Marilyn Smith Neilans
The narrator is perfect for the work. good reason why this is a classic. I could hardly wait for each new chapter.
I've always loved Joseph Conrad's stories. For a boy, a young man, a man of any age, they are a necessary element on the bookcase.
But who would have thought you could get more than mediocre entertainment from having such a work of fiction "read" to you? It's not just any reader who can send chills with a whisper and laughter with a roar! But Branagh is one of the consummate entertainers of our time. If he is performing, you know it will come close to perfection!
And this Audible book, combining two matters of their arts, comes as close to perfection as any book I've heard from Audible.com yet!
Bravo, Mr. Branagh! And thank you!
deep interesting adventure
when the main character discovers a beautiful amazonian woman in the rainforest
when the news of kurtz's death reaches marlow, he does not stop eating dinner.
very cool book, steeped in adventure, but written in a monotone way that seems dry and boring at times
No. The story is what it is.
Probably something a bit more uplifting, just to even things out.
Usually great pacing and appropriate levels of intensity. Branagh saved this book for me.
Probably to seek out more of his readings (assuming the subject matter is something I'd like more than this).
Any novelty of this piece being presented as a frame narrative is quickly eclipsed by the sometimes pleasing, though more often onerous, descriptions of river life. I appreciate being exposed to a snapshot of colonialism and racism, but the plot wasn't redeeming enough to make me truly enjoy this one. Branagh's reading was the bright spot.
I'm a web developer based out of Sacramento, I listen to books while I work, and love audible.
This was an interesting book, that , but a bit short. It features the utter cruelness of the white colonials in Africa, where they felt they where better than the "savages", because they were the truly savage.
Absolutely. It's transfixing - and the performance is equally powerful.
The sense of foreboding.
The hopelessness of the French warship firing into The Continent.
Get it. Perhaps the most impressive performance of any audio book I have listened to. And a literary classic into the bargain.
I focus mainly on History, Endurance Sports and Science/Speculative Fiction books.
One of the great things about Audible is that we can get around to reading books we either ignored as younger people or glossed over in school This is a great example. I am glad I read it, and it was well done. I am not sure I would listen to it again, but I rarely do that with Audible titles, there are just so many new ones out there I want to get to...
Well Kurtz is obviously the centerpiece of the story. An enigmatic figure who haunts everyone who meets him.
Great job, maybe the best I have heard on Audible (Tony Roberts was also great in Cat's Cradle). His reading showed a familiarity with the text that can only come with reading a classic book. This was evident in his performance.
I rarely do that, but this is a very short book, and many readers might do that on a rainy day or on vacation.
British literature from this time period is very unique. Flowery language where symbolism and description trump the narrative and story line. The enigmatic Kurtz was fascinating, and has become archetypical for many other subsequent characters in literature and popular culture. Overall I highly recommend.
This is an excellent audiobook. Branagh realizes that the most important character in Heart of Darkness is not Mr. Kurtz, but Marlow, the narrator, He reads simply, but also shows that Marlow may understand more about the bizarre scenes he faces than he would ever say directly.
Marlow. Branagh makes you believe that men with better things to do would sit on a chilly deck for hours just to hear the rest of his story. And this is the first thing you have to believe if you are going to appreciate the story.
I liked it that he neither readi it like a Movie Star performing a novel nor left his acting skills at the door. He inhabited his role—which was that of the narrator who brings the other characters to life.
I knew the text very well before I listened to this version. I don't recall that it make me laugh or cry, though it may have, but it did make the book completely fresh for me once again.
Narration is a special skill, and not all actors have it. Branagh does. I hope he can be persuaded to read more books. And if he an Alex Kingston could create an audio version of their Macbeth, that might be glorious.
Conrad's prose is gorgeous. It has a lyrical quality and is hugely satisfying, but other aspects range from uneven to inadequate. There is such an imbalance between Conrad's progressive views against colonialism and treatment of indigenous people to his blatant dismissal of women. Similarly the attention to describing the exact circumstances and intentions of the narrator, but poorly rendering Mr Kurtz. This last is the most troubling because the character (Kurtz) is absolutely revered by all the of others characters, literally idolized by several. The physically and mentally diminished Kurtz we interact with is a shadow of legend and the deeds are too thinly detailed to engender similar awe in the reader.
Side note: The value of ivory has always escaped me and shades the reading with a gaudy, gory connotation. I wonder how my experience would have been altered if the precious resource was sapphires or similar precious stones which while still not personally valued would carry less baggage.