The story was UTTERLY unpredictable and MOST enjoyable!
The wit and humour woven into the seriousness and reality of certain situations.
Vika was a favourite as she faced and dealt with challenges to her world both personal and interpersonal.
My eyes were wide with wonder in parts and then in other parts you couldnt help but laugh uproariously and from the belly at others.
The narrator was absolutely superb!!!!! I want him to be Chief Reader for all Audio Books!!!
This thing was listed under Sci-fi & Fantasy and was recommended to me after purchasing an epic fantasy Scott Lynch's, 2nd book (Red Seas Under Red Skies) WHICH WAS AWESOME. I put it in my wish list after seeing the HUGE positive ratings.
This book is fiction, sci-fi slightly... fantasy... barely. I would have some mature high school students read/listen to this book due to its easy going pace and somewhat interesting story-line. This book is NOT for epic fantasy fans or even hard core sci-fi fans. The narrator was good which is how I was able to get through this book.
I like Jack Reacher style characters regardless of setting. Put them in outer space, in modern America, in a military setting, on an alien planet... no worries. Book has non moralistic vigilante-justice? Sign me up! (oh, I read urban fantasy, soft and hard sci-fi, trashy vampire and zombie novels too)
What on earth is this book about? At 2/3 of the way through nothing had really happened, and nobody had really done anything, but I still kept reading because I wanted to know (probably as badly as the characters wanted to know): what is up with this building? And why is it titled 14? And why has it sometimes been tagged as "horror"?
That makes it sound like the first 2/3 dragged... it did not. For some reason the story kinda grabs you and pulls you in, even if it spends a lot of time keeping you in suspense as to what the story is actually about.
When I (and the characters) finally discovered what was going on, the story picked up the pace, and perhaps got a bit far-fetched... and it ended up not being at all what I thought it had to be. Of course, you have to suspend disbelief when reading. If you can do that, you should enjoy this book. It has a nice sense of foreboding and suspense and you're never really sure what's really going on.
I even liked the ending, pat though it might have been. I'd read more by this author. It is mostly sci-fi-ish, not really horror at all... There is a bit of violence, but it's not graphic or over-done. There is no sex and I don't think there was much in the way of swearing. The narration was very good.
On Audible since the late 1990s, mostly science fiction, fantasy, history & science. I rarely review 1-2 star books that I can't get through
The first 2/3 of this novel are pure fun. There are mysteries in an strange apartment complex to be unraveled, a winning cast of characters to do so, and a great reader to narrate the whole thing. The pacing is such that you are always listening for a few more minutes, just to see what the tenants will learn next about their mysterious building. There is lots of original ideas, and some old science fiction and horror concepts reused in fun ways.
Sadly, as the mysteries are finally revealed, much of the fun drains away, and the last 1/3 of the book, while by no means bad, just can't keep up the excitement and pace. The twists are more cliched, and the revelations surprisingly unsatisfying.
Despite that, this is still a fun novel, and a solid read, especially those into modern Lovecraftian horror (Atrocity Archives, for example)
Great reading. Characters had distinct voices and brought the story to life.
I loved the suspense and the science of the first half of the book. It was mature and I enjoyed the theory and the intellectual approach. I couldn't wait to get back to listen to more. THEN...Somewhere near the last 1/4th of the book when the characters actually discovered "the answer" and the "monsters came out of the closet" so to speak, all the suspense flew out the window and it became a silly, contrived action adventure and I was glad when it was finally over. I actually felt a little anger at this book. How could it have been so good to start off and then end in such pure cheese?
The Path Between the Seas to The Great Bridge ~ Kagan's Peloponnesian War to Gaddis' Cold One ~ Mornings on Horseback to a River of Doubt ~ Tom to Huck ~ Lennie to Charley ~ Cadfael to Cross ~ Rhyme to Reacher ~ Blomkvist and Salander to Wallander and Wallander ~ Moving Cheese or Eating Frogs ~ On the Road and Into Thin Air ~ The End of History to A Short History of Everything to ... well ... everything else.
Well written, highly imaginative, apocalyptic thriller, ably narrated by Ray Porter. Listen, and you can expect several hours of entertaining diversion ... IF ...
You suspend disbelief in the fantastic. This plot moves from engaging mystery to wild apocalyptic fantasy. Let me repeat: WILD apocalyptic fantasy. You have to drink the Kool-Aid for this plot to work. AND
You also suspend logic and critical thinking. Here is the greatest flaw in this novel. Fantasy is not an excuse for sloppy plot development. And as well written as this novel is, it is bloated with illogical or unexplained plot elements, and not a few distracting contrivances.
