I think children might enjoy the character voices, but it was too juvenile for me.
The narrator tries to make everyone sound different by applying regional accents and it is really distracting from the story. She makes the wizard sound like Ellie from Boarderlands. I couldn't finish the book because I couldn't stand to listen to him talk anymore!
I love the book, just not a fan of the narration.
The book stands on its own. I've just never read it and didn't love it.
Someone who would have prepared better instead of making one voice by talking through her nose, another by copying from the movie (Cowardly Lion), another like a sing song New Yorker.
An American classic.
I wonder if she didn't think this project would be so simple for such an accomplished actress that she didn't find time to prepare.
I have always loved this story. I had a really hard time listening to Ms. Hathaway read. All the voices were a bit ridiculous, but what REALLY put me over the edge was the Wizard from Nebraska sounding like he's from the hills of Georgia.
I would have cast almost ANYONE else to read this book.
A person who wasn't overacting. I hated this version soooo much
This whole book is fantastic
If Anne Hathaway had allowed the story to be the central part of this rather than her "interpretation"
I wish I could get my money back. I'm not going to finish this version and I wouldn't ever inflict it on anyone else.
I never read the Wizard of Oz when I was young and was afraid I wouldn't be able to relate to the story, but Anne Hathaway really brought it to life. She did a wonderful job with the different voices and it was a really good listen.
I would recommend this in a heartbeat. The story had gotten old for me after so many years but Anne manages to breathe life into the characters more so than any version of the movie I have ever seen.
The initial scene where they meet Oz. I don't know how she came up with that particular voice for him (apparently, she doesn't either if you've seen the video clip of her talking about doing the narration) but I think it fits the character well.
I certainly would have if I'd had the chance.
Give it a shot. You'll be surprised how much you enjoy a story you've probably already experienced numerous times.
An old broad that enjoys books of all types. Would rather read than write reviews though. I know what I like, and won't be bothered by crap.
Dorothy sees Wizard!
This story is very different than the movie and stage play. There are a lot of different characters and more adventures for Dorothy and her friends that didn't make it to the movie. There are several sequels in this series and each story builds on the next. Very good!
Good first start.
Kansas vs. Oz?
I liked Anne Hathaway's performance for the most part. The only suggestions I would make is to leave out the valley girl character and the french maid accent. Doesn't fit in Oz.
I love Anne Hathaway as an actress. She did a horrifyingly bad job of narrating this lovely story. The voices she created for the various characters were strange and didn't fit with the story at all. And some of them were just unlistenable. I found myself eager for the audiobook to be over. Very disappointing.
I love reading and listening to books, especially fantasy, science fiction, children's, historical, and classics.
Because I love the 1939 movie The Wizard of Oz and had listened to Anna Fields' Blackstone Audio (2001) fine reading of the original book The Wonderful Wizard of Oz (1900), I was curious to try an audiobook version read by a popular and accomplished actress, and so listened to the Anne Hathaway "performs" The Wonderful Wizard of Oz (2011), for audible.com's "a-list" line of classic books read by popular actors.
First, about the original novel itself, the story is light-hearted, with plenty of fantastic and appealing characters (like Dorothy's companions), exciting flare-ups of ultra-violence (like the orders and fates of the Wicked Witch's forty wolves, forty crows, and forty bees) ironic insights into human nature (like the pure Tin Woodman's mistaken belief that if he had a heart he would not need to be so careful to avoid hurting living beings because people with hearts naturally avoid hurting others), humorous lines (like when the Scarecrow asks the Lion if he has brains he answers "I suppose so. I've never looked to see"), and good themes for children (like personal hygiene is important and we all have the potential to develop the qualities we think we lack and just need to find the confidence and opportunities to use them). If you've only seen the movie, and if you like it, you should read or listen to the original book, because it's interesting to compare the similar and different points between them. The movie, for instance, stops about three-fifths of the way through the book, downplays the violence, increases Dorothy's age, and adds songs and dances, as well as the wonderful feature of some fantasy world characters having real world alter-egos.
