live in Miami, and the pronunciation of some of the areas in Miami is horrendous... It's Brickell Ave, not BRICK-EL! Come On- Man!
I can't stand the obnoxious laugh of the doctor. Even with this, it is one of the best books I have listened to in a long time. I do not want it to end.
Nestor... so real
He would be great if he learned how to pronounce the names of some of the most famous areas in Miami... It's Brickell, not BRICK - EL, and the annoying laugh of the Doctor.
so far, all of them
Bonfire of the Vanities
The acting by the reader was far better than reading the book. I
Only on the first few chapter, and already annoyed that the narrator doesn't know how to pronounce Mary Brickell. It's BRICK-ell, not bri-CKELL. It's like nails on a chalkboard to a native Miamian.
It's by Tom Wolfe.
John Smith was a scream. Will there be a series? Least interesting--the police stuff was pretty dull and drawn out.
Not too much to choose from.
Giselaine's family and lineage.
An adeptly narrated multicultural fairytale and police procedural, written it feels on scraps torn from Wolfe’s breathless, young alter ego’s notepad. Each chapter opens with a tango, rap, salsa, balalaika fanfare, etc. I give it an "advanced" PG-13 (occasional attempts at hardcore as seen through the eyes of its innocents and always accompanied by an anti-porn or abstinence message) and a “no irony” warning for the adults.
OK story is really an excuse for observations about the South Florida social and political scene. The Art Basel commentary is priceless.
Big Audible fan since 2007. Love all types of books from sci-fi, mystery, thriller, bios, science, political analysis, and classics.
Tom Wolfe is great at character, scene, and setting development in his writing. Bonfire of the Vanities is one of my favorite books because of those elements, combined with a great plot. But it's almost like Wolfe completely forgot to include a plot in this book. He sets the stage for the plot early in the book, more or less abandons it for the next 85% of the book, then quickly wraps it up at the end. He spent way too much time describing the thoughts and feelings of particular characters in scenes to the point I kept saying, "let's get on with it." How much insight does it provide to describe someone's thoughts to the most minute detail? I feel that there was a masterpiece waiting to be written here, but Wolfe couldn't bother to put it together.
The general ethnic variety of Miami is an interesting setting and good study of socio-economic trends in this ethnically diverse area.
I thought he did a great job of performing the various characters, from Cuban, to American, to Haitian, to Russian. His performance was better than the story, itself.
Not really, no. I'm most disappointed because Wolfe had the elements to make a really great novel, but chose to focus too much of the text on the wrong things.
The very ending of the book perplexed me as well, It had to do with the girl Nestor chose to call between three potential women. It just didn't make sense to me, nor tie in to the theme or story of the book.