I don't believe it.
Tirian, the imp. He seem to be the smartest in the bunch. He seemed to be able to size up a situation and act accordingly. He also realized his own stupidity, took it in stride and never stopped plotting his escape without much heroic bravado except when it worked to his advantage. His smart mouth kept me entertained.
If any it might be the scene when Brandon and his company entered the realm of the children of the forest.
trust no one John Snow!!
With man on the brink of extinction, it seems ludicrous to be fighting for a throne, burning lands, killing live stock and killing subjects. It also seems absurd to bring wild dragons that are not easily controlled or killed and that can destroy so easily with fire, into the world, all for the sake of power and a throne. Think about it, winter is coming from the north and fire(dragons) from the south. The mind boggles at how the rest of this story will play out.
Keeping the same voices from earlier books.
Proper chapter breaks.
Less new characters.
New characters that did not go anywhere. The possible death of an old character that I guess Martin just got bored with. Cersei and Jaime were hardly in it.
Yes. His work on the last four books was marvelous. For some reason the voices of the female characters in this completely changed, for the worse.
Tyrion's tale was marvelous.
The chapter breaks were not set up right. I often like to finish a chapter on my Kindle before bed. Even without whispersync this would have been easy if Audible had set up the chapters properly like in the previous book.
Somebody with insomnia. To paraphrase Robin Williams from the movie "Good Morning Viet Nam", this book should be played for "people who don't respond to strong drugs".
I was sort of Ok with the first 4 books, (they too were a bit long winded) but this one sets a new record for providing the listener (or reader if they have the print edition) with more information and descriptions than is needed. It almost seems like the author was being paid by the word. As an example, nobody "needs" to know every piece of clothing a charactor is wearing, what material each article is made of, what color each piece is, it's texture, what the buttons are made of, so on and so forth, "EACH" character (who by the way, many of whom seem to make no pertinent contribution to the advancement of the story) is wearing. What seems to be even worse is the the fact that Martin seems to think that the Listener/Reader wants to know the smallest detail and spends way too much time describing every morsel of food a character eats. I like eating, but I really don't want or need to know (mayby slightly exaggerated) where each biteful came from, how eash course was prepared, what color the food is, how it smells, and so on. I think you get the picture. Anothing I found is that there way too many charators, too many story lines, and the time between one story line until he gets back to it takes way too long and makes the story really hard to follow.Another thing that is annoying (and boring) is that way too many times, a chapter just seems to stall. Charactors just sitting around talking for what seems like hours, getting into minute details about histories of lands, kingdoms, family trees, etc. that again, doesn't do anything to advance the story.If one was to take out all of the page filling fodder, it would it make the story shorter and way more interesting.
Although he does make an attempt at doing voices, his reading is dull and monotonous. Between the story and Roy's reading, I can only listen for short periods of time, and for an audio book that is 49 hours long, it's going to take quite a while to get through this story.
That list is WAY too long
Although I have listened to the first four books, and was not overly impressed, I do plan to suffer through the rest of this one. But, that having been said, I think I'll be hard pressed, if at all, to get Book 6, and however many others may come after that.
After an engaging 2 or 3 books, Martin, in Book 5: A Dance with Dragons, gives us page upon page of filler. It's as if he learned to write on the staff of an aging television soap opera, grinding out small story after small story just to fill the pages and keep the checks coming. This series started out to be grand adventure and is now a directionless exploration of the minds of so many characters that have so little to do with the larger plot. Helping to further limit our enjoyment of this "new classic" is the embarrassing narration by Dotrice. His inappropriate and inconsistent accents (think pirates and leprechauns) are laughable and he can't seem to use them only when the characters are speaking. Also distracting is his inconsistent pronunciation of some of the characters' names. His mistakes are so numerous that the audio editors cannot have closely monitored his output - the recording seems to have been done on the cheap. Recommendation: If you have read the 4 preceding books in this series, you must make up your own mind. With so many hours invested, you will likely trudge on through this one. For me, I am through with this series.
