Branagh gives a masterful performance and, yes, it is a performance. His confident portrayal of the characters, even the female ones, is so spot on. This is the kind of book that I joined Audible for. My education left me with a few holes literature-wise and Audible is how I'm going to plug those holes. I can only hope that other books will be given the bravura effort that Branagh gives here. I can not think of any reservation although it might be interesting to see the movie "Apocalypse Now" before or after hearing this book.
I've read this novella a few times in the past, and Kenneth Branagh's reading only adds to the pleasure. He does a wonderful job of bringing complexity and humanity to the words, and Conrad has written some wonderful words. Not everyone like's Joseph Conrad's work and I can't say Heart of Darkness is one of my favourite novels (or novellas), but there are parts of it that are truly wonderfully written. There is a lot to ponder in the book, and the combination of author, story, and narration create an enjoyable and interesting listening experience.
Superbly Acted Reading
The Russian engineer/adventurer who has so totally fallen under Kurtz's sphere of influence and is willing to sacrifice everything for the sake of "this great man," is a character I have never really noticed before. Branaugh brings him to full vigorous life and his coversations with Marlowe become a key to the book.
Magnificent acting of every sentence. Nothing is thrown away or "phoned in." Branaugh lives and breathes the character of the narrator, Marlowe,and through him, all the other characters.
The death of the native helmsman and Marlowe's reaction to it, compared to his reaction to the death of Kurtz is a high point of the book.
Such a difficult novella, I have read it so many times, and there is something new in every reading, and yet the final essence, like Kurtz himself, is in the end, undefinable. I think that those who see "Heart of Darkness" as a simple indictment of colonialism, or the Belgians or the ivory trade, or whatever, are somehow missing a large part of the story. And yet, what is that story? Who, really, is Kurtz, or for that matter, Marlowe? I think the answer is as elusive at the answer to Conrad's other great story of identity, "The Secret Sharer." We can never really know. But this reading by a master actor, like the tides of the Congo River itself, brings us closer to an answer. Worth listening more than once.
I'm a high school senior and we're about to read Heart of Darkness in a few weeks, so I figured I'd download this to help me out a bit. It's been an interesting listen. I thought it was pretty humorous that Kenneth Branagh is narrating, as we recently saw him perform in Hamlet after reading the play a few months ago (he was excellent) and he's also the narrator for the documentaries we're watching in History class. What a coincidence! His voice is lovely, enticing almost, so I'm glad that he narrated this. Now, I'll be just about fully acquainted with Kenneth Branagh's voice.
A Traveling Listener
I'd read Heart of Darkness prior to listening to Kenneth Branagh read - what a wonderful experience - listening to him! His concise enunciation and style are perfect to the book.
Painter, musician, bibliophile...
"Heart of Darkness," for me, is a book meant for listening. The language, the economy of description, and the brevity of the story are all the more engrossing when read aloud. Phrases ring in the memory: "My ivory, my intended..." So many more.
Conrad's characters continue to live in the imagination: the now world-weary Marlow, the mad charismatic Kurtz, the odd little "Harlequin," the innocent fiancée. Africa itself is a character larger than life. Who could ever forget these people, or these places?
I came to this book later in life, long after reading Hochschild's "King Leopold's Ghost" and studying African politics at university. So I did not come from an educational system that assigned this for college prep. But when I did read it, it began a long love affair with Conrad and his "voice," if you will, that spins the English language into gold.
I truly think Conrad is someone it takes a bit of life experience to appreciate fully. "Heart of Darkness," like Hesse's "Steppenwolf," is often read very early in life, but both improve on acquaintance. I read each one at least once every five years and find new insights every time. I hope you'll re-read Conrad if he was "forced upon you." There isn't a writer quite like him, and few are as rewarding.
Branagh's narration surprised me. I love him as an actor but didn't know if he would be right for old Marlow the storyteller without a little more age on him! I was wrong. His narration was all it should be.
I'm a web developer based out of Sacramento, I listen to books while I work, and love audible.
This was an interesting book, that , but a bit short. It features the utter cruelness of the white colonials in Africa, where they felt they where better than the "savages", because they were the truly savage.
Love to read, and Audible has made the two-hour daily commute enjoyable!
"Apocalypse Now" was based on this. Yes, that movie put it into a more modern view with Vietnam instead of the Congo, but after reading the V.S. Naipaul's book, "A Bend in the River" plus the Kingsolver book, "Poisonwood Diary", I think the Congo is more horrifying. The confusion, the darkness, "the Horror".
Marlowe's telling of this tale makes it an amazing ghost story. The listener characters melt away as Marlowe tells the horrific story of madness that he seems to still be dealing with. The end, when Marlowe is faced with the profound grief of Kurtz' intended and lies to her about his last word is moving. Was Marlowe true to the memory of Kurtz? I believe so.
Branaugh's narration was just as brilliant as I had expected.
Estate planning lawyer and mom to two boys. My older son liked audiobooks as an infant, and I've listened to a lot since then.
Kenneth Branagh's performance is amazing. I could listen to the man read the proverbial phone book, but he did more than simply read, he inhabited the narrator character who is slowly going insane.
It is a classic unreliable narrator story, and has influenced many succeeding works. In the ghost story vein, it reminds me a bit of Poe.
It is hard to pick out one in particular, but as they go deeper in, the book (and the performance) just keeps getting better.
Well, clearly this book inspired Apocalpse Now, but I would call it An Imperialist Ghost Story.
I read this book in college about 30 years ago, but this performance gave a whole new dimension to the book. Frankly, it was a difficult book for me to focus on then, but this experience was riveting.