I was looking for some pulp. I got that. What I didn't expect was hours and hours of Libertarian stump speeches inserted into a supernatural Rainbow Six. Seriously, the book was fine except for this. It wasn't really amazing, but it was doing it's job fine. But seriously the GOVERNMENT-MESSES-EVERYTHING-UP-AND-PRIVATE-INDUSTRY-IS-ALWAYS-RIGHT message is clear from the go. Then Larry Correia goes and has a character literally say just that. Then it happens again. And again. Seriously, Corriea should have gone all the way and renamed "MHI" to "Rand Industries." The plot of this book is like playing D&D with that one weird kid from your freshman dorm. Not recommended.
All that aside, Oliver Wyman is really a great narrator. Big points to him.
Why should I buy this book? A valid question I had to ask myself when I was reading the description. Let's face it, if you like werewolfs, zombies, vampires etc. then the title alone was sufficient to suck you in. However, if you, like me, were looking for something in the science fiction genre and was surprised to find this so highly rated and furthermore having great reviews by most that read it then I will answer the other question: How can it be?
How can it be that a book that talks about vampires, guns and gore is so highly regarded? How can it be that a book that has a story out of every other book in this genre is so entertaining? How can people like such literature?
Let me tell you something. There is a lot worse out there and this book is actually an oasis among them. The reasons are clear to me and they boil down to this: A cult classic B-rated movie. For those that have seen The Blob or any of the Evil Dead movies this is the feeling you get out of this. Something so bad it is actually good. Let's look at the list.
Monsters out of handbook. Check. Endless beating of main character throughout the book (if you don't like him I would say this is a big plus). Check. Reminding us how awesome he is. Check. Anti-goverment remarks at every chapter (can't wait for a movie to play the drinking game). Check. Classic boy meets girl theme. Check. I can go on and on.
And yet we also see clear writing without straining the language and without taking the reader for a fool. Many different locations and a story that is not boring one bit from start to finish. Entertaining. Good jokes, some I have heard before but the context makes them better. Added bonus - great voice acting by Oliver Wyman.
This is not a masterpiece for sure but I sometimes want something entertaining that I can relax with. This series provides me that pleasure and therefore adds something to the world.
I originally purchased this book when I saw it "on the cheap" on one of Audbiles specials. I had the lowest of expectations just judging from the cover art and the name of the book but as I drive allot and the price was right I figured I would give it a try.
MUCH to my delight this was a fun, action packed and funny as hell book. I ended up well hooked on the series and have now read them all. Larry has a good imagination and a heck of a sick sense of humor, which I can relate to.
Bottom line............Loved it.
This audiobook has monsters of impossible, mind-bending proportions. The main villain, the “Cursed One,” is not just a mwahaha villain – we also get inside his head through his memories in Owen’s ghost-guided dream/nightmares that recall C.O.’s journey from a “mean son-of-a-bitch” conquistador to one very megalomaniacal, unearthly, tentacled, flesh-wriggling being who is intent of stopping time itself. I think I’m in love with Owen Z. Pitt, who’s inherently epic, but it’s hard to let the listener know how epic Owen is through first-person narration without it sounding over-the-top or silly. Like when a master vampire tells Owen he has the strongest will of any mortal she’s ever met, or when one guys says to the other that he shouldn’t mess with Owen because he has “one hundred pounds of muscle” on him. Or worse yet, when Julie reads his file and we find out Owen’s a marksman/genius. This book is cliché in the best way possible. It's like 1 part monsterish gore, 1 part comedy, and 1 part all sorts of artillery. It's like Hot Fuzz.
Oliver Wyman is great. This is the first time I heard him read, and his style is perfect for Monster Hunter International. He has a rather macho tone with just a bit of immaturity, and again, the term “epic” comes to mind to describe his style. His reading of female voices didn’t make me burst out laughing, which is what usually happens when I listen to male narrators read girls’ voices. The only thing that jarred me was how seriously Oliver Wyman took those vocal direction. I usually comment on whether narrators do a good or bad job at distinguishing internal monologue with external speak when audiobooks are in first-person, like this one. The listener has no problem with distinguishing the two in Monster Hunter International, because Oliver Wyman reads the directions in a rather calm soft voice, while reading the actual words with the proper emphasis, instead of splitting the two.
The main character seems to be the author, who's imagined himself killing "pure evil" bad guys, while everyone around him tells him how awesome and special he is. There is a love interest of sorts. She is just as awesome, and she is simultaneously smitten at first site with the awesome hero, but also has to be won-over in time... by his sheer awesomeness.
There are other characters, but don't worry, they are just there to contrast with the special-ness of the hero. Some of them are well meaning, but they don't quite measure up. Not their fault, really.
The bad guys are all "pure evil", and we know this because the special hero can feel the "pure evil" rolling off each and every one of them. Convenient when you don't want the story to pause for anything like character development, or any kind of story development.
This books is bad! Stay away!
Me? I'm too late to get my money back. Or the time I wasted.
