Exceptional character and plot development. Original storyline. Fantastic insight in to varied characters. The narrator gives an exceptional performance. The HBO version is rubbish.
I did not know what to expect when I started listening but it's so freakishly realistic. Well written and heart wrenching.
As an IT security professional I was surprised about the sql injection attacks but they were integrated well into the story.
I'm sure that this was totally fictional but omg I'm sure that there are tons of kids that live like the kids that are from the Fields - truly heartbreaking.
Decided to only listen while at the gym and cooking. I have spent a minimum of one hour at the gym every day and made a home cooked meal every night. I have never dreaded the ending of a book so much. The story is lavish and wry and the narration is excellent.
Anglophile. Prefer only British fiction and mysteries. Good translations of Italian, too.
I cannot answer as I am too blind to read pint books.
This is difficult, but I suppose I really liked Teassa and Samantha and Andrew. Perhaps because they seemed to the ones with whom I most identified. It was easy to loathe some of the others.
I liked the reading, but didn't like that the voice raised so much and that the sound was not uniform. Meaning, it would disturb my husband when there was shouting and I had to turn the volume down.
Yes. I read it in two day.
Despite some negative and mixed reviews, I loved this book. It was also scarily real as the forces of development and gentrification are universal in these capitalist-driven times. Money and racism and class make for bad bed fellows. I thought the ending was near perfect. Would love a sequel.
I can't identify a single, admirable character in the entire cast. Everyone was flawed, and most, fatally. Yet the author takes the reader into their lives so deftly, I was enthralled. Felt a bit like the proverbially bird watching a snake. Narrator Tom Hollander did a superb job, especially with the voicing of different characters. So much so, that I will search his name for other books he has narrated. Following a narrator, rather than only the author, is something I rarely do. All in all, a very, very good book, but if you're looking for something cheery and uplifting, do pass on this one.
I would recommend this book to SOME friends, but not all. The story is about a town, not a protagonist. Like in HP, Rowling weaves many characters together in a compelling, multi dimensional story. Some people might be frustrated by the nebulousness in such a story. Others, like myself, see this as a reflection of real life.
Hollander brings a british authenticity that brings the story to life for a Yank like myself. His tone, tied with Rowling's british stylings, drench this book in a beautiful modern british feel.
Rowling doesn't create stories. She creates human, relatable characters and sets them loose in the little town of Pagford. While this is elegant and natural, it may not satiate some reader's need for good/evil.
I read all the Potter books (as an adult) and loved them. I pre-ordered this book when I heard it was coming out, but was very much aware that it was not going to be a children's book and was interested to see what Rowling's craft was like when it was not paired with the plot from a series which pulled the reader along regardless of whether or not the writing was polished. Then I started reading the reviews from others, both Potter fanatics and not, which lambasted this novel. (I did hear good things, too.) The criticism seemed to be along two veins: either people found the novel boring, or they were horrified by the sex, drugs, and cursing. Personally, I would never be offended by sex, drugs, or cursing in a book as long as they belong where they are put in context. I was, however, somewhat put off by the suggestion by many that the book would be boring- particularly since the plot summary involves small town politics in a tiny town. The plot didn't actually sound very interesting to me, and would not have made me pick it up off the shelf if it was not an author I already knew. Eventually, I decided to get it on Audible so I would be less tempted to put it down if it started out slowly if I was passively listening to it while doing other things.
The book does actually start out fairly slowly, and I can definitely see why many did not get past the introduction of a large number of characters. Many if not most of the characters introduced are not particularly likable, and it takes awhile to get invested enough in any of them to care what happens with the 'casual vacancy.' For my part, I initially had trouble getting invested because it's a tiny town taking it's local politics so ridiculously seriously that it's hard not to roll your eyes with even the characters you would tend to agree with politically.
Then a funny thing happens. You suddenly do start to care what happens, even though you don't necessarily empathize with many of the characters. If you think about it, that's quite an accomplishment on Rowling's part as a writer, and where her unusual point-of-view choice (each chapter from another character's perspective, sometimes with a shift during the same chapter) really pays off. The characters are three-dimensional, not caricatures. There is no protagonist, and no obvious antagonist. Even with characters that are quite unlikable, it is possible to see the complicated nature of their motivations. As the story arcs weave together toward the end of the novel, I became more and more involved in the story. It reminded me of a less sleazy Peyton's Place, or a less melodramatic Dickens novel.
This book should never have been billed as a black comedy- it isn't. If you look at it as a black comedy, Rowling would come across as a fairly heartless and snide author. And a reader expecting comedy will be looking at the characters through the wrong lens. I can see why this book was a problem for many Potter fans- that series appealed to a very wide swath of readers, whereas this novel will only appeal to a small part of that group. However, if you happen to be in that group, it is well worth the investment of time.
I did not like any of the characters or care about their problems. I kept listening because it was JK Rowling but I give up . I'm too old to waste anymore time with people I don't want to spend time with.
What genre? ?part of the problem?
yes I felt bad for him having to read this.
Anger because I did not care for these people and I kept listening hoping for it to change.
It seems like she's biting off a bit more than you're willing to chew - perhaps too many intersecting stories, perhaps a wavering narrative, going to and fro between characters and their thoughts, in a rather unoriginal way, with the disgruntled poor, the midlife crises, the teenage angst, the disconcerting revelations of growing old and of growing old with someone else; all items checked. But in the end it all seems to come together - predictably, yes, so really no surprises along the way; but still, a reliable story and a respectable writer, all in all.
former nuclear scientist
All is not right in the Muggle world. Or so I thought with annoyance as I listened to the first chapter. The gritty, profanity-laced small town England Rowling has created here and populated with bitter, ineffective, or downright destructive characters feels more like a screenplay by Guy Ritchie than a novel of the most beloved children's books of our generation.
But then I left my own prejudices behind and got drawn into the story. Those unpleasant characters have backgrounds, those angelic characters have nuances, that society of interlocking stories is bolstered by shared small-town history and weakened by private secrets. Once the politics of the "casual vacancy" - a vacant town council seat caused by a casualty, or death - is established, the story comes alive with concerns and machinations of myriad characters. Even the smallest characters are more than sketches, but fully fleshed out in a brilliant combination of internal monologues, regard by other characters, and external descriptions.
The politics of the small town serve as a framework for clashes and alliances among the factions fighting to either preserve or destroy the vision advocated by Barry Fairwater, the man whose death causes the vacancy, and whose shadow hangs over a surprisingly large portion of the town. Within this framework, Rowling explores the effect that grownups have on their children, and the lengths to which people will go to feel significant. Although I was put off a bit by the frequent, lacerating profanity, I have to concede that this book is a masterwork of fiction.