The Path Between the Seas to The Great Bridge ~ Kagan's Peloponnesian War to Gaddis' Cold One ~ Mornings on Horseback to a River of Doubt ~ Tom to Huck ~ Lennie to Charley ~ Cadfael to Cross ~ Rhyme to Reacher ~ Blomkvist and Salander to Wallander and Wallander ~ Moving Cheese or Eating Frogs ~ On the Road and Into Thin Air ~ The End of History to A Short History of Everything to ... well ... everything else.
Well written, highly imaginative, apocalyptic thriller, ably narrated by Ray Porter. Listen, and you can expect several hours of entertaining diversion ... IF ...
You suspend disbelief in the fantastic. This plot moves from engaging mystery to wild apocalyptic fantasy. Let me repeat: WILD apocalyptic fantasy. You have to drink the Kool-Aid for this plot to work. AND
You also suspend logic and critical thinking. Here is the greatest flaw in this novel. Fantasy is not an excuse for sloppy plot development. And as well written as this novel is, it is bloated with illogical or unexplained plot elements, and not a few distracting contrivances.
If you think me overly harsh, consider just a few examples (minor spoilers follow):
~ Do we really believe that a government so concerned about a particular building that it would track public inquiries would not have more capable agents on site?
~ Do we really believe the same government would go to such extraordinary lengths to screen tenants and NOT track or arrest the cult whose actions it fears most?
~ And don't we find the explanation from the mysterious "owner" at the end to be a little too contrived, relying a bit too much on the "if I tell you, I'll have to kill you" contrivance.
Nonetheless, if you can, you should accept the world of 14, turn off that part of your brain that demands logic and internal consistency, and take this ride. It is a wild one.
Great reading. Characters had distinct voices and brought the story to life.
I loved the suspense and the science of the first half of the book. It was mature and I enjoyed the theory and the intellectual approach. I couldn't wait to get back to listen to more. THEN...Somewhere near the last 1/4th of the book when the characters actually discovered "the answer" and the "monsters came out of the closet" so to speak, all the suspense flew out the window and it became a silly, contrived action adventure and I was glad when it was finally over. I actually felt a little anger at this book. How could it have been so good to start off and then end in such pure cheese?
Rating scale: 5=Loved it, 4=Liked it, 3=Ok, 2=Disappointed, 1=Hated it. I look for well developed characters, compelling stories.
SciFi is not my usual genre, but the almost universal rave reviews with promises that this was new and different than any other book around made me take the leap of faith. Ultimately I was both disappointed and pleased at different points in the story.
I hated the slower than molasses set-up. It took right at half the book to get beyond the introductions to the cast of characters, and as much time as the author took to work everyone into the narrative, there was little depth to any of them. You could see the broad stereotypes from central casting. The comparisons to Scoobey and the gang sounded somewhat intriguing in the reviews that I read, but especially in the front half of the book it became tiresome and trite.
Once I hit the halfway mark, things picked up considerably. There was action and the wild ride creativity that had been promised in the reviews. It was Scoobey Doo meets Dr. Who, and I mean that in a good way. (Yes, Dr. Who is my one scifi guilty pleasure). Well written, unexpected and breathtaking. The characters took on greater depth and dimension as they were (finally) given something to do.
Then I hit hour 10. After the thrilling Act 2, I wondered what the author was going to do for four more hours. That's when it hit some hard core scifi that I don't mean in a good way. The fans of the book who gave the rave reviews obviously had no problems with the turn of events. But it didn't appeal to me. I don't want to ruin anyone else's pleasure with spoilers, so I won't be specific about what disappointed me. But the movie Jaws came to mind in the sense that for most of the movie we never saw the shark, and we were scared to death. It was after we actually saw the shark that it didn't quite match our imaginations. That was the kind of let-down that I felt. True fans of Clines may be better pleased. But for my leap of faith - my bad.
I believe a reviewer should finish a book before submitting a review. What do you think?