The concept of MHI isn't new territory, that's fine. A group of mercenaries hunt monsters. It's been done but I can always go back to this sort of thing. The book starts out with a great scene in an office building with our main character being hunted by his Werewolf boss, and this scene is fantastic. It's followed up with another fantastic set piece on an abandoned freighter. From there the action scenes devolve into "then there was lots of gun fire. Then more gunfire. And afterward more gunfire and more gunfire and lots more bullets." They become tedious exercises without a hint of suspense.
The main character could easily be broken up into three or four characters. The secondary characters never get fully developed, mostly existing on the periphery of one dimensional archetypes. Our hero is too perfect; "HE'S A GENIUS! HE'S A PIT FIGHTER! HE'S AN ACCOUNTANT!" The requisite love interest is too obvious, her requisite douchey boyfriend is hated the main character as required by law. The government goons are total goons with nary a shred of basic humanity.
I still enjoy books in this style, and perhaps MHI later books are significantly better, after all, this is Correia's first book. It's pretty bad because of that. But the MHI universe has a lot of followers, I can't imagine it's because the stories are universally bad.
The action set piece Correia develops on an abandoned freighter is really great, it goes on for a long time and allows several characters to begin to develop; it's a shame those character's developments end there.
I would seriously consider cutting every character from this book. Not because they are bad, but because there's too many with too few attributes. The main character is good at everything: guns, math, wrestling, fighting, weight lifting, people, etc. And this character could be broken up into three different characters: an accountant, a fighter, and a gun nut. Instead his abilities get in the way of other characters being able to do anything or contribute to parts of the narrative. The main character is part of a team but solves every problem himself.
Monster Hunter International showed some initial promise, but as the story developed, sometimes in a web-like fashion of family politics, it failed to create a real reason to really care about the vast majority of characters. The main character seemed to have intense anger issues; his demise was something I would have taken particular delight in (that doesn't bode well for your protagonist.) The gun porn was fine, even for a non-gun-nut like myself. But as the dozen or so action scenes go on they get less and less interesting. The near invincible vampires became a study in tedium as I read about the thousands of rounds of ammunition being shot at them with no progress made toward their demise. For professional monster hunters they certainly are ill-equipped to kill vampires.
I can see where this sort of thing interests people and, again, maybe the later books are better, Correia shows loads of promise here. His other novels, especially Son of Black Sword, show a matured and nuanced writer this early work barely hints at.
Fast paced pulp fiction, filled to the brim with every satisfying B-movie monster-clich?? out there, good humor and great gory fun as legions of undead and interdimensional beings meet inventive, usually explosive, ends. For those interested, the book is peppered with gun-trivia. Mr Wyman does a good job narrating. At 23hrs its good value as well.
Hello, my name is Teresa and I'm an addict.
This was a fun and gory romp of killing the bad monsters. There was comedy, horror, adventure, romance (enough to appeal to us girls), and good vs. evil all the way through. In a way I was reminded of the movie Hell Boy (which I liked). Very bloody and gory but what do you expect with a name like Monster Hunter. Although at no time was I bored, the book is long. The characters were all very real to me and felt like people I knew. Narration is great. I have already purchased the next two in the series and am going to try his other one soon.
Speculative Fiction Book Review Blogger
I was shopping around for an fun author / narrator combo because nothing on my listening pile appealed to me at the time, and this audiobook was only $1.99 after downloading the free Kindle edition which made the cost vs reward a no-brainer. MONSTER HUNTER INTERNATIONAL was clichéd to the max with a hero that was made for the job, a similarly perfect female love interest, and Larry Correia dedicated more pages to describing the weaponry than to developing the characters or the world, but bottom line—I was wildly entertained!
This novel really was ridiculously excessive, so if you want a little more substance with your laughs then I’d suggest you try THE DRESDEN FILES by Jim Butcher instead. The humour is comparable, James Marsters excels as the reader, but the writing isn’t obnoxiously implausible. This story was complete, there were no cliff hangers, and it progressed from Pitt’s first encounter with a monster to him staving off the apocalypse as a full fledged member of MIH which was again a huge leap, yet also in all likelihood because the author didn’t know if this would become a series.
I really enjoyed Owen as a protagonist; he was fearless, a bit of a show-off, and brimming with snark which is a trait that I LOVE, especially when I’ve opted to go the audio route. The blurb describes him as an “average guy” when the only thing commonplace about him was his job, and even that was by design. After being a competitive marksman, bouncer and cage match fighter in his youth his goal was to pick the most boring profession possible, thus a CPA. The romance between him and Julie was also super stereotypical, however it fit in with the rest of the overkill.
Listening to the sample clip of Oliver Wyman was enough to hook me into signing up for 23+ hours. His macho tone was exactly what was needed for this three-hundred-pound lead, and he varied it enough so that it was clear when the first person POV was in internal monologue or external dialogue mode. The cast was fairly large, and Wyman made sure to work the accents to assist readers with keeping everyone straight. Even his female voices were good which is saying something because as a general rule the majority of male narrators struggle in this area.
MONSTER HUNTER INTERNATIONAL was so absurd in its hilarity that it was irresistible.