"Well recommended Murakami"
I have thoroughly enjoyed listening to this book and will buy more now from the same author. Contrary to other reviewer I particularly enjoyed the parts narrated by Allison Hiroto and did not find her at all grating. It made the listening easier having a separate reader for each main character.
There's a bit of a breast obsession at times within the novel however the story itself is powerful and gripping. Well recommended audio book.
"A sureal love story"
I guess its all a matter of taste but I loved this story and I thought the choice of narrators leant a lot to the overall feel of the book. In true Murami style the characters are well moulded and their lives interwoven throughout. I liked the way the stories of the two main characters, Aomame and Tengo were featured as alternative chapters until the last few chapters when of course it was necessary to feature them together. It was in parts repetetive and I found the repeated pronounciation errors rather irritating i.e Aomame was armed with a heckler and coke, and one of the male narrators constantly referred to Tango. Despite this I really enjoyed it although I still think his best is "The Windup Bird!"
"Worth the journey"
I had Murakami introduced to me by a friend. I am so glad he did this and 1Q84, my fourth Murakami, failed to disappoint. The story is about parallel worlds, the power of secret sects, mysterious "little people" and also a love story. The plot wends its way through the two main characters who work their way closer and closer together as the novel unfurls.
The narration is through three characters which adds good variation. Allison Hiroto's narration is stylised but I think suited the character. It is a long book but I would not have wanted it abridged, Murakami is for people who enjoy the journey, as much as getting to the destination.
I would recommend this book to those who want something a bit different and like being left thinking, yes, was that possible and what next? An excellent way to end a good book.
"I struggled to the end..."
Before I downloaded this I only seem to have seen 4 or 5 star reviews, so gave it a chance. I have never read any of Murakami's work before nor indeed much if any Japanese literature. About half way through the first of the 6 downloads I nearly gave up, and only the thought of having so much unlistened-to material on my iPod made me carry on. As other reviewers have noted, Alison Hiroto's voice is incredibly irritating - and I also found the two male voices very soporific. There seemed to be one chapter of plot development followed by many chapters of minutiae about the characters' backgrounds and sex lives (note to author - just far too much information!) and quite a lot of worryingly detailed thoughts about what came across as virtually porn or paedophilia. There were inconsistencies in characterisation too which made for further irritation. The plot, such as it was, just seemed to fizzle out, and I was left having listened to countless hours, feeling somehow cheated. Can't recommend it.
"Good but some parts waffle on for way too long"
I only like long books so this was a godsend. But....
The problem is the book goes on, and on, and on. Sometimes with 30 minute chapters with characters talking about nothing in particular. At one point one the character is cooking a snack. The process of cooking the meal is described in such excruciating detail that I thought I was listening to Delia Smith talking about cooking her favourite recipe.
I had no problem with the narrators, I thought they were pretty good. Allison reminded me a little of the voice of GladOS from the Portal game but it wasn't too off putting.
I can't really knock the story because it is engrossing, but it is 20 hours to long in my opinion.
"A very very very long listen!"
I read all of Murakami's stuff. The latest trend is to criticise him for being a bit predictable and always including cats etc. However, up until now I've loved every story and book I've read by him (and I've read nearly all of them.) This new Proustian epic is perhaps a sign that he is getting complacent.
Listening to it is a strange experience as it is so long, you get involved with the characters and start to see the world with their eyes. It sets up nicely... but towards the middle you start to wonder if it's going anywhere. Unfortunately Murakami's aim was to make it as long-winded as possible. It does have narrative hooks, but they sort of dwindle and peter out to make way for new ones without ever resolving anything. Things do get resolved in a way in the end... but by that time I was almost to the point of not caring what happened to the characters - I just wanted to be released from this mind-numbingly slow book.
I hope the next one is a book of short stories. That's what he does best.
"Which world are you?"
A female assassin is late for a job, so she gets out the taxi and heads down a shortcut that changes her life. A 17 year old dyslexic girl narrates a story to her friend to send into a competition and a money grabbing editor, asks his friend to polish it up, so it is guaranteed first prize.
On publishing the story, the lives of the girl, the writer and the assassin become interlinked as a mysterious sect aims to stop production runs for fear of their secret being exposed.
"It starts slow and then, miraculously, it gets..."
...even slower; by the end, and by that I mean all of the third volume, it is practically inert. At 300 pages, this novel might have been a rather wonderful and strange tale: at nearly 1,000, it is all that the more negative reviews on here describe. I bought it on an Audible sale (how good are they!) and I got through it by telling myself I would never have to read another Murikami novel again.
I have read others so would say to those who want to try him, go for the shorter works like Norwegian Woods or the short stories. Don't go to 1Q84. The very air seems to disappear as you read it.
The female reader is particularly annoying, flat and affected, which doesn't help.
That said, Murikami has great taste in music and literature. Now and then, one of his narrators references Janacek or Ellington or reads an extract from Chekhov or Isak Dinesen, and we glimpse a better world. Follow them there, dear listener.
Elegant, fascinating. I worried initially about the length, but it was well narrated and absorbing. I loved the fascinating details of Japanese culture and the daily life details such as the food being prepared. The phrases, how do you write your name, not spell your name. Its a great and strange tale. Strongly recommended.
"An interesting story"
I would have given this book more stars if it hadn't been so very, very long! Don't get me wrong. I love long books, but this was only long because of the continual repetitions. They become very irritating and I found myself actually telling the author, out loud, to get on with it and stop repeating everything. An abridged version, just cutting out the repeats would be loads better. At almost every conversation between the two main characters, every time one of them says something, the other one repeats it. It is SO annoying!