Not sure what the hype is about. It was a really detailed book with a lot of descriptions and some were really interesting, some not so much. It just ended up being OK. Not great, not wonderful. Not sure I would read it again though. And I found that disappointing. I think a circus setting is marvelous and the idea of magical people controlling it was interesting too but was never made into anything that wowed me. The storey disintegrated into a love story about two people we really didn't know much about personality wise and didn't care that much about. They were not the most interesting people at the circus but the interesting ones didn't get their stories told at all. Over all it was like a novel trying to pull in trends from other books that were big hits. Steampunk, wizards and magic, forbidden love, etc, etc. It was almost like the writer was trying so hard to hit all the trends that they forgot to write a good story. The descriptions of some of the stuff were interesting but descriptions of settings do not a good novel make unless they make the STORY more interesting. This just didn't grab me. But the narrator was great!
This is a fascinating and unusual story. It fuses the golden age of the late 1890 with romantic magical realism …think Cirq du Soleil meets Moulin Rouge. The writing is luxurious and brilliantly evocative. I love the way the author takes time to build landscapes of the imagination. At one level you can enjoy this like a Breughel or LS Lowry painting and lose yourself in the intricately drawn and mysterious detail. At another level it’s a strange love story, or the tale of a struggle between two brilliant but flawed men.
In narrative terms it’s not a page turner and that’s just fine. The names and locations can be a little distracting and the central plot is so obfuscated by the fabulous literary embroidery I can see why some find it too much to struggle through, the cloth is just too rich. However the beauty or execution in of its self makes the journey worthwhile.
Whilst I hate traditional circus of clowns and lions under the big top I have always loved the dark spectacle of Cirq du Soleil. The author invites you peer through the flap in the tent or press your nose up against the store window of a Victorian toy shop and wonder at the treats inside.
The performance by Jim Dale is very good, he’s always great value. One slight distraction is that the voices he uses for the protagonists are essentially the same as the he used for Ron and Ginny Weasley when he performed the Harry Potter books…which can be a little distracting. These are very minor complaints, barely enough to warrant the deduction of a star. This is an unusual and captivating story, beautifully told, a must listen pick.
a page-turner, fascinating, as if I myself linger to each one of its tents 'til the strike of dawn and, Jim Dale is impeccable!
Beautiful in its delicate intimacy. The prose draws one in with a structure that evades the jarring bullishness of "sudden action" fiction. Instead the author lets the story build slowly; "action" is treated with the same tempo as any other scene. As one listens, it is easy feel a little lost in the maze of time lines, characters, places and and emotions, but I think that is what the author had in mind. A book that tells a dream like story in a way that makes you the reader, or listener in this case, feel like you are witnessing the events in a dream. Each description is so detailed yet is only a snapshot of a given view, as if you focused for only a moment on one object in time and space and then moved on into the next. This book is uncommon in its power to antagonize the imagination to "see" the images in the same way we see images in a dream. The story line itself was a touch to well known for me, as a codification of Shakespearean tragedy, Greek, and Modernistic redemptive tragedy and I could see the tales that the author drew from to form the basis of this work. The story does travel at one speed never going faster or slower from beginning to end, yet that was what was intended to maintain that dream-like feeling. This is an excellent snowy night book, or a nice glass of mulled cider on the porch in Autumn kinda day.
A word about Jim Dale. I wonder if I was not the only one who had a few minutes disorientation when I heard Hermione Granger's "voice" come from Celia Bowen's mouth. Or Albus's voice from Alexander. The voices were well chosen and Jim went to the extremes of his talent to maintain the beauty and power of the dream. I don't think anyone could have done this story better....well maybe lLoyd James or Gerard Doyle could have given it a good run. You will have to forgive me because Jim narrated the Potter series and for over 200 hours I heard Celia's voice used for Hermione, it takes a little bit to transition :) Well done Jim!
... in a very long time. I've recommended it to everyone I know and haven't gotten a single response other than that they loved it - and it doesn't matter whether they like war stories and Westerns (my husband) or Lord of the Rings (my son) or Tuesdays with Morrie (my daughter) or PD James novels (my mom). Now, how can you resist a book that has that kind of following?
I got this because of the reviews and the fact that Jim Dale is amazing- Jim Dale is still amazing but he can only do so much with a story that is so muddled as to be beyond understanding.
Jim was the saving grace of this book though I could not recommend it
I want to visit the night circus. Every single tent attraction created a vivid picture in my head and had me longing to see stripped tents setting up in empty fields. Erin Morgenstern is a fabulous writer. The main story circles around two characters and the rules of some esoteric game.
Each of the characters was well written, but their interactions did not make this book for me. I thought the direct story line was ok, but nothing on the level that the hype led me to believe. The reason to read this book is for the magical atmosphere. Each side story and new character builds on this world and makes you want to be a part of it.
Jim Dale did a wonderful job of bringing these characters to life and was not a distraction.
I want to be careful not to be too hard on this book. It was a good book. It had magical moments. I think it would have fare much better without the hype. With this book being pushed right and left, I expected an ending that truly sparkled. The ending was FINE, but I had hoped for more.
I would recommend listening to this book, but I would strongly suggest letting it be just a book as if you had never heard anything about it. If you're willing to just be entertained and enjoy the circus, you will likely be happy.
I really wanted to like this book, but it was excruciatingly slow! I listened to it on Audible and the book was broken into two 7-hour parts. When I finally got to the second part, the action got started, but by then I was just ready for it to be over.
I really had a problem with Jim Dale's narration, too. I loved him reading the Harry Potter series, but for some reason he read this one in a sing-songy voice where every sentence, whether declarative, exclamatory, or interrogative, sounded like a question. At one point while listening in the car I actually yelled at my radio, "Shut up!!" and hit the off button.
Add to that the book was written in the present tense which also left me on edge, and this was not an enjoyable experience. Ok, I'm done with the whining and I'm on to the next book as quickly as I can!
The advance hype drowned out the experience. It was weak story with little character developoment. It turned out to be just an average book read by a brilliant narrator.