The narrators voice was perfect. Usually I can figure out the plotting of a mystery but not with this story. The outhouse scene is particularly evocative of strong emotion. I'm glad I discovered Jo Nesbo on the BBC World Book Club. I hope he writes more stand alone novels.
Another one of those crime novels that starts off well, and then seems to lose its way. It doesn't know what to do with itself so it just gets gross. Let's see how revolting we can be. Floating in an outhouse cess pool? Not gross enough? Let's try stabbing a fat man with little scissors and smelling his intestinal contents. It ended up being stupid and I didn't finish it. The reader was fine, but he was, of course, limited by the text.
Descriptions of the main character were fascinating. Nesbo shows his skill for creating an interesting predicament for characters. I love a psychological thriller, but don't always need so much time spent on the gratuitous violence, especially if it isn't well-written. This is one of my favorites of his so far.
descriptions of main characters/setting
good if you were looking for something to satisfy your girl with dragon tattoo yearnings.
I have admired Jo Nesbo for his Ruth Rendell-style psychological thrills in the past, and this one starts out promising to deliver the same. Quickly, however, it devolves into a string of implausibilities as well as scenes of distasteful and gratuitous gore and violence. Characters are one-dimensional and plot is littered with drawn out action scenes that do little to further development. (Was the author hoping for a movie contract, maybe?) Dialogue is macho, stilted Bondesque nonsense. The protagonist's intermittent reflections upon his childhood and family losses are an unsuccessful stab at complicating him: they don't work, and he doesn't add up as a coherent character. Did I mention the book is misogynistic? A disappointment. Narrator is great; book isn't.
I've listened to 3 other books by Jo Nesbo (The Snowman, The Redbreast & The Devil's Star) and loved them. Headhunters feels like it was written by someone else, and the reader is beyond dry. Deadly dull. I gave up after 4 chapters.
I agree with other reviewers, that this story doesn't seem to hold the listener--at least not this listener--the same way or to the same degree that Nesbo's Harry Hole novels do. I enjoyed the first third, forwarded some through the second third, and listened to the final third, which made up for some of the middle third. The end is so unexpected, that it made up for some of the missing enjoyment. Oh, but this story just reminded me how much I miss Harry's "MMMMs". And nothing else but that will do, I guess. For me, apparently, it's not enough to have a Nesbo novel, but it must be a Harry Hole novel. The story and character he's created there just can't be filled with anything else. So, if you feel that same way, this story--though, certainly, ok--won't feel the Harry Hole hole for your either. I suppose it's one of the downsides of Nesbo having created such an enigmatic character and such a believable world in the Harry Hole novels.
I've been a member for 3 years and over 280 titles. I listen during my commute to/from work. Mysteries around the world...Jo Nesbo, Larsson, Erin Hart, Tana French, Verghese, Stuart Neville others?
I love all the Jo Nesbo titles in Audible so far. They all have a touch of weird or disturbing plot and Headhunters is no exception. My least favorite Narrator of the series. Audible give me all the Harry Hole series please.