Hi my name is Marty, Im book worm from Portland Oregon. I work graveyard shifts and listen to books while I work and read comics in the day
Over all I am a big cyberpunk fan, and with this being the god father of cyberpunk I thought I would like this.Sadly I just could not get into it, Its not that out dated Ideas that have been revisioned by new works by other people that have me. I love old tech stories and the ways people thought it would grow ( such as Ben Bova's works ). In all honesty it is in large parts the editing.
This is one of those rare books that an abridged version might be better, there are just times and ideas where this book just flat out drags out to the point of boring the reader.
I cant help but feel had this book been re-edited in a better way, It could have been amazing.
Neuromancer is a must-read for any fan of sci-fi, "hacking", cyber-punk, etc. Especially Cyberpunk, because so few people really know what it is, and this is it's origin. The writing is excellent, the narration is as well.
This is the book that introduced me to cyberpunk. Gibson's novel is a noir detective story set in a not-too-distant future. The story is deftly executed but the joy of the story for me is the world the story takes place. Gibson wisely forgoes any exposition and simply drops the reader into the world. Following the story of the central character, the reader learns the hard truths of the dystopian world populated by street samurai, console jocks, and sentient AIs. Characters are vivid and complex and language of the story is beautiful.
The introduction talks about how the story may seem dated due to a "lack of cell phones" It did not feel that way to me at all. The story is all over the place in a single scene change. From Asian slums, American city states sprawl, to high earth orbit, and the middle east, all are given a unique feel. the characters are just as diverse as the settings.
My only problem with the audible version is the narrator. He has only 3 voices, #1 narrator used for most main male characters, #2 effeminate southern man used for all other male characters, and Molly all female characters (who sounds a lot like #2.) His female voice is almost painful to listen too, far too much effort was put in to sounding feminine which is nearly imposable for a man with such a deep voice.
NEUROMANCER, beyond being a landmark in the sci-fi genre, is just a plainly well-written novel by one of the best current practitioners in the English language. It's a hard-boiled noir tale set in a brilliant future imagined in the 1980s. If that doesn't sell you, then this just isn't your cup of tea.
Roberston Dean perfectly executes the narration here-- his low-toned, guttural voice complements the prose in a surprising way. I had read NEUROMANCER before listening to it here, and found I enjoyed it in a whole new way, which is rare for me when it comes to audiobooks on fiction.
Shamelessly geeky; mathematically delicious.
The impact of Neuromancer is hard to overstate. Few other modern works can claim to have altered the public lexicon, let alone society's expectations of what a future with technology should look like. Neuromancer has done both. But despite this level of impact, many will find this book a difficult read, and one with some very clear flaws.
Perhaps the most difficult (yet rewarding) part of Neuromancer is its writing style. Gibson's prose is jagged but poetic, confusing but evocative. On paper, without the assistance of tone, it is often hard to tell where the metaphor ends and reality begins. Luckily, the narrator (Dean), helps to untie the tangle of words with his delivery. Moreover, the adoption of many words used in Neuromancer by the general public in the last 25 years has made this book much more accessible to the modern audience. Thus, with the hard work done for you, you can really appreciate how Gibson's style helps to characterize the protagonist (Case). We learn that Case is curt, even in his own thoughts, and how he interfaces with the world experientially rather than intellectually. It helps to explain some of Case's flaws, like his fixation on drugs and sex, without having to beat the reader over the head with it.
That brings me to the single biggest problem in this book: sex. Gibson's use of sex often feels cheap. He throws in sexual encounters with too little pretense and goes into too much detail too often. I don't consider myself a prude, and I recognize that sex often has a literary purpose, but the portrayal of sex in Neuromancer is something of a distraction throughout the book. That said, the distraction is not great enough to ruin the experience, but it does seem like a stain on what would otherwise be a flawless novel.
Dean's performance in Neuromancer is impressive. He flies through Gibson's difficult prose, and really brings the character of Case alive. He makes occasional use of character voices, which is a very welcome addition to the reading. However, his female voices feel out place, too breathy and sometimes coming across as dreamy air-heads. While this fits for a few characters, it's unfortunate that a character like Molly, who should come across as a no-nonsense action girl, feels more like an aloof ninja.
Ultimately, in spite of its flaws, it's hard not to recommend Neuromancer. The role this book has played in both modern culture and sci-fi literature is just too great to pass up. To top it off, the book is fairly short and the audio format untangles Gibson's difficult prose, making this a surprisingly breezy read.
I don't know why I have only now found this book. I have been a long time lover of sci-fi but this book blew me away. I grew up playing Shadow Run, I'm not talking about the video game either. I played the paper and dice RPG. I loved the world and the characters especially the Matrix. I can't believe that with all that I never knew about William Gibson. I am glad I found it now though. This book is a must read for any lover of Sci-Fi or Cyberpunk. William Gibson is truly a visionary without him I believe the world of Cyber Space would be very different. Pick this book up. Read it. Then Read it again. It is that good.
The fact that the characters are the most important thing in the story and don't get overshadowed by the technology which is what happens far too often in Science Fiction.
In my opinion a narrator should be practically transparent, I want the story to spark my imagination. Robertson manages this quite well.
I just finished my first run through Neuromancer by William Gibson. I say first as I cant imagine not experiencing it again. It is an excellent book in so many ways but suffice it say that Gibson was practically prescient.
I'm just this guy, y'know?
It's been more years than I care to remember since I first read this book. So, I was a bit nervous to get the audio version and give it another go. The story holds up very well though, and the few anachronisms lend character more than distract from the plot. At least, that is my opinion. The narrator's performance is very good.
In 1984 the novel might have been breathtaking, even a step ahead of time. 30 years later the book feels out of context. Gibson's style isn't unique anymore, parts of his story are reality and some ideas are simply outdated. This work has often been called the first cyberpunk novel. That might be, however, today remains a fairly meagre story only. And one that isn't an easy read.
I'd recommend it to everyone who does not go for the sparkling and futuristic sci-fi genre only but enjoys a detour to a more dark and critical style. From that point of view it's an addition but not a must-read.
The narration was a disappointment: Very slow and boring. Maybe on purpose but it didn't help the story at all.