The main narrator for this book did a great job. My problem was with the random guy who filled in as everyone who was quoted in the book. He acted as historical figures from all over Europe, Africa, and even Asia, all the while using the same Germanic-sounding accent and very distinct, wispy voice. This did not translate well at all and at times sounded like a caricature, particularly when he tried to adopt a fake Italian accent. When it came to Japanese, he didn't even try to modify his accent, which was probably for the better.
This book would have been stronger if 1) the main narrater just read everything or 2) there were different voice actors for each country.
and am well-educated, but failed to get whatever "point" Ferguson was making here - just lots and lots (and lots!) of historical stories/anecdotes/facts for 14 hours. His reading wasn't a problem for me; although the sections where he read quoted passages in the speakers' accented English seemed weird at times, that did serve to set them off from the "story" itself.
If I had the choice again, I'd read (skim) the print version instead. I tried breaking it down to listening no more than an hour per day, and even that left me looking at the time-elapsed counter frequently.
The depth at which the subject is tackled.
Niall Ferguson is a strong narrator and because it is his own book he knows just when to put the infection in a sentence. The subject is entertaining and well expressed. There is a pretty obvious bias that Mr. Ferguson acknowledges from the beginning but overall it doesn't show up too often and is not very one sided. there is allot of good history in this book.
What a bizarre experience listening to this book was. By about 3/4 of the way through, I think it was just playing in the background while I thought about other stuff.
First of all, I was unaware of Niall Ferguson before I chose the book. My bad. I guess I'm too far outside the Conservative Movement subculture to be aware of its shining intellectual lights. The guy is a charlatan. He sounds like he knows what he's talking about but he really a blowhard. But hey, if you love him, get this book. If you've never heard of him, I suggest you check him out before sending him your money. You decide.
This next point is a little related to what I've already said, but, second, the book isn't really illuminating. It's sophomoric. These are the sorts of ideas you'd come up with in high school or college for why one band is better than another or why one sports team is going to kick another team's butt. You will not come away with this book with any deeper understanding of anything. He basically looks at history and tries to figure out what makes his team/band/nation/culture so much better than anyone else's and why it must have been a historical inevitability that he'd end up at the pinnacle of it all.
Finally, ... does he do this all the time? The author/reader switches constantly between an RP (standard Southeastern English) accent and a Scottish one. I can only figure he's Scottish and trying to pretend he's from London-Oxbridge, perhaps so people won't listen to what he's actually saying. His name looks Scottish. Why is he ashamed of being Scottish? (Slainte, Scotland!)
And if he's not even clever enough to maintain a standard accent while reading his own book, which I assume was his goal when he started using it, then is he really clever enough to take on the big issues of culture? Maybe the accent thing doesn't distract you. At first I thought it was funny and then it was distracting and then finally I just couldn't listen anymore.
So, was the author dumb? his accent foolish? his intellectual approach to his thesis insufficient? Who knows for you, but for me it all added up to a title I really wish I'd skipped over.
This was the first title of Ferguson's that I've finished. I thought I would like his ideas more because I learned of him through Dambisa Moyo's 'Dead Aid'.
Ultimately I found that Ferguson goes against anti-imperialist thought so strongly that he barely mentions that elements of the six "killer apps" that lead the West to succeed over "the Rest" were partly due to the immense wealth gained by western powers from their empires. I know I give myself away as a more left-leaning person with this review, but I expected this to be more even-handed than it was. His swipes against Marx and general Communism were more heavy-handed than his dealings with Hitler and the fascist leaders of history. This may be due to the way that Hitler has been described to death already, everywhere else, but it just seemed bizarre to have such heavy disdain in odd places.
Other than showing his biases too strongly at times, Ferguson does write well, and he deals with the topic of the rise of the West, just as the subtitle says he will. I'll probably listen to another, but I'll beware of his pro-imperial tendency.
After listening to this book, I have decided to become a Tailor and take over the world! I too at one time wore blue jeans.
When I drive, I read... uhm listen. I like SciFi, Fantasy, some Detective and Espionage novels and Religion. Now and then I will also listen to something else.
Niall Ferguson’s book “Civilization: The Six Killer Apps of Western Power” summarises itself in its title. The book’s organisation is simple straightforward and to-the-point. In his introduction, Ferguson states, that he wants “… to show that what distinguished the West from the Rest – the main springs of global power – were six identifiably novel complexes of instructions and associated ideas and behaviours.” He borrows from computer language cleverly calling these “complexes” “the six killer apps” that “allowed a minority of mankind originating on the western edge of Eurasia to dominate the world for the better part of 500 years.”
