Diane Keaton's intonation is exhausting at best. Her pauses are poorly placed and she doesn't seem to respect sentence structure. The book and Joan Didion are perfect and timeless.
The nostalgia is lost on someone who was born after the time period of the story. I can imagine someone enjoying the stream of consciousness writing style if you relate to the images or feelings the author describes, but otherwise, it feels a bit scattered and lacks a real take-away.
How could I go wrong, I thought. But the sad truth is I stopped listening because Diane Keaton's performance was so flat and uninspired.
There were some nice moments and good writing, especially in Part II "Personals," but I found most of these essays to lack structure and emotional depth. Throughout, I was restless and bored. I suspect she's grown a lot as a writer since these early days. I look forward to reading her more recent work.
I write for myself, for my own pleasure. And I want to be left alone to do it. - Salinger ^(;,;)^
“I know something about dread myself, and appreciate the elaborate systems with which some people fill the void, appreciate all the opiates of the people, whether they are as accessible as alcohol and heroin and promiscuity or as hard to come by as faith in God or History.”
― Joan Didion, Slouching Towards Bethlehem
I'm sure at some point Joan Didion will disappoint. I'm positive the honeymoon period will run out. I'll discover a fatal flaw, a series of articles, or a minor novel that she just 'phoned in', but not yet biatches.
Seriously, if prose could make me pregnant, I would now be Nadya Suleman.
I know this is just the normal hormonal response I get whenever I really seem to mesh or synch with an author or artist. I felt this way when I first read DFW's and McPhee's nonfiction. This is the same brain-storm that happened when I first read Delillo & Bellow's fiction. The same awe I felt when I walked into the Paris Opera and saw that giant Chagall ceiling hanging beyond that infamous, 7-ton bronze and crystal chandelier. Those same chills ran down my spine and flushed my face the first time I swallowed a Vicodin. I felt just as complete the first time I watched a Coen brothers movie. I also felt this the first time I discovered my arm naturally guided my hand to my lap. No, this isn't a revolution. It isn't even revolutionary. It a euphoria and I know it. I get it. I'm already cooling down. But I'm just going to leave the book here on my chest for awhile until my heart slows down a bit.
Having grown up in California in the 50's and 60's this was a wonderful walk down memory lane. Joan style and content was totally engaging and true to the time. Highly recommend!
I haven't heard any other audio books narrated by Diane Keaton, but I must say, I would listen again and again, just because she did a wonderful job. Her speach was clear and, unlike some narrators, she wasn't overly dramatic. Her tone is clear and easy to listen to.
I really like Diane Keaton as an actress, and I think that made my disappointment in this audiobook more difficult to swallow. I really wanted to enjoy it, but it just never pulled me in. I have a long commute; however, when I have a good book to listen to, I look forward to the drive. I never looked forward to my ride and finally gave up on the book.
I love Joan Didion and I loved this collection of essays when I first read it many years ago but Diane Keaton's reading of it just seemed a little flat. I wish Ms. Didion had read it aloud herself.
i've always found 'personal journalism' something of a contradiction...hunter thompson, joan didion, tom wolfe, etc., and often can't find the bright line between it and fiction... that being said, a few of the 'stories' in this collection are golden reflections of our time, but most are simply the personal insights into how this writer receives the world...ms keaton's reading is entirely sympathetic and a pleasure to listen to...what puzzles me is whether she's ever met a foreign word (non-English) that has been adopted by our vernacular that she can pronounce with something that resembles its source language.
This is a wonderful book of essays by one of America's premier writers. Her literary skills are superb and although written in the 1960's, these articles have lost none of their charm, wit, insight and impact. Her impressions of Joan Baez and the struggles of her Institute for the Study of Nonviolence in the Carmel Valley is the best, but her impressions of John Wayne, life and drugs in Haight-Ashbury and life in New York City are superb. While she reveals only snippets of her personal life, her observations of morality, culture and writing are superb. The narration by Diane Keaton is also excellent with superb timing and diction. I do forgive her for mispronouncing föhn as Swiss German is far from simple (It is fo'n, long o, versus versus fain).