Superbly Acted Reading
The Russian engineer/adventurer who has so totally fallen under Kurtz's sphere of influence and is willing to sacrifice everything for the sake of "this great man," is a character I have never really noticed before. Branaugh brings him to full vigorous life and his coversations with Marlowe become a key to the book.
Magnificent acting of every sentence. Nothing is thrown away or "phoned in." Branaugh lives and breathes the character of the narrator, Marlowe,and through him, all the other characters.
The death of the native helmsman and Marlowe's reaction to it, compared to his reaction to the death of Kurtz is a high point of the book.
Such a difficult novella, I have read it so many times, and there is something new in every reading, and yet the final essence, like Kurtz himself, is in the end, undefinable. I think that those who see "Heart of Darkness" as a simple indictment of colonialism, or the Belgians or the ivory trade, or whatever, are somehow missing a large part of the story. And yet, what is that story? Who, really, is Kurtz, or for that matter, Marlowe? I think the answer is as elusive at the answer to Conrad's other great story of identity, "The Secret Sharer." We can never really know. But this reading by a master actor, like the tides of the Congo River itself, brings us closer to an answer. Worth listening more than once.
I hadn't revisited "Heart of Darkness" for decades until I listened to this audiobook. My impressions are simple and intense.
Regardless of the post-colonial critique of Conrad - he was, I believe, remarkably understanding of the wrongs of colonialism for a man of his time - the writing and the psychological depth of the novella are nearly unsurpassed in 19th- and 20th-century English language literature.
In addition, Kenneth Branagh demonstrates here the difference between merely passable or even good dramatic reading, and true craftsmanship. I can't imagine how the publisher lured such an amazing acting talent into doing the narration of a book in the public domain, but Branagh's rendition is the finest of any audiobook I've ever listened to.
I'm deeply impressed with both Conrad and Branagh.
Thank you, Audible.
I'm a high school senior and we're about to read Heart of Darkness in a few weeks, so I figured I'd download this to help me out a bit. It's been an interesting listen. I thought it was pretty humorous that Kenneth Branagh is narrating, as we recently saw him perform in Hamlet after reading the play a few months ago (he was excellent) and he's also the narrator for the documentaries we're watching in History class. What a coincidence! His voice is lovely, enticing almost, so I'm glad that he narrated this. Now, I'll be just about fully acquainted with Kenneth Branagh's voice.
A Traveling Listener
I'd read Heart of Darkness prior to listening to Kenneth Branagh read - what a wonderful experience - listening to him! His concise enunciation and style are perfect to the book.
Painter, musician, bibliophile...
"Heart of Darkness," for me, is a book meant for listening. The language, the economy of description, and the brevity of the story are all the more engrossing when read aloud. Phrases ring in the memory: "My ivory, my intended..." So many more.
Conrad's characters continue to live in the imagination: the now world-weary Marlow, the mad charismatic Kurtz, the odd little "Harlequin," the innocent fiancée. Africa itself is a character larger than life. Who could ever forget these people, or these places?
I came to this book later in life, long after reading Hochschild's "King Leopold's Ghost" and studying African politics at university. So I did not come from an educational system that assigned this for college prep. But when I did read it, it began a long love affair with Conrad and his "voice," if you will, that spins the English language into gold.
I truly think Conrad is someone it takes a bit of life experience to appreciate fully. "Heart of Darkness," like Hesse's "Steppenwolf," is often read very early in life, but both improve on acquaintance. I read each one at least once every five years and find new insights every time. I hope you'll re-read Conrad if he was "forced upon you." There isn't a writer quite like him, and few are as rewarding.
Branagh's narration surprised me. I love him as an actor but didn't know if he would be right for old Marlow the storyteller without a little more age on him! I was wrong. His narration was all it should be.
Love to read, and Audible has made the two-hour daily commute enjoyable!
"Apocalypse Now" was based on this. Yes, that movie put it into a more modern view with Vietnam instead of the Congo, but after reading the V.S. Naipaul's book, "A Bend in the River" plus the Kingsolver book, "Poisonwood Diary", I think the Congo is more horrifying. The confusion, the darkness, "the Horror".
Marlowe's telling of this tale makes it an amazing ghost story. The listener characters melt away as Marlowe tells the horrific story of madness that he seems to still be dealing with. The end, when Marlowe is faced with the profound grief of Kurtz' intended and lies to her about his last word is moving. Was Marlowe true to the memory of Kurtz? I believe so.
Branaugh's narration was just as brilliant as I had expected.
Very, very good. It's better read aloud than read in a book, I think, at least by Kenneth Branaugh. It aided my understanding and retention.
K. Branagh renders this masterpiece its due - moves to my favorite performance of this great work.
The narrator is excellent, of course, and that's why I purchased it. The story is good. Gets slow sometimes but very interesting and well written if a little subtle.