Addicting, interesting, well-done
I can't pick one
The narrator did an excellent job, I though
I would listen to this entire series over and over again. Over 250 hours of compelling drama. With dramatic and sometimes graphic descriptions of events, I was drawn to keep listening for the next step. Perhaps I missed something, perhaps I didn't cattch a subtle twist. Maybe, just maybe one of them isn't really dead. I can't seem to get enough. Please Mr. Martin - give us more and give us a resolution (if there is one). What of Bran, What of Ricon, Where is Jamey, who is the silent knight, will the wicked queen get her just reward,
Jon. So courageous. So young. So head strong yet full of hidden and unknown potential.
Lack of depth. His characters became confusing - possibly because there are so many. Hated his vocal on most of teh female characters.
When the queen takes off on the dragon! I could see it and feel her exhileration.
The hard copy books have appendicies which are helpfuk in keeping track of who's who and what's what. I think this would have been helpful for listening as well. I did not care for how the chapters were broken up on the audible. Book four is the only one that had it rightg.
A mere 10% of the story revolves around the Stark and Lannister families and Daenerys. Sadly, the scattered family members of the Starks worsened to a bleak ending, so was Daenerys'.
The 90% was spent developing minor characters and subplots that did not contribute much to the whole story- what a waste of listening time.I listened patiently waiting for the climax; I didn't recognize it if there was one
The voices of Daenerys and Aria both became like hags: 'coarse', high-pitched, pinched and croaky; not at all close to their voices in books 1 and 2. A normal male voice sounded more feminine and pleasant than the voices rendered.
The book itself is great, but I had a lot of issues with the narration. Generally I am able to get over a reader I don't like, but the accents Roy Dotrice uses were constantly annoying to me. So, hard to say.
I have also read the Wheel of Time series. This series beats it hands-down for me, however, the last 3 books of the Wheel of Time are actually pretty good and come pretty close to matching the quality of this series. Robert Jordan, author of the Wheel of Time series, seemed to loose his way, adding far too many characters and plot threads, and by book 10 of that series, the story just slowed down to a complete halt. I am a bit concerned that George Martin is in danger of doing the same thing with this series.
The reader insists on using a series of utterly ridiculous accents, other than that he is quite good. However, the book becomes almost unlistenable. For some reason he gives Tyrion and a number of others, including Danierys utter silly sounding Irish accents. It just makes them sound like comical leprechauns. I mean, these characters are supposed to be royalty and nobles, it makes no sense! OK, the men from the north speak with Scottish, accents, I get that, but then why does Jon Snow have a more proper British accents? and why do people from across the Narrow sea also speak with Scottish accents? There just rhyme or reason to it. Sam Tarley sounds like a complete halfwit.
It may be that I am British by birth, and that I read the previous books of the series in dead-tree format, and have enjoyed the tv series, but these overdone and silly accents completely ruin the book for me. The TV show seemed to nail the characters, so why does Mr. Dotrice decide to take a completely different tack and portray everyone as some sort of half-witted yokel? Otherwise, as I said, he is a very capable reader. Fortunately he does not use the accents when doing characters' inner monologues, which helped my enjoyment of the book somewhat.
The saga continues...
If you've read the others, you know you're going to read this one as well!
Books 3 & 4 got very choppy, with the substory lines left unresolved too often. There were so many substories and characters that the narrator ran out of voices and the substories were difficult to follow. This series needs to be reproduced with at least 3 narrators -- 2 male and 1 female, much in the manner of the "His Dark Materials" trilogy. Having said that, the substories in volume 5 are much more comfortable, although the book leaves us waiting for volume 6.
I loved Roy Dotrice. I think he does a great job narrating. I just can't pick up the books anymore. They aren't as good.
I love the continuing story... no spoilers!
I particularly like Tyrion's voice and how all of the Lannisters sound similar. I think that is brilliant.
Please keep Roy Dotrice for the rest of the saga!