maybe, once they finish the story.
This book just stops abruptly and tells us that it is the end of Book 1.
The tale might be worth a listen. It seems to be a good start. But this is not a complete "Book".
Good writing has ... a balance and a rhythm. You can feel that much better when it's read aloud. --Laura Hillenbrand, author of Unbroken
???The Mongoliad??? came as a surprise to me. Originating as a ???cloud??? collaboration from a team of noted authors, this alternate history saga of ???The Foreworld??? has apparently been going on in multimedia format for a while (see the mongoliad website). But this book, the first of a trilogy (a trilogy that is apparently already close to complete, which is always a good thing), stands alone as a novel. Describing the newly published book in an Amazon interview, coauthor Mark Teppo says that ???the three volumes of The Mongoliad have been polished, re-structured, and re-edited into the definitive edition of the narrative ??? [that] is the authors' preferred text. ??? We're old school that way. It's done when you put it on the shelf.??? Good news for readers everywhere!
The prose style of this adventure epic combines history-based fiction with the world-building of fantasy and science fiction, with the wordsmithing genius of Neal Stephenson definitely an influence. The first couple of chapters were a little muddled, but once I got the sense and rhythm of the story, the many characters and their strange names fell into place and it became amazingly easy to follow. Feeling the lack of maps, I confess I scanned the Wikipedia entries on the ???Mongol invasion of Europe??? and ???Mongolian Empire??? to gain some context, and found them useful. It???s a fascinating and fast-moving tale, if gruesome and full of cruelty. The Mongols were not kind to the people they conquered or to the cities they overran, usually wiping out both with chilling completeness. They left few survivors in their wake, and the fact that western and Mediterranean Europe (including France, Spain, Italy, the Low Countries and even the British Isles) were spared their onslaught is, I suspect, going to be a big piece of the mosaic this trilogy will create.
Regarding the narration, as I think most people who have listened to the ???Iron Druid??? books will agree, Luke Daniels can read to me anytime.
A decent hook...characters that are 3-dimensional.
Luke Daniel's is good, and he does as best he can with what he was given, but the story itself just falls flat.
An excellent question. I feel like there are a large number of characters thrown at you, and there is never a point where I feel like any of them came off the proverbial page. You could easily replace any of the names and 'characters' and get the same tale.
I listened for the first 9 hours, waiting for something to get better...finally read the reviews and they all said what I was feeling, and they told me it only became worse.
A while back I was listening to a podcast (I wish I could remember which one) where they were interviewing Neal Stephenson. Neal’s been one of my favorite authors since I read Snow Crash almost twenty years ago. The main material in the podcast was over his then most recent work Anathem, but what stuck out to me at the time was his interest in ancient weapons and fighting techniques. He later got together with several (many, if truth be told) authors with a similar fascination. They decided to work on a collaborative effort which involved a realistic world where many of these forgotten martial arts could be put on display in word form. Thus was birthed the first book in the Foreworld Saga: The Mongoliad.
I’ll list all the authors since I’m sure they all want credit: Erik Bear, Greg Bear, Joseph Brassey, E. D. deBirmingham, Cooper Moo, Neal Stephenson, and Mark Teppo. They combine to tell the fairly straightforward tale in 13th century Europe and Asia. There are dual storylines in play – one in Asia where a young warrior is trying to save the Mongolian Empire from courtly corruption and one in Europe following a band of knights on their quest to kill the Khan of Khans. The tales thread back and forth throughout the book with zero overlap and without much thought to pacing. There is however quite a bit of – I’m sure fairly historical – fighting and war-making. Unfortunately all the martial prowess cannot make up for the lack of actual plot.
The book started off slow, but picked up with some early character development. This however played out into a story that went nowhere. Half of this book is supposed to be a knightly quest, yet the heroes never went anywhere significant. The other half is supposed to deal with courtly machinations and intrigue, but only got as far as some thin innuendo. This book did have some interesting characters and seemed to set up some clever plot ideas, but ultimately the story just stops without anything coming to fruition. I’m not sure if this had to do with the multiplicity of authors or the foreknowledge of sequels to come, but typically there is some payoff at the end of a volume that makes you want to follow up. This book provided none. I have some curiosity to see what becomes of some of the characters, but probably not enough to take the time to find out.
I have looked at the Foreworld website, and in the past couple of years, they have put out many sequels and “side-quest” stories. There must be some depth to the series, I just wish this talented group of authors could have done a better job of introducing the world to the reader. Read this only if you have time to spare.
3.5 stars out of 10
Heavy Listener wtih a mutlitude of interests. Enjoys Sci-Fi, Science/Tech, Fiction, Christian, and Historical books.
Enjoyed the story and the narration was excellent! I always enjoy Luke Daniels' work and intricacies to make the story and characters come to life!
I'm a web developer based out of Sacramento, I listen to books while I work, and love audible.
This book sounds like it will be great, and builds up quite some anticipation just because of the subject matter. However it left me very disappointed and completely unfulfilled.
I'm not sure. It certainly was flat.
That I spent an audible credit on it. In the 1st 3 hours I didn't find any reference to Sir Richard Burton, one of the reason's I bought the book to begin with.
Flat reading. Would have been better with an accent.
This book is kind of dull. I didn't know what to expect going in. Maybe magic? Maybe interesting ideas? What I didn't expect was a really abrupt ending. I know that it's part of a trilogy, but it felt like someone took one giant book and arbitrarily divided it in thirds. "Okay, this is 1/3 of the pages, let's break here." I have said many times that I hate cliffhangers. This doesn't even have one of those. UGH.
I will be finishing the trilogy. I got the Kindle editions on a Daily Deal and the audiobooks were really cheap because I had bought the Kindle books. I'm going to try Whispersyncing the second book. Luke Daniels is one of my favorite narrators, but maybe text is a better way to consume this series. Or, maybe it just sucks.
I suspect that if Neil Stephenson had written this alone, this would have only been part of a single massively long book. While this tells a continuing story, don't expect much of an ending, its more of a cliff hanger to the next book. I'd advise if you read this, plan on reading the next book as well right away. For Stephenson fans, this won't be a big deal as the long long journey is the fun.
I like a series but this book could have done more than just paint the foundation for the rest. Felt hollow, like looking a tubes of paint and a blank canvas.
Put more story in it.
Narrator was good.