The audio books I get tend to be either 1) scifi or 2) things for my husband and me to listen to on long road trips--humor or history
I was completely charmed by this novel of a young girl growing up "nerdy" in the late 1970's and early 1980's. The teenaged protagonist, much like myself, loves to read and loves science fiction books most of all. She describes her life in diary form in a brisk, no-nonsense style that is never treacly yet always very teenager-y. Every entry contains tidbits about her life along with short descriptions of her reactions to the latest science fiction book she has been reading. To hear her talk about discovering Roger Zelazny, Ursula LeGuin, Kurt Vonnegut, Poul Anderson and dozens of others was for me to relive my first discovery of them, too. It was magical. I sympathized when she described reading some of Anne McCaffrey's "Pern" novels out of order, because I did the same thing. When she waxes poetic about Lord of the Rings and equates her situation to the scouring of the Shire, I knew exactly what she meant. When she matter-of-factly tells her diary that getting her first period didn't stop her from seeing faeries "despite what C.S. Lewis thought about puberty" I laughed out loud.
I worried others from other generations (or even other genders) might not enjoy the book as much as I had, but in my science fiction book club, people who were a generation older than me loved it as did the generation younger than me, men and women alike. We did generally agree that we thought Embassytown was better in terms of the complexity of the ideas contained in the book, but we could understand why "Among Others" beat it out for the Hugo.
I would highly recommend readers do an internet search using "among others books mentioned" and you will find great lists -- no need to write them all down yourself. And you will have a list of scifi to read for years to come.
I like mysteries (particularly British ones, historical fiction and nonfiction, science fiction and fantasy.
I rated the performance higher than the story because I thought that the narrator brought a special depth to this story. While the action of the book covers a relatively short period of time, from September 5, 1979 to February 29, 1980 the narrator does this interesting thing with the first person point of view character's accent. It moves from an educated Welsh accent to boarding school English as she spends time at the expensive English boarding school that her English aunts send her to, then slips back a little more toward the Welsh when she is again with her mother's family, but not as strongly marked.
Probably a pretty obvious progression, but it kind of crept up on me as I listened this book and some narrators/producers might not have bothered. I've tried a couple of Audible books recently that I did not buy because I sampled them and thought the narrator was sub par.
This is probably a love it or hate it book. I found it easy to identify with the main character who used books as a comfort and guide. I can see where others might find the references, not just to science fiction and fantasy stories, but to historical fiction, Victorian children's fiction, and Plato to be tiresome, but for me they enriched the narrative.
I don't know if this is book I could recommend unless I knew you very well, but I liked the audible version very much for some reasons that had nothing to do with just enjoying the story.
This book had the right combination of an excellent story and an excellent reader. I would put it as one of my top favorite audiobooks. It has the rare quality of being a book which I would listen to repeatedly.
The book, coupled with the narritor's accent, were enchanting. It was easy to get caught up in the world of the story.
I love the quirky main character
Almost everything!!! The main character was Welsh and I've heard Welsh people speaking English but NEVER with an accent like that. It was so bad I had a hard time listening to it.
Her other accents seemed fine.
Maybe in print, but not audio.
The itself was good and the ending worked everything out.
Someone with a younger sounding voice. The girl in the story was 15 and since she was telling the whole story, it needed a much younger sounding narrator.
I very much enjoyed READING the story, and I normally really like Katherine Kellgren. However, her Welsh accent in this one drove me crazy ~ too "sing-song" for my preferences.
This is a book about books, about magic, and about the magic of reading itself. Books are the brightest part of life for the young heroine, and are also her doorway to connecting with other people. The narrator is the incomparable Katherine Kellgren, who gets a whole new accent to voice, Welsh, which she does terrifically. I so wanted to meet this young lady and share her enthusiasm for the joy of reading.
The story in general is original, and the novel has some excellent parts. However, the constant literary references consume more time and authorial energy than the plot itself, and it gets annoying fast. If I have to hear the term "SF" again I may scream, and this from an admitted bibliophile who adores Science Fiction. I mean, it's nice to hear titles and authors I love mentioned, but, really, who wants to hear what the protagonist is reading ad nasueam? Seriously, it's continuous. I appreciate the connections the character is making between the novels and her own life, and recognize the role this plays in advancing the story, but enough is enough. Also, the narrator's inflections become irritating after a bit.
I wasn't expecting a teenage diary with daily entries from October to March.
Wonderful accent, but a bit wearing after a couple of hours.
All were needed. I just didn't end up really caring about any of them.
Remember to read more than just a few reviewer comments before commiting to a purchase.
I'm a Hard SF & Space Opera-loving, alien android from the future. I bring gifts of SciFi eBooks & accessories for your leader's Kindle. Take me to him/her/it.
I'm a bit disappointed with this book, being that it won both Hugo & Nebula Awards. I think that's because it's so genre self-referential that it gives the voters goosebumps (much like 'The Artist' in 2012's Oscars).