The book details the life of a soldier enduring trench warfare. While this style of war is unlikely to be carried out on a large scale in the future, the psychological impact of war and the suffering of the individual are important issues that should be considered.
The enduring life of this book is evidence of the effective story telling.
The excellent reading just flows, whereas reading this very sad material would have been hard to go through in print form.
Muller's reading is not overly dramatic.
The protagonist, Paul, is a sensitive, tender boy, turned into a hardened soldier. He also gives us a short glimpse to his life away from the front. The juxtaposition of these two extremes makes the reader feel more intensely the hardships of WW1.
This book along with other like Born of the 4th of July should be required reading before enlisting. The story is memorable. This story is a sad but seemingly true sense of war, loss of life and hardships along the way. This story reminds us that we are all men who are dying. The differences between us and them become blured and the cause or meaning of the war become lost.
Gen-Xer, software engineer, and lifelong avid reader. Soft spots for sci-fi, fantasy, and history, but I'll read anything good.
Though not a long book, All Quiet on the Western Front is the prototype for nearly every modern novel about going to war. Young men with their heads crammed full of patriotism and dreams of glory volunteer for the army. There is a strenuous boot camp with a martinet drill instructor. Then the horror and carnage of battle, which often amounts to hunkering down and hoping not to be hit by shells fired by a far-off enemy, while nearby comrades are randomly cut down by shrapnel, explosive, bullets, and poison gas, sometimes to die hideous, lingering deaths.
The story is told through the eyes of Paul Bäumer, an everyman character whom Remarque never defines in much depth -- though part of this is the conceit that Paul, at 19, sees himself as a person who was unformed before war claimed him. The novel, written in the immediate tense, reads more as a series of fragmentary scenes and impressions than an ordered narrative, which might put off some readers, but I think this adds to its effectiveness. Over the course of the novel, Paul and his companions experience all the usual responses to modern war. There's horror, disillusionment, shell shock, and alienation from the civilian world, with its self-satisfied values and artificial lives. To Paul, the ability to care about the things that his student self once cared about is lost, the only meaning now in small, primal acts of life and in his comrades-in-arms.
The prose is haunted by bleakness and despair, though there are some scenes that are quite beautiful in their melancholy humanity, such as Paul's visit to a camp of Russian POWs, or of his regrets after being trapped in a shell hole for a few hours with a dying enemy soldier, who, now disarmed, is little different from himself. There are a few moments of levity, such a scene where a pompous teacher gets his just desserts, but they're few. For their part, the sequences set in the trenches are rich in images of dull, hellish squalor, such as passing time by killing ever-present corpse-fed rats, or the cries of a wounded man slowly dying somewhere out in No Man's Land. Yes, no surprise that the Nazis banned this one for "defeatism" (and got to relive it all at Stalingrad).
Though the specific causes of World War One are now buried in the dustbin of history, the reader doesn't need to be familiar with them to grasp the essential themes. All Quiet on the Western Front still maintains its timeless message of youth pointlessly squandered by the impenetrable stupidity of politics. When Paul's companions discuss the reasons they've been sent to fight and die, they can only observe that they never had anything against the French, nor the average French soldier against Germany, but, as always, the few people who make and benefit from policy aren't the ones deemed young and physically fit enough to die for it. While no 21st century generation is likely to experience the kind of wholesale meat-grinder warfare that could wipe out thirty thousand lives in one battle, we shouldn't forget the naivete that led to it, or the callousness it inflicted. These are aspects of modernity that have hardly left the world, even a century later.
Audiobook narrator Frank Muller gives a restrained but haunted reading that fits the spirit of the text well.
No, this was my first time to "read" this classic. It was a good reminder for me of what the costs of war are. It is too depressing to want to listen to again.
The horror of the trenches was the most gripping.
I am not sure that there is a favorite scene.
The title is very appropriate for this book. Don't want to mess with a classic.
All Quiet on the Western Front is a classic tale made even better by Frank Muller's performance. The pain, the joy, and the misery I felt when reading the book were all brought back by this listen. Time and a credit well spent.