If you think me overly harsh, consider just a few examples (minor spoilers follow):
~ Do we really believe that a government so concerned about a particular building that it would track public inquiries would not have more capable agents on site?
~ Do we really believe the same government would go to such extraordinary lengths to screen tenants and NOT track or arrest the cult whose actions it fears most?
~ And don't we find the explanation from the mysterious "owner" at the end to be a little too contrived, relying a bit too much on the "if I tell you, I'll have to kill you" contrivance.
Nonetheless, if you can, you should accept the world of 14, turn off that part of your brain that demands logic and internal consistency, and take this ride. It is a wild one.
Tell us about yourself!
First, this is mild in terms of sci-fi or fantasy.
Second, in my opinion, this belongs in the young adult category. Some hand holding, kissing, reference to spending the night together, but nothing graphic.
I was engaged for about two thirds of the book. Then it got lame, like the author lost his muse. I was vested in the characters, but many just withered away.
When I am really into a book I can listen for up to 6 hours per day. When it took me 4 days to listen to the last three hours, I knew it was really bad.
The narrator did an admirable job with the material. In fact, he's probably the reason I trudged through to the end.
I know I'm coming late to this book. There are thousands before me, but I can't stand not to put my 2 cents worth in. I am a woman. I find many male science fiction authors uncongenial because they seem to care more about their hardware (guns, spaceships, etc.) than about their characters. All too many of their characters are without personality or any characteristic which would mark them as actual people with pasts.
On the other hand, I find all too many female science fiction and fantasy authors uncongenial because they are merely dressing up their romance novels with lame science fiction or fantasy trappings. They have put in far too little thought about such trivialities as plot and world building and too much into descriptions of the hero's manly pecs.
Peter Clines has found the perfect middle ground. The ideas, plot, and hardscape are intricate, well thought out--amazing even. And yet the characters are also well imagined. Each character has her or his own personality. They bring a myriad of abilities to contribute to the solution of the various problems.
I highly recommend this book.
This is a very good entertaining book. The story is about a person who starts to notice a lot of strange things about his new apartment building. He forms collation of other tenants to unfolds the mystery of this building. The mystery is very intriguing and complete fiction, but it unfolds in very entertaining though highly unlikely fashion. The cast of characters in the book are very interesting and narrative is snappy delivered expertly by Ray Porter.
I found story to be very lean, and it moved at a brisk pace. The cast of characters are well flushed out, and their interaction is entertaining. Even though last stages of story become a bit out there, I would still rate this a very good book. I would recommend this book, and I will consider picking up other books from the same author in the future.
Rating scale: 5=Loved it, 4=Liked it, 3=Ok, 2=Disappointed, 1=Hated it. I look for well developed characters, compelling stories.
SciFi is not my usual genre, but the almost universal rave reviews with promises that this was new and different than any other book around made me take the leap of faith. Ultimately I was both disappointed and pleased at different points in the story.
I hated the slower than molasses set-up. It took right at half the book to get beyond the introductions to the cast of characters, and as much time as the author took to work everyone into the narrative, there was little depth to any of them. You could see the broad stereotypes from central casting. The comparisons to Scoobey and the gang sounded somewhat intriguing in the reviews that I read, but especially in the front half of the book it became tiresome and trite.
Once I hit the halfway mark, things picked up considerably. There was action and the wild ride creativity that had been promised in the reviews. It was Scoobey Doo meets Dr. Who, and I mean that in a good way. (Yes, Dr. Who is my one scifi guilty pleasure). Well written, unexpected and breathtaking. The characters took on greater depth and dimension as they were (finally) given something to do.
Then I hit hour 10. After the thrilling Act 2, I wondered what the author was going to do for four more hours. That's when it hit some hard core scifi that I don't mean in a good way. The fans of the book who gave the rave reviews obviously had no problems with the turn of events. But it didn't appeal to me. I don't want to ruin anyone else's pleasure with spoilers, so I won't be specific about what disappointed me. But the movie Jaws came to mind in the sense that for most of the movie we never saw the shark, and we were scared to death. It was after we actually saw the shark that it didn't quite match our imaginations. That was the kind of let-down that I felt. True fans of Clines may be better pleased. But for my leap of faith - my bad.