Tangential, eclectic, avid listener... favorite book is the one currently in ear.
If you miss a few seconds, you will have transitioned in time and point of view and be lost. His writing is beautiful, difficult topics placed in a cruel world... if I was to read again, would do in book form. Performance was great, the story thought provoking but it didn't work for me as an audio book.
I wanted to like this, and to learn about the South from it. But I guess I have to just finally admit to myself that I am not sophisticated enough to appreciate "great literature". What I love and long for is a good story, well-told. This offering was so full of cruelty, hatefulness, anger, irrationality, and stunted, ugly human characters that I was left reeling, feeling sick at heart. For me there was no redeeming quality, at all, except that I have learned to strictly avoid Faulkner for the rest of my life! I would warn all sensitive souls away from this one.
This book has definitely turned me OFF of Faulkner.
The plot is too thin and the chronology is so complex that is doesn't translate well as an audiobook.
Will Patton did a really good job on this. I just didn't like many of the characters and when Christmas started beating a horse on the head, I gave up.
I am a 65-year-old psychologist, married for 25 years, with two sons who are 25 and 22. I love reviewing the books and the feedback I get.
Not to personalize here, but I went to Vanderbilt, majored in English Lit, and read a number of Southern authors. Nonetheless, to say that this book is slow is an understatement. Molasses is quick by comparison. You need to be really into style in order to appreciate Faulkner, and frankly, I got over that in the late sixties. There may be a plot here, but I couldn't find it. I do really like the sound of Will Patton's voice, and have enjoyed a number of books that he has read. But, not this one.
Faced with mindless duty, when an audio book player slips into a rear pocket and mini buds pop into ears, old is made new again.
To this reviewer, Faulkner, like Mark Twain, is an acquired taste. “Light in August” is considered by Modern Library, in their 1998 list, to be one of the 100 best English-language novels of the 20th century; “Time” magazine suggests the same thing in 1923 and 2005.
“Abasalom, Abasalom” is William Faulkner’s vision of the South. It is an interesting book but it gnaws at one’s sense of completeness, both in the society being described and the fate of its characters. Faulkner describes early 20th century prejudice with characters that are largely unforgivable and unlikable. All women are characterized as dissemblers, and sex objects that lure men to sin as though men have no will of their own. Religion is exclusively seen as punitive and destructive. Faulkner pictures southern life as dark with only slivers of light; maybe slivers of light in August but only one month in twelve leaves his characters mostly mired in violence, sin, and despair.
Faulkner draws attention to American societal failures in the same way his contemporary Richard Wright does in “Native Son”. However, Faulkner paints on a wider canvas; i.e. exploring the dark side of religious zealotry which has no north/south or east/west boundary. The irony of Faulkner’s wider vision is its narrow focus. Both “Light in August” and “Native Son” are difficult to read because of the brutality of their main characters but Faulkner, though more lyrical and broadly visionary, is ironically one-dimensional and less complete than Wright.
I would not be interested in reading another Faulkner book however I thought Will Patton did good job of narrating.
The overly descriptive nature of Faulkner's work is lost on me. I find myself daydreaming or getting lost on what he was describing or talking about. I really hated reading this book but I kept reading in hopes that it would have some redeeming ending. Not.
The vocabulary of the author. I understood the intent of each sentence, but marvelled at the literary level of the written word. Not something you would here in everyday life now.
The depth of the characters and how they converged in life
The pace, the vocal manipulation and tonal flexibility in converying each character
pass on that one
Very insightful of human value and perspective from this era.
I love books!
I read William Faulkner or at least tried to read him in my 20's. I never really thought much about him after that until audible offered up this book as part of its Audible Modern Vanguard classic selections. The plot seemed interesting and I liked that it was narrated by actor Will Patton, who also narrates the James Lee Burke novels I enjoy, and since he's from the south where this book takes place, he had the southern accents down to a T.
This is a thought provoking book that touches on several different topics. Since it's set in Mississippi in the 1930's, it is a timepiece novel looking at that era, post Civil War but where racism still existed even all those years later. But it also touches on the hopes and dreams of people who are just trying to get by in life. It touches on the effects our parents and even out grandparents have on our lives. Did we lead the lives our parents wanted us to or did we stay true to ourselves and lead the lives we wanted to? Was it possible to do both? How did our grandparents effect the lives of their children and how then did that get passed down onto us? Many of us rebel and strike off on our own but as we get older we sometimes think that we are leading the life we were supposed to and now we've gone full circle.
Faulkner touches on all these issues in this book. Yes, it's a novel of the deep south in the 1930's but it is also universally timeless. I enjoyed this book much more than I thought I would when starting out. Read it slow and think about it, as i said, it's thought provoking.
This is a master of the human psyche tells the stories of a number of different of human characters, many of which each of us has met in other incarnations. Faulkner gives us insights into what moves them. No explanations, however, as there aren't any. The discrepancy between their dreams and their reality brings to life many of my own memories. The least active character is at the same time the most realistic about what is happening around and to her.
The reader is absolutely exceptional in portraying the different characters, their emotions and "southernness". This performance is a pleasure to listen too just to hear Will Paton read Faulkner.