Reynolds again demonstrates why he is among the top of contemporary sci-fi writers. Readers familiar with the Revelation Space series will recall Chasm City which was centered on the Yellowstone system. In that tale, surrounding the planet was a mass of space detritus known as the Rust Belt. Its state was the result of an undefined prior event known as the melding plague that destroyed nearly all nanotech. In Prefect, Reynolds sets the story prior to Chasm City when the Rust Belt was at its pinnacle and known as the Glitter Band. Encompassing 10,000 discreet and sovereign habitats, Reynolds explores the diversity and evolution of human societal organization (from voluntary tyranny to demoncratic anarchy). The conjoiners as well as Silveste remnants and the shrouders also play a small role.
Holding the hodge-podge together is our hero, Tom Dreyfus, a prefect who enforces the minimal rules for orderly interaction among the habitats. From what begins as a routine investigation, Dreyfus gradually peels back the onion of an ever expanding conspiracy that threatens the entire Glitter Band. Along the way, he must face, the corrupt, the gullible, the naive, and the idiotic, but he always manages to remain focused on his ultimate objective: seeing that justice is served.
As is typical of Reynolds, the sci-fi is first rate. He also has a knack for instinctively recognizing that unique interaction of science and society and the likely results. At the heart, the tale is an exploration of the human struggle to evolve beyond mere biology with all the potential pitfalls clearly displayed. Finally, as usual John Lee performs outstandlingly; his range of voices are superb and he sets the right tenor to allow the tension to develop.
This is a fun hard sci-fi story that is also an excellent crime novel. Yes, I admit that I am a fan of sci-fi/fantasy crossover crime stories. A sucker some might say. But this story offers way more than the usual fare. I really was sorry to come to the end of the story.
The Prefect presents plenty of terrific sci-fi society and sci-fi justice ideas, along with plot twists and cliff-hangers. Instead of a private eye, Reynolds presents a futuristic police procedural. The story isn't set on Earth but in a loose alliance of space habitats called the Glitter Belt.
Still, the main character is hard boiled and his backstory is revealed over the course of the novel. Artificial intelligences bad.
Narrator John Lee may be an acquired taste to some, bringing an astonishing range of British and European accents. The Glitter Belt in the far far future isn't speaking with an American accent.
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This is one of my favorite stories, and the audiobook version is fantastic. What a great trip to a new universe, to a totally new world that is so beautifully brought to life!
And the story can really stand up to the crazy environment it unfolds in... I found it gripping and was drawn in. I was really sad when it ended!
I had previously lemmed this book twice. I kept wanting to read it out of order; being a stand-alone book I thought that would not be a problem. I would get a few chapters in and I would give up because the character strings were too complicated for me to follow. When I picked it up this time, after having read all the previous books in his Revelation Space universe, I fell into it like a fish in water. This is my favorite of all his books. This is the first of his books I am rating with 5 stars. The writing is crisp, suspenseful and as always imaginative. What an incredible ride this book was. I loved it.
Two great passions - dogs and books! Sci-fi/fantasy novels are my go-to favorites, but I love good writing across all genres.
Just coincidentally, I have recently listened to three sci-fi novels that all begin as police procedurals with law-enforcement agents investigating a localized crime that expands into a much more cosmic, universal mystery - The Prefect, The Great North Road, and Leviathan Wakes. The Prefect was by far the best of the three. Not only does The Prefect benefit from Reynold's elegant, evocative writing which is a cut above most other sci-fi writers, these are some of Reynold's best characters (primary protagonists and antagonists fleshed out with great back stories), the tightly woven plot is riveting with multiple twists, and the setting, The Glitter Band, is one of the coolest concepts from Revelation Space. Jon Lee does a bang-up job on this book - this is one where the Reynolds-Lee combo makes for a terrific audiobook. The Prefect will be an enjoyable listen for anyone who loves hard sci-fi even if you haven't read any of the Revelation Space trilogy, but if you have read the trilogy, the new stories of Philip Lascaille and Dan Sylveste in The Prefect will be extra fun.
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Its Alastair Reynolds, and all his stuff is great for the most part, I like the way that Dreyfus has a Hyperpig as a partner or deputy Sparver is great and from listening to the other books he reminds me of Scorpio which is cool.
This is sorta a prequel to Chasm City because its before the Melding Plague, but this book was written after that book so if you like Reynolds stuff you probably already read that one - this is no problem because although this takes place before the Melding Plague its sorta a story of its own unlike the trilogy of Revelation Space, Redemption Ark, and Absolution Gap this book like Chasm City was a story that's just in the same universe as them, and Chasm City is the name of the city on the Planet or Moon named Yellowstone that the Glitter Band (latter re-named the rust belt) orbits a large gas giant with 10,000+ habitats.
The 10,000+ habitats are all self sufficient but all vote and that voting is policed by Panoply but they only insure fare voting, they dont care what else goes on inside the habitats - some are VT's or "Voluntarily Tyranny" where people actually want to be controlled, mostly this goes bad and there is nothing that can be done about it.
