Branagh gives a masterful performance and, yes, it is a performance. His confident portrayal of the characters, even the female ones, is so spot on. This is the kind of book that I joined Audible for. My education left me with a few holes literature-wise and Audible is how I'm going to plug those holes. I can only hope that other books will be given the bravura effort that Branagh gives here. I can not think of any reservation although it might be interesting to see the movie "Apocalypse Now" before or after hearing this book.
Painter, musician, and avid reader.
"Heart of Darkness," for me, is a book meant for listening. The language, the economy of description, and the brevity of the story are all the more engrossing when read aloud. Phrases ring in the memory: "My ivory, my intended..." So many more.
Conrad's characters continue to live in the imagination: the now world-weary Marlow, the mad charismatic Kurtz, the odd little "Harlequin," the innocent fiancée. Africa itself is a character larger than life. Who could ever forget these people, or these places?
I came to this book later in life, long after reading Hochschild's "King Leopold's Ghost" and studying African politics at university. So I did not come from an educational system that assigned this for college prep. But when I did read it, it began a long love affair with Conrad and his "voice," if you will, that spins the English language into gold.
I truly think Conrad is someone it takes a bit of life experience to appreciate fully. "Heart of Darkness," like Hesse's "Steppenwolf," is often read very early in life, but both improve on acquaintance. I read each one at least once every five years and find new insights every time. I hope you'll re-read Conrad if he was "forced upon you." There isn't a writer quite like him, and few are as rewarding.
Branagh's narration surprised me. I love him as an actor but didn't know if he would be right for old Marlow the storyteller without a little more age on him! I was wrong. His narration was all it should be.
I'm a high school senior and we're about to read Heart of Darkness in a few weeks, so I figured I'd download this to help me out a bit. It's been an interesting listen. I thought it was pretty humorous that Kenneth Branagh is narrating, as we recently saw him perform in Hamlet after reading the play a few months ago (he was excellent) and he's also the narrator for the documentaries we're watching in History class. What a coincidence! His voice is lovely, enticing almost, so I'm glad that he narrated this. Now, I'll be just about fully acquainted with Kenneth Branagh's voice.
A Traveling Listener
I'd read Heart of Darkness prior to listening to Kenneth Branagh read - what a wonderful experience - listening to him! His concise enunciation and style are perfect to the book.
I hadn't revisited "Heart of Darkness" for decades until I listened to this audiobook. My impressions are simple and intense.
Regardless of the post-colonial critique of Conrad - he was, I believe, remarkably understanding of the wrongs of colonialism for a man of his time - the writing and the psychological depth of the novella are nearly unsurpassed in 19th- and 20th-century English language literature.
In addition, Kenneth Branagh demonstrates here the difference between merely passable or even good dramatic reading, and true craftsmanship. I can't imagine how the publisher lured such an amazing acting talent into doing the narration of a book in the public domain, but Branagh's rendition is the finest of any audiobook I've ever listened to.
I'm deeply impressed with both Conrad and Branagh.
Thank you, Audible.
Very, very good. It's better read aloud than read in a book, I think, at least by Kenneth Branaugh. It aided my understanding and retention.
K. Branagh renders this masterpiece its due - moves to my favorite performance of this great work.
The narrator is excellent, of course, and that's why I purchased it. The story is good. Gets slow sometimes but very interesting and well written if a little subtle.
I've been buying books from Audible for about 7 years now, and this performance is arguably the best. I put it along side Jeremy Irons reading of Lolita, as one of the seminal performances of an artist, for this medium.