My interests run to psychology, popular science, history, world literature, and occasionally something fun like Jasper Fforde. It seems like the only free time I have for reading these days is when I'm in the car so I am extremely grateful for audio books. I started off reading just the contemporary stuff that I was determined not to clutter up my already stuffed bookcases with. And now audio is probably 90% of my "reading" matter.
Frank Muller was a great audiobook reader. But first I should talk about the book.
This is a great book. A first person account by an average soldier with no apparent exaggeration or didacticism. Pretty much every situation you can imagine a soldier would get into is presented but it never feels contrived. In fact, very little of the book involves actual fighting, which only adds to the realism. We have seen this so many times in the years since this book was written. We probably don't even realize how influential this book has been. And if some things in this book feel clichéd, you can probably blame all those imitators that came afterwards.
But what makes the book stand out is the character of its narrator. His feelings about his situation, his feelings about his comrades, his reactions to what happens, his observations about the war, his recounting the opinions of the people he meets. Whatever illusions he may have had about fighting for his country, they are soon replaced by the reality of modern warfare. His loyalty is to his comrades. His main concerns are about things like getting enough to eat keeping his feet dry. These observations build quietly and powerfully through the whole book, and that is what makes it such an effective statement about war and the universality of mankind.
I'll shut up now and let the book speak for itself.
Frank Muller does a terrific job of conveying the tone of the bored soldier struggling to preserve his personhood. I only recently discovered this reader and am sorry to learn that he is no longer with us.
This is WW1, WW2, Korea, You are there.
I would n o t say like, but appreciate this story and the author's talent..you were there right in the middle and a captive.
He was 100 percent the soldier. Though this was a German soldier in WW1 and the original text was in German; the translation and Frank Muller put me right in the trenches or foxhole with an American G.I. No voice could be better. It was perfect.
Better to listen than read.
No. I cannot imagine anyone could. It is only 6 or 7 hours but you need a breather.
This is a great classic written around 1928. Sad to say it could have been 2008. A great great book.
One of the top ten books I have read.
The protagonist and Kat. They both tried so hard to live through the horror and find ways to channel their emotions
The first time he goes home and he tries to comprehend the dichotomy between the horrors on the front and the challenges of those behind the line. This book came out in 1928 yet war continues and young men and women continue to follow in the same emotional and physical footsteps. It is a sad fact that war continues.
The Horror of War
I first read 'All Quiet on the Western Front' as a high school sophomore. At that time, the story's affect upon me was minimal at best. I take the shift in my opinion of this novel as proof that you should revisit all the books you had to read in high school that you found boring. At age sixteen, I had very little idea of how elements of fiction like prose, pacing, characterization, and others worked together to create a great work of fiction. By that age, I was already a veteran of the horror genre and had read about a lot of gruesome things, so some of the things in 'All Quiet on the Western Front' struck me as almost tame by comparison. Still, certain images from the novel have stuck with me over the years, some of them for obvious reasons--like the image of a young soldier taking cover in a bomb crater underneath a coffin--and others for not-so-obvious reasons--like the yellow boots that pass from soldier to soldier.
With twelve years of life experience and a better understanding of the craft of fiction under my belt, my opinion of this novel is now the polar opposite of what it was as a teenager. Remark's prose is clear, simple, and highly evocative. He has an eye for choosing the right details to bring a scene to life. Likewise, the pensive but resigned voice he creates for the novel's protagonist adds to the terribleness of the events by making the reader wonder: "How can a man become resigned to such things?" The novel's pace, which seemed slow to me as a teenager, now seems to fit the novel perfectly, as does the seeming lack of a strict plot. Both convey the passivity of the protagonist as he is pulled from one event to another. Lastly, but maybe most importantly, the sense of despair that Remark creates throughout the last two or three chapters of the novel is so strong and so real that I found it difficult to read those sections. I find that fact to be a testament to Remark's skill in delivering this particular narrative, as well as a mark of authenticity.
As for the narrator: I have been a fan of Frank Muller's narration ever since listening to his rendering of the second installment in King's Dark Tower sequence. Muller conveys perfectly each emotion and mood in the novel, whether it be pensiveness, despair, resignation, or even the few instances of happiness that occur.
This audiobook definitely gets five stars in all categories. I won't say that everybody will enjoy it, but I will say that I think it is well worth at very least one read, if not many more.