i've always found 'personal journalism' something of a contradiction...hunter thompson, joan didion, tom wolfe, etc., and often can't find the bright line between it and fiction... that being said, a few of the 'stories' in this collection are golden reflections of our time, but most are simply the personal insights into how this writer receives the world...ms keaton's reading is entirely sympathetic and a pleasure to listen to...what puzzles me is whether she's ever met a foreign word (non-English) that has been adopted by our vernacular that she can pronounce with something that resembles its source language.
Having grown up in California in the 50's and 60's this was a wonderful walk down memory lane. Joan style and content was totally engaging and true to the time. Highly recommend!
I haven't heard any other audio books narrated by Diane Keaton, but I must say, I would listen again and again, just because she did a wonderful job. Her speach was clear and, unlike some narrators, she wasn't overly dramatic. Her tone is clear and easy to listen to.
I love Joan Didion and I loved this collection of essays when I first read it many years ago but Diane Keaton's reading of it just seemed a little flat. I wish Ms. Didion had read it aloud herself.
I really like Diane Keaton as an actress, and I think that made my disappointment in this audiobook more difficult to swallow. I really wanted to enjoy it, but it just never pulled me in. I have a long commute; however, when I have a good book to listen to, I look forward to the drive. I never looked forward to my ride and finally gave up on the book.
I usually love Didion's writing, but Diane Keaton's narration makes it really difficult to follow what is happening. I would recommend reading this one on your own or finding a different narrator.
Diane Keaton's intonation is exhausting at best. Her pauses are poorly placed and she doesn't seem to respect sentence structure. The book and Joan Didion are perfect and timeless.
The nostalgia is lost on someone who was born after the time period of the story. I can imagine someone enjoying the stream of consciousness writing style if you relate to the images or feelings the author describes, but otherwise, it feels a bit scattered and lacks a real take-away.
How could I go wrong, I thought. But the sad truth is I stopped listening because Diane Keaton's performance was so flat and uninspired.
I only got a few chapters in before I decided to return this and read the book in print. It was almost impossible for me to pay attention to the actual content of the book because the way Diane Keaton reads it is... odd. Other reviewers have mentioned that it sounds like this was a cold read. I tend to agree. Keaton has a great voice and could do a remarkable job with this book, but as it is recorded here, every other sentence sounds as if she is searching for a forgotten word, and then quickly remembers it. That may not be the case for the whole book, but the two hours I listened to felt like Keaton asking hundreds of questions, stopping for a beat to think and then immediately blurting out the response.