Sadness, lonliness, isolation
No I have not
This was a very good book, although the thing that really stays with you after both during and after finishing the book is the unrelenting sense of loneliness and sadness that the author imbues in the Minotaur. At times I found the book difficult to listen to because of this. The author did an amazing job of making the Minotaur feel like a real character that exists in the real world. He does such a good job at this that you sometimes forget that he is a mythical creature. This in and of itself can actually feel like a detriment, as the book loses some of the 'magic' that comes from writing about mythical creates.
Ultimately, I think that this is definitely worth listening to, but just remember that it is not about mythology, it is about the lonliness, sadness and isolation that comes from being different from everyone around you.
People who have nothing to do and don't really need a plot might like this story. The title of the book sounded like it should be funny, but it fell well short of that also.
what genre? tasteless, mindless novels, yes, it has turned me way off of them.
Holter Graham did do a good performance with the material he had to work with.
The fleeting discussion on the previous life
I do not think you can categorize this book
as any specific genre - would i hesitate from this author? yes
perfect orgasmic real
yes only because neil recommended it
neil owes me one
Say something about yourself!
The book is surreal and quirky. People that have never had the outsider experience may not appreciate the humor or reflections.
Sorry, I just couldn't finish it. Got over 1/2 way but nothing was holding my interest. Good study for a short story but for a novel? The protagonist has to do something other than be a perpetual sad sack. I hope Sherrill finds a good audience, it's not me.
My pic says it all. That's my dog and he is really barking for me to throw another snowball. Scary looks but really just a playful guy by nature. Been reading sf/fantasy like a power nerd my whole life which is almost 50 years now. I like all sorts of stuff just make the story believable...
I can see why Neil Gaiman likes this guy. He can create a sceen and make it come to life with a creative resonance that is facinating to listen to. Just awesome. However, the reason I only gave it three starts is that nothing really happens in the story and this incredible writing can only get it so far.
In fact, I stopped listening to it about 4/5 through the book, but I plan to get back too it later. One reason was that their is this sex sceen that was just a little too wierd and graphic. But man, can this guy write...amazing.
New grandpa. Married 35 great years. Drink Batch 19,Tsing Tao, and Bohemia. Read Card, King, Hobb, Sawyer, Sci-Fi, Historical Fiction.
If living 5000 years does this to your personality, then kill me at 80 please. THE Minotaur has lived 5000 years, yet he is inept and insecure in all things, except mechanical. Forget the title, he does not smoke. He does not drink, swim, talk or have fun. He is Anal.
The plot is, he works in a restaurant, lives in a trailer park, helps a guy move and that is it. I worked in a restaurant as a kid, you worked in a restaurant as a kid, 95% of the people who read this have worked in a restaurant. The descriptive, lengthy restaurant tripe might be interesting to rich academia types, but not the average reader. Even Koontz did not go to this length with his fry cook, Odd.
Through out the book he is consistently referred to as THE Minotaur. THE writer probably had some deep reason for not giving THE Minotaur a name. THE result for THE reader is that it is hard to empathize with THE Minotaur, since he as no name and in the English language we put THE in front of inanimate objects. His co-workers do call him M, he has no friends. Take THE Minotaur out of the book and you cut it in half. I wanted to give up on this book several times, but kept with it. Despite the lack of story, I did start to feel some empathy for the THE Minotaur toward the last part of the book. If my constant use of THE is irritating you then you do not want to listen to this book.
There are characters here from "My Name is Earl", but not well developed. The Minotaur is so un-minotaur like it is unbelievable. His hips and legs are as skinny as a girl. Even obese people have large legs and hips, from carry the load of there upper body. He has no balls. A bull with no balls. He is one sad bull and you will be sad if you expect too much from this.
I gave it three stars as the writer does show promise in his prose. He has an imagination, he just needs to think things through or maybe not think so much.
After letting it languish in my wish list for months, I heard Alton Brown recommend this book and decided that was all the push I needed to dive in. I'm glad I did.
Listening to the Minotaur, I was reminded of the work of another of my favorite authors, Charles Portis (best known for True Grit, but all five of his novels are winners). Sherrill's meandering narrative, steady rhythm and low-key Southern brand of humor share a lot with Portis.
In some ways, I see the Minotaur as a meditation on masculinity--both its lighter and darker sides. The author certainly doesn't bombard you with sweeping generalizations, but when he does make the occasional broad observation on the male psyche, I found little to argue with.
My criticisms are few, and mostly inconsequential to my enjoyment of the book. More curiosities than complaints. The Minotaur's workplace, Grub's Rib, is initially sketched out as a greasy roadside BBQ joint, but in later chapters seems to feel more like a trendy haute cuisine establishment. The time setting feels a little inconsistent as well--early on, I felt like there were clear indications that the book takes place in the early 90's, but later details seem to contradict this. I suppose, given the Minotaur's foggy recollection of his own five millenia on the Earth, this kind of thing can be forgiven--perhaps is even intentional.
These are minor issues, though--in fact, they're the kinds of things I only notice when a book draws me in. Holter Graham's narration is excellent, accentuating the Minotaur's taciturn grunts, the varied drawls of his co-workers, and the epicurean appeal of the fare they serve up.
Yes. I believe this was his first book and found the story had some tedium. More experience might yield a more compelling story.
The Minotaur conveys significant emotion in each grunt and I'm not sure the written word would have carried that quite as well.
Sure, but I don't think this is a likely candidate for the hollywood treatment. It would need a more driving story.
I found my mind wandering aimlessly during this book due to the somewhat mundane and tedious story. I had high hopes for this book going in but would call it decidedly average overall.
the story has been stuck in my head for many years, since I heard a review of it on NPR I think... I read it and for some reason, loved it.
Not sure if there is any comparison, because the main character is basically immortal, elementally symbolic, part animal, part man, which is what makes him so fascinating. There aren't many stories like that.
His voice is at times a little melodramatic, but he's a thing of Greek myth, so it's fitting. Other times, his voice is down home country American. Again, it's fitting.
At one point, we are told that the Minotaur doesn't like to talk, because he's embarassed of his voice, so he does alot of expressive grunting and one syllable responses. Talking isn't his thing, but he's very good at understanding others, expert at fixing things and mechanic work. He's afraid of dogs and avoids confrontation, but his character has the power to take out anybody he wants. Love it.
Great book I read over and over again.