Absolutely F****** Brilliant.
Colin Firth is a phenomenal reader. His timing and cadence are as good as you get. He sucks you into the plot and holds you in place. Graham Greene's prose is absolutely beautiful. He uses words like a painter and makes characters feel real; imperfect, struggling, and real. The book flew by and a part of me was sad when it ended.Great audiobook.
A great 20th century novel read brilliantly by Colin Firth. Please, put in front of the microphone again and again.
Oral storytelling is my favourite thing in the world. If I lost my iPod I would feel like I had lost my arm.
The prose of Graham Greene as narrated by Colin Firth are a sublime experience. I'm so glad I bought this. My only hope is that Audible can convince Mr. Firth to go back into the recording booth to do more.
This was my initial plunge into Graham Greene, and I have to say that I'm left somewhat unsatisfied. The writing itself is fine enough, and the bitter, cynical, obsessive cast-off lover, Bendrix, well drawn. But I found much of the story forced, unbelievable, as if the concept Greene wanted to get across overwhelmed the plot: lust begets love begets jealousy begets hatred begets faith.
Much of the novel falls under the "if there's a God" speculation. Sarah prays for God, if there is one, to spare Bendrix from a bombing and promises to give up her lover if God grants her wish. Bendrix wonders, if there's a God, why does he take Sarah away, and later, he wants to believe that there is a God so that he can hate him for taking Sarah away.
Sarah seemed a cypher throughout, both to Bendrix and to the reader. I suppose Greene wanted us to be surprised along with Bendrix at what he later learns about her, but she seemed a rather vapid character to have inspired such raging emotions. The friendship that develops between Bendrix and Henry is certainly an odd one, but Henry, being the most honest (and perhaps simple) character in the novel, is also the most easily understood and most empathetic.
Colin Firth was a fine reader, giving just the right disengaged tone for Bendrix. Overall, however, I was underwhelmed by The End of the Affair. I'll probably give Greene another try, but not for awhile. He seems to be one of those writers whose work is firmly rooted in an era--not one in which I have a particular interest.
Please get Colin Firth to narrate more books! He is fantastic.
This book has been on my must read list for a long time. When I saw that Firth was narrating for Audble I promptly moved it to the top of the queue.
The story is depressing, but there is redemption. It haunts and provokes. Firth's reading in the first person is wonderful - he is Bendrix.
I love the book and I'm so glad that I listened to Audible's version. It is a new favorite.
Never has so short a book stirred in me such a cauldron of conflicting emotions.
You think Sarah deserves love, but cannot countenance that in a marriage or against vow of commitment. You ponder, why not, in her marriage free from sex for seven years, but then cringe when considering *but, with Maurice?* who's our narrator, the pompous, neurotic narcissist.
This short novel delves into such questions and those of faith in, and relationship with, God. To say much more of the story is to spoil it.
Colin Firth's narration is perfection.
I can't say anything about Colin Firth's delivery that hasn't been said already. He won an an award for this performance and rightfully so - he handles heartbreak, bitterness, and too-bright all-consuming love with a reserved grace that captures the tone of the novel.
I would recommend this title on the strength of his narration alone.
The work itself is more difficult to fully embrace. The writing is clean, whittled to an unflinching truth but no less rich for that. Written in first person, the narrator, Maurice Bendrix, is consumed by jealousy and hatred (which is to say, love) for his former married mistress. Set in London, when Europe is in the last throws of war, Bendrix swings back and forth on an agonizing pendulum as he struggles with the wreckage of life after the affair. In him, Greene sets both the best and worst of human nature in direct juxtaposition; he shows that love and hate are as connected as an inhale and an exhale.
He takes the feeling in all its forms: physical, platonic, spiritual, obsessive, familial, divine; and places the enormous burden of that on one man's shoulders. Then he steps back and points at his narrator as if to say: "Look at how it twists him, look at how that much love and devotion and depth burns a man."
In lean prose, Greene's man Bendrix staggers under an emotion that is only capable of being fully born by a higher power. He blurs the line between humanity and divinity until loving and hating someone becomes an act of loving and hating God.
Religious or not, this book is insightful, complex, difficult; a classic worth the read.
I love to read mysteries, histories, biographies, humor, and Jane Austen.
It is interesting listening to Greene as he struggles with the complexities, frustrations, and passions of his Roman Catholic faith. This book deals with these themes well, although to someone not interest in Roman Catholicism, the book may seem to beat the same dead horse repeatedly (and I found it tiresome at times). I intensely dislike the literary convention that the best way for a romantic triangle to resolve itself is for the central woman to die. ("Madame Butterfly" anyone? "Miss Saigon"?) However, Colin Firth's performance is outstanding. As one of the other reviewers said, Firth makes the main character angry, misanthropic, and cruel, but still very human and someone you care about despite his many great flaws.
gerrymor Auburn, AL My favorites are books read by the authors. Janis Ian is superb.
The way Colin Firth tells the story is as good as the plot.
Colin Firth who played the hero.
Yes, and he is always good. The King's Speech may be his best of all.
Colin Firth because we would talk about English theatre and English movies.
This is a book I will keep on my hard drive so that I can listen to it again. It isn't so long that you lose your place. It is just the right length. I enjoyed it very much and wish you had some more just like this.
Apparently everyone, but I don't get it.
Nothing. I find it utterly unbelievable. Not one of the characters is likeable and the only one who rings true is Henry---as the husband who really doesn't want to know. I don't know why either Sarah or Maurice wants to have an affair with the other. They are both selfish and boring. Next, I don't believe anyone truly means the bargains they make with God in moments of desperation. However, even if she believed she had to keep it, why didn't she just tell Maurice? Her vow was to give him up and, presumably, bear the pain. It was cruel to inflict the pain of not knowing on Maurice. The only reason I can think that she didn't tell him is that there wouldn't have been a book otherwise. I realize this is a classic and I am in the minority, but there it is.
As a story, this book is the pits. As philosphy, it's even worse.
No, but I will be looking for more.
Colin Firth was great. I will look for more of his narrations.