One feature of the Audible a-list audiobook that's convenient and nice is that the 24 chapters of the book are divided into 24 navigable chapters and Hathaway reads out the titles of the chapters after their numbers, while the Blackstone version has only five navigable super audiobook chapters, so that when you click the fast forward or rewind button you end up several chapters ahead or behind rather than just one, and Fields only reads out chapter numbers rather than titles and numbers together.
Like many of the reviews posted on Audible, I have mixed feelings about Hathaway's reading. She mostly does a fine, fun job with the different characters' different voices. The Scarecrow is funny and scratchy (sure, he does sound a bit like a hyper Marge Simpson, but Marge's voice is not a bad one to recall); the Tin Woodman is sensitive; the Cowardly Lion deep and blustery and a little New York or New Jersey-ish; the Mouse Queen cute and squeaky; the Wicked Witch old and wicked; Oz feckless; Dorothy sweet. . . I suppose you could complain about her Stork sounding like a storky-valley girl, the pseudo-British King of the Flying Monkeys rolling too many of his Rs, the Guard of the Gates of the Emerald City sounding oddly Daffy Duckish (especially when he says "spectacles"), and the Hammer-Heads sounding a bit too much like the Scarecrow, but, hey, Hathaway does her best to give each character a distinctive feel, and I enjoyed most of them.
The problem for me was her over-reading too many of the third person narrator's lines, becoming, for instance, too breathy, fast, and excited when reading exciting parts of the story. In Chapter 1 Dorothy and Toto have been carried up into the air in their house on the cyclone, and although at first the scene has been exciting and scary, with Hathaway (perhaps over-dramatically) inflecting her voice for greater urgency, one paragraph ends calmly with the cyclone carrying the house "miles and miles away as easily as you could carry a feather." When the next sentence begins, "It was very dark, and the wind howled horribly around her," Hathaway briefly resumes her hyper danger mode, even though that same sentence ends, "but Dorothy found she was riding quite easily," and its paragraph ends, "she felt as if she were being rocked gently, like a baby in a cradle," for which Hathaway uses an extra sweet calm mood. Her vocal mood shifts sound too much right next to each other, and a sentence that ends calmly should be read from the beginning calmly, even if the first phrase of the sentence indicates some horribly howling wind, because the context before and after that howling wind is not scary. In short, Hathaway over-reads much of the narration, which detracted from the listening experience, making me think at times, as some reviewers have said, of Anne Hathaway rather than of The Wonderful Wizard of Oz
Finally, it comes down to preference. If you like the reader of an audiobook to *perform* different voices and moods and so on like an actor (tellingly, the Audible title is "Anne Hathaway Performs The Wonderful Wizard of Oz"), you should listen to Hathaway. If you only want to hear a person with a pleasant voice, accurate pronunciation, and sensitive and smooth pace read a good book, you should listen to Anna Fields. Hathaway is strutting her actress stuff, mostly enjoyably (because she obviously enjoys the story), but although kids probably prefer her different character voices and high-tension narration, I prefer Anna Fields' more subtle differences between characters and more even-keeled and natural narrative voice.
I am normally a *huge* Anne Hathaway fan, however, I felt she went way over the top dramatizing this performance. In scenes where absolutely nothing is happening, she starts gasping and dramatizing as if the world is coming to an end. She does this multiple times throughout the story in all of the wrong places. Also, nearly every character she did had a New York accent or a valley girl accent which just made this classic story sound ridiculous. Marge Simpson with a New York accent crawled into the scarecrows body, and I'm permanently scarred. lolNormally, I would enjoy her attempts to breathe new life into a classic story, but she went way overboard with this one and lost me. Even my 11 year old daughter thought the whole thing sounded odd and that the narrator was just distracting from the story. I think that's really the key to what went wrong - instead of presenting the story and letting it stand on its own merit, she tried to take center stage and failed.