Ferguson then sets out to discuss the six “apps” methodically (one per chapter) and concludes with a final chapter asking if these “apps” are still needed? What about the Rest (the West’s rivals), will one of them supersede it? The killer apps that he discusses are: 1) Competition, 2) Science, 3) Property rights, 4) Medicine, 5) The consumer society and 6) The work ethic.
While simplifying the structure, the content that Ferguson relays are must less of a simplification. Here he keeps his listeners engaged by interesting quotes (usually juxtaposed to give two different takes on an “app”), facts, figures and cleverly thought-out phrases that make his conclusions memorable. Two of the most interesting phrases for me in the chapter on work ethic, are “God was love, as the bumper stickers said, after all. At one and the same time, America was both born again and porn again.” and “Now it’s not your kicks you get on Route 66; it’s your crucifix.” (Both phrases are here quoted without its proper context. Ferguson is discussing the Protestant Work Ethic that took root in Springfield in the United States of America.)
In short, Niall Ferguson brilliantly conveys his argument. Using choice language he makes a powerful argument which makes it easy to follow, especially if you are listening to the audio version of this work. Dazzling the listener with cleverly formulated phrases, he made it very difficult for me to discern his book critically (even though I live in a country where Mahatma Ghandi’s insights on government are often revered, because of its struggle sentiment.) It is just so well written!
While the printed version of this book might be illustrated with maps, graphs or photos, you gain enormously in the audio version in that Niall Ferguson reads his work himself. Unexpectedly he does a jolly good job of it. Often authors are not the best narrators of their books. One thing that stood out was how he used different voices and accents to deal with the numerous quotes he made in the book. By doing so, he kept my attention and where I might start to opt out, his voice caught it again.
If you consider listening to it, I would advise to let Ferguson’s prose, facts and insights guide you while his voice mesmerise you. He is after all the Laurence A. Tisch Professor of History at Harvard University. It is indeed a ‘tour de force’ that vindicates the West’s colonial ambitions only to the extent necessary while being blunt about its atrocities! This is an excellent way in enlivening history and giving it a practical application. This book is not only interesting, it is one of those titles that sets the stage for further discussion on the role of the West and the Rest in our contemporary global society.
In general I would not recommend it. This is a quirky book, quite unlike other of Niall Ferguson's efforts. He relies on the anecdotal, "I talked to a man in the streets of Istanbul..." approach of Thomas Friedman, with similar superficial impact. He devotes at least half of chapters on Science, Property, and Medicine, to discussions of various wars between West and the rest. He makes some novel and interesting observations, but they are not presented in a logical flow.
Better logical flow.
If you're listening to the Audible version, you may find the accents of the un-credited talent who mouth quotes from various people to be bizarre. Spanish, French, German, and Russian historical figures sound like Nelson Mandela. Even Siegmund Freud and Mahatma Gandhi sound like Nelson Mandela! Ferguson does a workman-like performance with the rest of the reading, but I question the decisions both to have him do the reading, and to have these other voice talents massacre their attempted accents.
Maybe, maybe not.
Doctor of misanthropy
Say what you will about Ferguson, but you're never going to get the Cliff's Notes version of history from him. Agree or disagree, he manages to come at his history from a fresh, at least to me, perspective on things.
To be honest, I found some of his assertions to be hopelessly... um... unlikely/naive/doctrinaire, but overall, he offered me a new way to look at world history, in particular with respect to the ascendancy of the west, and fresh ideas are always a good thing.
The entire book seems to build to a rather predictable point, but in the end, it's more of the culmination of his arguments, and probably arguments that should at least be considered.
No, I was disappointed by this work.
Unlike "The Ascent of Money," the other work of Niall's I have read/ listened to, this work, "Civilization," seems to be more about promoting a personal agenda than facts. This is disconcerting to me, as now I'm not sure that "Money" is reputable material, either.
I have listened to / read "The Ascent of Money," written by Niall and narrated by Simon Pebble (who did an excellent job). I would recommend that work over this, however, I am concerned in regard to "Money's" validity, now, after taking in "Civilization."
This book could not be made into a movie, perhaps a documentary.
Niall's tangent about Weber's hypothesized "protestant work ethic" is far too drawn out and unnecessary as well as only weakly supportable at best. He admits this, himself, at the beginning of the rant. Something was very odd about this reading, too. I'm not sure if it was Niall doing all the narrating, but quotes are read in very poor mock accents. This detracts from the content.