The good thing about this is that there are some technologies that are talked about in the other books but arent used anymore because of the Melding Plague, which is nice to see them used.
John Lee does a good job as usual but he really only has about 3-5 voices and mostly uses 2-3 of them at most - you have to get over this because its hard to follow because at times you can forget who is talking but thats OK because you figure it out pretty fast.
The end IMO hints at a possible explanation to the Melding Plague that is a large part of the other 4 books set in the universe, the Clockmaker and Aurora fighting it out, maybe after a time they combine forces and unwittingly create the Melding Plague?
Actor/director/teacher. Split my time between Beijing and Seattle now. Listen to Audible on the subway and while driving. Love the reviews.
This was my first Reynolds book; I'm sure it will not be my last. I was impressed by his ability to combine a well realized science fiction setting with the elements of a contemporary thriller while also incorporating some of the character building associated with our better mystery writers. The result was that, after a somewhat plodding opening, I was fairly riveted for the remainder of the twenty hours. I cared about the characters, even some of the minor ones; I was fascinated by the milieu, and I could relate to the impending catastrophe in a way which compelled my attention.
Along the way, the author also manages to raise questions about the nature of evil and the trade offs between liberty, security and well being, and he does it with a light touch, never resorting to tiresome polemics. Happily he also never provides easy answers.
Narrators are probably the aspect of Audible listening most captive to individual tastes. Many people loved John Lee's work on this book. I did not. For me, a five star narration is one which adds to the work the author has done, not only consistent with it but building upon it to add understanding and delight. Narration which is simply and artfully invisible, never drawing attention to itself but always offering clarity and accuracy, is worth four stars. Lee's flat, almost metallic tone occasionally irritated me, and I did sometimes have to wonder who was speaking--so three stars. Certainly not enough to keep me from listening to another Reynolds book even if he were the narrator.
I have read a few books from Reynolds several years ago, and I did like them. I was satisfied with The Prefect too. Actually, more than satisfied, I liked it very much.
Being a scifi fan, I always enjoy good science fiction stories. The Prefect is one of those which feels real. It happens in the future, in a far galaxy. The people use technology we just dream about today. There are futuristic habitats, which are members of an utopian democracy. But in spite of these, the story feels like it really happens. Reynolds makes the it so.
I listened to the audiobook version, and I can recommend it if you want a good book.
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For my money, it doesn't get any better than Alastair Reynolds. He has become the master of hard Science Fiction, particularly his Revelation Space series. This book serves as a prequel to the events of both Chasm City and The Revelation Space Trilogy. The Prefect is, at its heart, a police procedural yet it functions as a vital piece of the overall story that plays out through the four other Revelation Space novels. The book is written as well as any mystery out there and it's easily one of the best Science Fiction novels of 2007. As for the narration - I admit that I strongly disliked John Noble as the narrator at first, particularly his plethora of regional English, Welsh, and Scottish accents but having now listened to a half dozen of his narrations of Reynold's works he's grown on me and I've come to enjoy his narration.
Increasing my ops tempo by allowing storytellers to whisper in my ear(buds).
What is going on here? I don’t know if there is something wrong with me or that Alastair Reynolds is just a very inconsistent writer. I have truly enjoyed some parts of every one of his books, but, except for CHASM CITY, none has kept up the magic all the way through. His other works all seem to get bogged down with convoluted far-future concepts that are so far removed from actual human experience so as to be incomprehensible. You can listen to them just for those gems but there is a lot mush to slog through to get to those precious stones. I began listening to Alastair Reynolds based on the recommendation of several fellow listeners who had touted him as the modern-day master of Space Opera Science Fiction. They recommended the novel CHASM CITY as the best introduction to his Revelation Space series. And they were right. CHASM CITY is fantastic. It is the most accessible of all the novels in the series. It is the best written, has the best characters and the most fantastic “sense of wonder” technology of them all. I have now listened to, REVELATION SPACE, REDEMPTION ARK, ABSOLUTION GAP, and now THE PREFECT.. This novel THE PREFECT does have some nice blending of detective fiction with SF but is misses on so many levels. One of the prime characteristics of the Detective Fiction genre are the gritty hard-edged characters. Listening to this book actually affected my mood. My expectations were so high going in that I really needed this one to be great. After the wonderful introduction to Alastair Reynolds that I had with CHASM CITY; I hung in there through the three central novels of the series, and THE PREFECT, thinking that surely there would be a big, big payoff after so much SF world building background. I mean I hung in there for over 100 hours of John Lee whispering in my ear about indoctrinal viruses, Inhibitor genocide machines, processing Cathedrals, inertial inhibitors, Alternate Universes, longevity treatments, baseline humans, Conjoiner Ultras, Time Travel, Cryo-arithmetic engines, and talking pigs, and I wanted some reward. I got bupkis. I believe I can safely say that the best way to enjoy the Revelation Space series is to start by listening to CHASM CITY and then…stop.