not based on this novel... definitely based on the first three
fill plot holes and technical inconsistencies
skip this novel... the first three are independent and MUCH better. I ended up fast forwarding over large parts of this one... silly tech gaps clearly needed to make the plot work.
I listened to this over a three month period whenever I used the Stairmonster (even if it is a long book, it's a good thing it's not my only form of exercise, eh?). The story kept my interest the entire time. The sci-fi isn't window dressing to the mystery; it's a fully-drawn, complete world. I did guess parts of the mystery and it added to the tension for me (so I imagine it was intentional by the author). The characterization is truly excellent, complemented wonderfully by the narrator, whom I loved. This is the only book I've read (listened to) from the series, so I can say that it does stand alone nicely. I've read other reviews that said I would have appreciated it more if I'd read earlier books which take place chronologically later, though. The ending, while satisfying, was certainly open to a sequel.
I have listened to many of Alastair Reynolds books on Audible, he has created a highly detailed and intriguing universe containing interesting characters and places. The life breath of this universe is the continuity from story to story, that thread of recognition contain in names and places from previous stories, as you listen to each new story. This is just one small aspect of why I look forward to each new installment.
The character of Field Prefect Dryfus as the hard driving cop with the moral imperative to protect the citizens of the Glitter band from the impending collision of a twisted destiny forge by the leftover remnant of an experiment gone badly, is one of Reynolds best.
The performance of each story by John Lee is enthralling, each character uniquely endowed with personality through the force of his vocal nuances.
Dune. Paul Atreides and the fight protect and free that planet.
To many to pick just one!
Just the feeling of awe in this expanding universe.
I was thoroughly enraptured by this story. It's a good old-fashioned detective story with a sci-fi twist. The narration was wonderful, giving the characters their own life.
Narrator John Lee is remarkable: He can suck the life out of any good story. Lee has a deep voice and a fine accent, but those cannot make up for his random inflections, uneven reading style, and complete lack of voice characterization.
I would suggest buying the print copy of this book. Avoid John Lee's narration at all costs.
I think it was an excellent story. It started a bit slow though, but it gradually picked up. It did take a bit to get used the accent of the narrator, but it still was a nice listen.
When Jane gets decapitated in order to remove the Scarab. And when Dryfuss meets the Clockmaker.
I'm going to have to say Gafney. He made me see his sneers without ever seeing him. Second is Sparva.
I only have a handful of Sci-Fi to rank it with and I would put this at about the mid point... if I could ignore the narration, I could give it better marks.
The narration was the sticking point for me on this audiobook. Lee gives very little life to most of the characters and his accent lends itself to about two-three variations. His pauses between between words became predictable and were kept between characters. It really became annoying.
Annoyance at times... but again, due to the narration. Not sure why people enjoy Lee so much. But I have not heard any of his other work... maybe it is just me.
The Prefect is a great sci-fi story. The tech is really inventive. The plot is unique. Some of the character interaction is a little bit unbelievable and at times brings what should be a climatic pace down to a crawl. I attribute this partly to the narration.
But which Prefect?
Maybe Dune, due to the Plans within Plans aspect of the plot. However, it's been a very long time since I read that so the comparison is probably imperfect.
The conversation with the Clockmaker.
Nothing's as simple as it seems.
For followers of the Revelation Space series, this book gives some cultural background on the Glitter Band and the Demarchists in general.
New grandpa. Married 35 great years. Drink Batch 19,Tsing Tao, and Bohemia. Read Card, King, Hobb, Sawyer, Sci-Fi, Historical Fiction.
Some will rightly describe this as hard sci-fi, but if by hard you think that means hard to follow, don't worry. I am not the sharpest tool in the shed, but I was able to keep up with the story. There is a lot of tech in the story as it takes place way in the future, but it is all explained well and usually twice.
In the future there will be 10,000 man-made habitats orbiting a planet. In these habitats will be whatever a society wants. In one habitat over a million people live, but to save resources they are mostly heads living in a suitcase size box. In one state everyone is extremely wealthy, but too stay that way they have a lottery, in which the one chosen is slowly tortured. Movies of the torture are sold to other habitats. Some habitats want a totalitarian state. Most though live in some sort of virtual reality living out there fantasies. The habitats reminded me of an updated Philip Jose Farmer Terra Worlds (on steroids).
The Prefect's job is to keep any one habitat from interfering with any other habitats right to do there own thing. Even in a universe where you can chose from 10.000 different worlds to live in, someone always thinks they have better way to live and that their ways should be imposed on others.
The story kept my interest and there was certainly some interesting tech, but I was never really wowed and I thought 20 hours was too long. I have Revelation Space already in my queue, but after that I will probably not seek out this author.
John Lee has a very unique voice which always takes me a couple of hours to get used to. It distracts from the story. He has few voices. He gave the main character and the main bad guy the exact same voice and he does this with a few of the female characters, so at times there was a hesitation in my head on who was speaking, another distraction.