I felt cheated out the finding out what happened to those poor people after investing so much time learning about them! Disappointed that the didn't find happiness that they sought so desperately!
My interests run to psychology, popular science, history, world literature, and occasionally something fun like Jasper Fforde. It seems like the only free time I have for reading these days is when I'm in the car so I am extremely grateful for audio books. I started off reading just the contemporary stuff that I was determined not to clutter up my already stuffed bookcases with. And now audio is probably 90% of my "reading" matter.
I really enjoyed the interspersed vignettes Steinbeck uses to create a more generalized view of the events he writes about. They allow him a way to compress massive amounts of experience into a short passage in a way that would be impossible if he focused only on the Joads. I wish he had continued that practice more in the second half of the book. But then, Steinbeck tends to be an uneven writer in his longer works. By the second half he is so engrossed in the story of the Joads that his literary pretensions seem to be forgotten. Mostly.
It's hard not to sympathize with the Okies. And yet on sober reflection, they need to own a part of the blame for their situation. It's all well and good to complain about the bankers and the salesmen and so forth, but it would be nice to give a more balanced view of the other side of the story. I suppose that would have watered down the emotional impact of the story. And besides, I believe Steinbeck's sympathies lay entirely with the downtrodden.
It is interesting to compare the situation of the Okies entering California with the refugee migrations of our own times. Clearly, race, ethnicity, and nationality have little to do with the feelings of the incumbent population. It sure does seem as though the government or the relief societies could have done a better job of addressing the problem. Perhaps I should cut them some slack for having to also deal with the Depression themselves.
One thing I found continually puzzling was currency conversions. It's become fairly commonplace to think that prices in those days were incredibly cheap. Hearing that a car could be purchased for $50 just sounds so ludicrous to us today. Eventually I found that if I multiplied all the prices by 25, they sounded about right in inflation-adjusted terms. And then it felt more like comparing apples to apples.
It was interesting to see how the younger generation caught on to automobile driving and maintenance compared with the older generation. Automobiles were like the smart phones of their time, I guess.
By far the most annoying thing about this production was the harmonica. Some production engineer evidently thought it would add period atmosphere to punch in a short bit of harmonica playing between chapters. OK, the harmonica player is very good and he is inventive, and I'm sure his riffs are authentic for the time. BUT, it just completely wrecks the mood Steinbeck has so carefully prepared every time the harmonica player jumps in.
The narrator does a fair Henry Fonda impression. I suppose many people would consider that a plus. Personally, Fonda was never my idea of Tom Joad. I would have preferred an attempt to create the character fresh based just on Steinbeck's words. However, that is a minor point, and probably just a matter of taste.
This was a truly eye-opening book about the dust bowl and the great migration to California and all that immigrants had to endure and try to survive. It was heart-breaking and yet uplifting at the same time. The narrator did an excellent job.
An amazing performance of one of the great American novels unfortunately marred by the choice of the boneheaded director to insert obscenely loud harmonica riffs between each and every chapter. I listen at bedtime every night, and can't count how many times I was jarred me from a deep slumber. Bonehead.
Dylan Baker does a remarkable job of portraying each of Steinbeck's characters. In listening to this audiobook, you become immersed in the conversations, the culture and history framed in this story. Great book.
This is greatest book I have ever read and I loved the narrator, Dylan Baker for the fabulous accents and narration and I even liked the harmonica bit between chapters. I don't know why others didn't like that part. It fit well with the story and gave a break from the intense drama to catch your breath. Perfect.
Tom Joad has a ton of character and sense. He is my favorite but Ma comes in second. I do love Casey though. Hard to choose because I really love them all.
He did a great job with the accents and I didn't notice any flubs at all. It was consistent in tone. I think he read it the way it was intended by the author. There were no unintelligible words at all and there are a lot of words in this book!
No way. It was over twenty hours. Took several days and I couldn't wait to get back to it each day.
I want to start it all over again right now from the beginning. I miss the characters I loved it so much. Its a bit strange, but I am not surprised because I know Steinbeck is incredible.
I am made by my choices and that which I read, or listen to in the car on my long commute
An American Classic worthy of reading. The power of the words and story are haunting considering what the Joad family went through just to get to California let alone just stay alive. It tells the depression in a powerful way few authors can. I can't recommend this book enough.