This book series is on my top 10 list. Be careful though as the books are very complex and take some effort to appreciate. Think I started on book one three times before I finally got through to it and it was only around book three that I really started understanding what a gem these books are.
The books are read very good. There is a nice distinction between the characters (which is impressive considering how many they are). I would give it a 4.5 if there was an option for it only because I might not agree with some of the voice/character pairings.
I absolutely love my audible account, makes its from enjoying a book to loving the stories found in the books. Do forgive my errors in the reviews i do have dyslexia but i will share my love with everyone
Steven Erikson has a great way to merge several different magics into his novel. the magic is called warrens, most people can use there one warren. there is also his own version of taro cards called the deck of dragons. each warren is tied to a house in the deck.
what happens when the ascendents of the warrens start to mess with the empire of Malazan? the house of shadows seems to be the main opposition to the empire. Oponn the twins of chance are up to something as well. Anomander Rake, with all his power is playing games from his moon. Why are the ascendents so interested in the empire, and why are the bridgeburners wanted to be eliminated.
plots found inside plots, men fighting ascendents, ascendents fighting the empire. alliances are made and broken. and you can never trust anyone. This book has you listening to it over and over again
Masters in Fiction from Johns Hopkins, aspiring science fiction/humor writer. Give me the unexpected with a bit of grit and humor, please.
I returned the book.
It is so . . . ignorable? I found myself rewinding most passages several times, but the passages were just too mundane despite the subject matter. The characters are easily forgettable and interchangeable (except for Cropper, who is much like Falstaff, a character borrowed from Shakespeare). There are LOTS of characters and lots of names. But, unlike other authors who make each one memorable, most times the name and profession is all we’re given.
It's like the author is TELLING a story, (SIMPLY telling) and not taking the reader along on the journey. The reader never has a sense of place, never quite knows where he is are or how he got there Things happen, but it's hard to care about the events when the reader has no frame of reference.
Part of the Hero's Journey is establishing what is at stake and the motivations for the characters. I'm all the way through part one and I still have no idea. People fighting for the sake of fighting. That's it. This book is like reading an instruction manual, with lists of dry details. It reads like part II of a series where the reader is already familiar with the background of the characters so the author has no reason to show depth.
Here's an example:
I still don't know what Moonspawn, the floating fortress, looks like. Is it round like an actual moon? Is it a floating hill or a construct of brick? I don't know where I missed it, but looking for a particular description, if one even exists, within an audio book is all-but impossible. I'm leaning toward the assumption that Erikson mentions it in passing long before it had any relevance to the story, as with most of this book. I think it's too much to ask that I memorize irrelevant details in hopes that they may become important later. How am I to tell what’s important and what isn’t?
In my re-reading while looking for what the heck Moonspawn is, a character mentions, "A sapper named Fiddler took me down" (into the tunnels). Fiddler is a character that is described in some detail MUCH later in part I. How is a reader supposed to reference one un-memorable line, seven chapters ago? In re-reading, I have a frame of reference because now I know who fiddler is, what he looks like, etc. This happened again and again and again with many details. It's like Erikson is writing backward.
Character and plot development is bland to the point that, even almost half way through the book, I am unsure of what, exactly, is going on and I don't have a clear enough connection to any of the characters to know if I like or dislike them. To be sure, I have an idea on what is going on, and I know most of the main players, but I don't have a any kind of intimate connection with either the story or any of the characters in the story.
I hate his voices. Many sound very similar and his range of emotion seems limited to a sort of whining or gruff, surely, angriness.
I am a bit confused, at this point, as to how this is so popular. I picked it up because, it was said, that if you liked "ASOIaF", you'd like this. Um, no. Martin, even though he builds a pretty large world, with an extensive history that you learn about along the way, populated with several characters and many concurrent story lines, makes you care enough about the story and characters to WANT to keep listening/reading. With this book, I find my mind wandering while I'm listening; I just don't care what's happening.
Maybe, it is a book that must be read to be enjoyed; I don't know. I'm not impressed at this point.
I love a good story, especially one with a bit of a dark side.
I guess I am in the minority here. I just never felt invested in any of the characters enough to care what happened to them. I listened to 16 hours of it but just found myself daydreaming too often. The writing is fairly good, but the plot is too buried for my liking, if there is one. The story begins from too many distant strains and just never seemed to really merge. I'm sure they end up together, but I just never could get into it.
I'm 24 hours into it and still don't know what's going on or why and I don't care about any character or plot line. People die but are still alive. Wounded but healed but wounded but sort of healed miraculously or sometimes not. Big and mean but impotent. Small and fragile but impotent. But sometimes not. Everyone is against everyone else, or not, sometimes. Yeah, it's like that. There isn't any focus. The writing jumps from one seemingly irrelevant place to another relevant place with no known relevance.
Lister has an incredible array of voices and moves easily from one to another. He is a great reader.
I'm done with this series.
The story is enormous. It eclipses virtually every other work in the high fantasy genera.
The diverse cast of characters yields an atmosphere unlike any other book I have ever read.
These characters could not be better performed. Ralph Lister's style, pace, and huge library of voices is truly incredible.
If you have any love for high fantasy, just click buy.
Erikson starts his stories as if you already know the characters and the world they live in. There is no context setting and you spend the first third of the book just trying to figure out what is going on and who is who. It is really not until you are half way through the story that you can really follow all of the characters and you begin to see how the story is coming together. You would think that would make for a bad review, but the story is absolutely brilliant. Events follow one after another in an unpredictable but very realistic manner. The world he creates is immense. And as you approach the end of the book you are left to wonder how he could have written such a brilliant story. It’s dark, it’s realistic, it’s funny….it is a great fantasy read!
This series is characterized by superior writing, excellent plot and character building, and consistently exuberant world-building. Ralph Lister performs in a professional manner that extracts simplicity and emotionality from complex story-telling. I sincerely hope Audible releases the remainder of this series that regularly appears on top-ten lists of Fantasy/Sci-Fi series.