Serious but fun how is that possible? What is behind the curtain? Perhaps someone should write a precursor story to this.
Love to read, and Audible has made the two-hour daily commute enjoyable!
"Apocalypse Now" was based on this. Yes, that movie put it into a more modern view with Vietnam instead of the Congo, but after reading the V.S. Naipaul's book, "A Bend in the River" plus the Kingsolver book, "Poisonwood Diary", I think the Congo is more horrifying. The confusion, the darkness, "the Horror".
Marlowe's telling of this tale makes it an amazing ghost story. The listener characters melt away as Marlowe tells the horrific story of madness that he seems to still be dealing with. The end, when Marlowe is faced with the profound grief of Kurtz' intended and lies to her about his last word is moving. Was Marlowe true to the memory of Kurtz? I believe so.
Branaugh's narration was just as brilliant as I had expected.
Yes I think I would. It was relatively short and the narration was just wonderful.
The most interesting part was wondering if he would ever reach his goal, finding Kurtz. The least interesting part was what he saw along the way, I kind of zoned out during those parts.
Everything! I have listened to over 150 books on Audible, and this was by far the best narration ever. His tone of voice, his pace, everything was perfect.
Who knows what evil lurks in the hearts of men...
I could listen to anything Kenneth Branagh reads. He could read me the stock quotes and I would be riveted.
Eclectic and mindful. Enjoy literary forensics with an eye on how the effects of postmodern deconstruction shapes our worldview.
Yes, the story is riveting. Especially if one has spent time in remote areas of the world and experienced the lens of Conrad. Branagh's brings the story to life while keeping the connection while Conrad's Victorian cultural worldview.
Stephen Mitchell's performance of the Tao Te Ching.
He is a professional storyteller.
The indifference Conrad highlights that 'first-world' travelers have on other cultures and role of the expat that endures to this day.
I absolutely recommend it. One, the story is one of the best. Two, it is finally done in audio.
It is incomparable to anything else. It is one-of-a-kind.
While I'm not a huge movie fan of his (he's overly dramatic when he acts)... But for an audiobook, he is perfect, he did an excellent job on this audiobook, far better than any other rendition on Audible. This is the one to get.
All of it was great!
Conrad's prose is incredible and Kenneth Branagh's reading draws the listener in so that you feel you are part of the story.
Mr. Branagh delivered the story with a passion that made you feel the mood of the characters. However, I felt like our narrator was practicing speed reading.
Way up there!--for two reasons: (1) Conrad's suspenseful romana clef story is wildly compelling, which surprised me because I had avoided it for decades, thinking it was more or less just for guys. Published in 1899, near the end of The Victorian Age, perhaps it did attract more male than female readers at the time, but having just finished it, I can say it is timeless and will appeal to all sophisticated readers, male, female, or otherwise. One of my favorite aspects of the story was its insight into European colonialism and empire-building, in this instance...Africa.(2) But, as well as this dark, sinister tale was crafted and presented by Joseph Conrad, the characters and situations literally sprung to life with Kenneth Branaugh's superlative performance. I am convinced that **no-one** could have brought more realism and understated passion to Heart of Darkness than Branaugh. Hands down, his narration of a story of this type is THE BEST I've heard on Audible to date. He set the bar very high. Henceforth, for me personally, his performance has become the standard by which all others will be judged.
I read "King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa (by Adam Hochschild), and that was a good look at the European power grabs for territory and the atrocities perpetrated on the people already living there. Joseph Conrad wrote about just such events at the time they were occurring. I might have to revisit my book by Hochschild now that I've heard Branaugh read "Heart of Darkness." I'm also reminded of "The Poisonwood Bible," a novel by Barbara Kingsolver that told of a misguided missionary who believed he was called to Africa to spread The Word. He moved his family from Georgia to the Congo in 1959, a time when that area was in considerable turmoil after foreign colonialism had broken down. The point being that when the Europeans gave up in that area, greed of a religious sort moved in to enlightened "the lost"--and the attempt to frighten Africans into submission continues.
He did all of them so well, even the minor characters. For that reason, I couldn't single one out as the very best. I'm convinced he could read the back of soup cans and have my full attention.
The depths to which man may sink if there are no checks and balances...
"Heart of Darkness" is not for light, casual readers -- say, readers who prefer romance novels, fantasies, etc. It IS for readers who would appreciate a foray into the psyche of man and empires--and the collapse of both.
The narrator - rich vivid descriptions.
Take the journey with Marlow - Conrad's descriptions so rich and vivid; vocabulary so wonderfully precise; Branagh with perfect tone, inflection, and animation - you feel the story as much as read/listen to it. A classic that is short enough to be read again and again, just to relive the adventure.
This is a powerful listen and Kenneth Branagh brings each character to gut-wrenching life. The passion and the heat of the strange and mysterious land comes out in his tone and cadence. I found myself going back and listening and re-listening to passages not because I didn't understand, but rather for the lyrical quality of this prose.
The brooding and simmering quality of the narrator's story as he muses upon the motives of others, but also his own thoughts, his own weaknesses. What happens to us when faced with culture, loneliness, avarice in a shockingly different and remote setting. Looking at "The Other' we can find those who look and talk like ourselves as strange and unfathomable as those who look and act nothing like us.
It is the narrator's story, and while he met many singular people, his reactions and thoughts stayed with me.
No. It should be taken in time, much like the journey he tells of. Let the story develop, build and grow just like the river boat's slow progress upriver. It is a powerful tale that should be savored and considered. Listen to this book.