To use more of the actual historical figure and less of Shakespeare
Unknown at this stage
I loved this interpretation of Macbeth. It added some characters the play does not have. I got a better understanding of the main characters after hearing this audio book. I loved Alan Cumming's narration, he was excellent. All in all this was an A-1 effort good for those who are familiar with the play and those who are not.
Probably not. Although this was an interesting idea it didn't really work for me. It turns out you can't really improve on Shakespeare. I never really got into this story. I more forced my way through it than enjoyed it.
Without the skill of the narrator I don't think I would have made it.
The book was downright graphic at times. I couldn't listen to it on a speaker if my daughter was around (because of the cussing and sexual content).
I'm not really sure who would have enjoyed it more. Maybe someone who had never really heard of Macbeth?
Possibly, but it definitely wouldn't be on the top of the list
The accent got to be a bit much. I found myself concentrating on his accent and not what was happening in the book.
I wouldn't cut any character
Very intriguing concept, but I was extremely disappointed. I had such high hopes, and maybe that's what got me in the end.
Gen-Xer, software engineer, and lifelong avid reader. Soft spots for sci-fi, fantasy, and history, but I'll read anything good.
This audio novelization of Shakespeare's famous play attempts to flesh out the characters and motives of Macbeth, Lady Macbeth, and others, by filling in scenes that happen offstage in the original. Indeed, it gave me new appreciation for the powerful themes in Shakespeare’s original work. Hartley and Hewson’s interpretation of the tragedy is of an honorable man who sees the future of Scotland threatened by an overreaching ruler, and commits an act of treachery for the greater good, spurred on by a prophecy that provides a convenient rationale for his actions (don’t trust those witches!). However, Macbeth’s murder of Duncan under his own roof is a monstrous act that can't be undone, and the threat of exposure combined with his own shame sets him on a path even more violence. It could, to varying degrees, be the story of a few more modern political figures.
That said, I didn’t find the level of writing here to be very impressive, which isn’t surprising given that one of the authors pens thrillers. If not for the Shakespeare connection, this would be forgettable historical fiction -- except, of course, for the lines obviously taken from the Bard himself. Still, it was worth the price I paid at an audible.com sale. Alan Cumming’s Scottish-accented reading is quite pleasant on the ears.
Such a let down. Creepy sex scenes that added nothing to the plot, completely out of place and unnecessary to the story. Highly discourage this poor adaptation of a classic story. Narration was alright but the accents were so strong it was sometimes difficult to understand / follow.
I did not like the repetitiveness of the author describing things over and over again. I get it one of the witches has milky white teeth like that of a new born child. I did not need to hear that over and over again.
Love everything about the narrator. He did an amazing job playing all the parts. He kept me drawn into the story.
I am a clay sculptor and an art instructor at a community college. I mostly listen to audiobooks while I work in my home studio.
I bought the book because other reviewers recommended it as adding depth to the play. The play is shorter, true, but all the additions from this retelling of the Shakespeare classic only added tediously to the length of the story, doing nothing to add insight or value.
I expected this version to increase my understanding of the history of Scotland or the politics of Scotland at the time of the story. Indeed, I thought this book would be a blending of history and a classic story.
I would not recommend this book for people who enjoy history. I would recommend this to listeners who enjoy drama, or maybe melodrama. If you liked Macbeth, the play, but wish it were four times as long and more depressingly violent and grotesque, buy this book.
I have to admit, in retrospect, I was at fault for expecting to enjoy the book. I knew the story and should have remembered that there is nothing in in to give one faith in human nature. I will now go mope around depressively.