I am thrilled to rate this book with 5 stars. What this book has.....
terrific character development, I got to know and cared about each and every character; story/plot, I just couldn't put this book down (what is the audio equivalent of a page turner?); intrigue and suspense, the tenants of the building have a mystery to solve that is a matter of life and death;
romance that is hip and cool and relevant, with plenty of references to current culture;
and equal to the wonderfulness of the book overall is the expert narration, I am thinking that Mr. Porter is perhaps one of the best narrators ever, he did everything right, accents, pace, tone, and inflection.
I wholeheartedly recommend this book, oh I agree ......happy dance!!!!
I honestly think I lost IQ points listening to this book. The worst part was that I got sucked in initially by the reasonably suspenseful plot devices. I put up with the cardboard characters and cliched writing because I was intrigued by the mystery surrounding the building. But the pay-off was so bad, so ridiculously bad, that I felt like an idiot having wasted any time on this drivel. I want my time back and the brain cells I expended in the effort. The narration was ok, although some of the accents were pretty lame. (Ray Porter's German is much better than his Indian.) I just kept wondering, "Isn't he embarrassed to be reading this?"
I understand from reading many other reviews that mine is a minority opinion. Just don't say I didn't warn you.
Busy mom who loves to read but doesn't always have the time. I enjoy YA, Romance and the occasional Best Seller.
Although I typically read Romance Books I just loved 14! After reading so many good reviews I decided to give this one a try for something different. WOW!
I don't want to give any of the plot points away so I will just say this book is funny, scary, mysterious, creepy and a little weird. It's Dean Koontz meets Lost. Just the right blend of sci-fi and horror.
The narration is outstanding. Ray Porter did an excellent job of bringing all the characters to life (even the evil ones).
Definitely a credit worthy listen.
As an Audible Editor I listen for a living! British classics, YA novels, speculative fiction, and anything quirky, fascinating, or heart-wrenching.
After talking my my co-worker Chris into checking out some of my favorite YA books it was my turn to take him up on a recommendation – and his pick for me was WAY outside of my normal listening zone. 14 is a Lovecraftian sci-horror novel that feels pulpy and modern at the same time. There’s plenty of kitsch, and lots of old-fashioned sci-fi techniques are on display here, but the voice is still totally fresh, as is Ray Porter- who totally nails the narration. It’s one of the weirdest and best books I’ve ever listened to, and from the number of 5 star reviews it would seem our listeners agree!
This is a very good entertaining book. The story is about a person who starts to notice a lot of strange things about his new apartment building. He forms collation of other tenants to unfolds the mystery of this building. The mystery is very intriguing and complete fiction, but it unfolds in very entertaining though highly unlikely fashion. The cast of characters in the book are very interesting and narrative is snappy delivered expertly by Ray Porter.
I found story to be very lean, and it moved at a brisk pace. The cast of characters are well flushed out, and their interaction is entertaining. Even though last stages of story become a bit out there, I would still rate this a very good book. I would recommend this book, and I will consider picking up other books from the same author in the future.
I think there are three things that work very well together
1. The book is full of great character development and chemistry between the residents of the building. You want them to succeed and believe they are friends.
2. The mystery unfolds at a satisfying pace and doesn't disappoint. I had a very hard time putting it down. I found myself looking for moments I could steal way to listen.
3. The writing is witty and clever.
That is very hard. They all work so well together. If I had to make a choice I would say Tim. Mainly for his patience, wisdom, and things that unfold in the book.
I have not. I was very impressed with this narrator and even looked up his other books to see if there was anything I might like. I really liked his performance!
I listen to a lot of books and a lot of those are mysteries. There comes a time when you see the same patterns being used over and over. I was getting a little tired of what was out there. This was an incredibly fresh book. I will caution people that it does have a sci-fi feel similar to the television show, "Lost". If you prefer linear police detective books over unexpected thrillers, then you may not like the content. You can't argue, however, with the superb writing and the excellent narration.
Yes because I enjoyed 2/3 of it.
The last 1/3 of the book was ridiculous. I wanted to scream at the characters to stop with their stupid chattering and get to work! Also, I wasn't a fan of the big secret - it felt too .... weird.
Yes, I can see 14 being made into a movie. It's a very visual book.