I listening to the series - this time in the order the books were written - two years after the first listen. I don't do this often and never with a gap of only two years. But the content of Stephenson's books is so dense and some of his best lines so subtle that the material feels fresh and worth paying attention to.
At the top of audio books. A very good performance for the period in history.
This is book 2 of 8 in the Baroque series, for that point I cannot really comment on the how much I like the story. That said, the story line is excellent and we are properly introduced to important characters.Toe rad this author, I find myself going away during the book and researching the real history line. In this book especially William of Orange. The author is marvelous at spinning a story line around historical facts.To read how the binary code was understood at this point in history and how it was initially used as encryption for covert notes for me is fascinating. I cannot get enough of the bridges that Stevenson fills for me with respect to trade, the power cities. the early frauds, all of this is power packed.
Both Jack and Eliza came to life.
I would not rename the book. The series of these books is written for the common persons lot in life. The Vagabond is a very important element in the development of European society, and in fact globally that the story must be told.This character and way of life is rarely told.
I find that I must replay chapters continuously, this series is not cops and robbers with a lot of words going nowhere and wham bam climax. For me, in order to get the real message behind the story, I have to listen again, because the nuances and intrigue are very important later on in the novel and series.It is like learning math, miss a section and you cannot solve the equation. Same with Stevenson's writings.
To me, this seemed a way for the author to create or relive banter between a difficult pair of individuals. The story has no particular interest or meaning other than that. If you're not keen on listening to how a blithe idiot associates with a slutty but highly intelligent conniving woman, skip this. I was, however, very happy with the end. The useless pair (apparently) received the fruits of their labors.
Retired Marine Chief Warrant Officer; just trying to heal up all that's been broken these last 22 years and enjoy my family and workshop.
That's is the first and most important thing to say about having this book on audio vs text. An amazing character development for which Stephenson I'd so adept. This was a wonderful 2nd book of "The Baroque" series and I most enjoyed that he went from high left oligarchy/royalty to salt of the earth recognition and rendering of the far right characters who endured the realities of the common person with the pulses of entrepreneurship flowing in their veins.
Simon Preble is a fantastic narrator, his pace and tone are always appropriate, and his characterizations give life and are never over the top.
now the story, I am a long time fan of Neil Stephenson, and like all his books this is compelling and well paced, more action in then Quicksilver, if you are looking for that, exhaustively detailed. the majority of yhe novel maintains a very light, adventurous tone, the character seem both charmed and charming. The last few chapters though, get heavy, or rather are brought down to earth. SPOILER : In the book there are two very different instances of sexual assault, they are realistic and not sensationalized, but nonetheless it took me a moment to get back into the story.
This is the second of Neal Stephenson's Baroque Cycle books that I have listened to, and they just keep getting better. They have the feel of Umberto Eco's work, but without trying to overwhelm the reader. Stephenson presents a realistic view of the world in 17th century Europe. Its accordingly dark, bleak, and savage, but also very beautiful. Also, do not expect a happy ending-instead, look forward to a real one. I can't wait to read the next book in the series.
I once thought that Mr. Stephenson was to wordy and technical I with his writing. That was after listening to Reamde the first time (I've enjoyed it twice more since). The Baroque Cycle ties into Cryptonomicon, proving a backstory to a semi-historical novel. Now I just can't get enough! Off to listen to Book 3 now...
Increasing my ops tempo by allowing storytellers to whisper in my ear(buds).
This series must be contemplated as a unified whole. This review is for the entire BAROQUE CYCLE.
Sorry Neal, I was wrong. For me Neal Stephenson was a bit of an acquired taste. My first Stephenson exposure was with SNOWCRASH, a zany over-the-top Sci-Fi farce with quirky characters, tight plotting and fascinating ideas—try an ancient software virus in the human brain. My next Neal Stephenson encounter was THE DIAMOND AGE and this was for years my last. It was not until revisiting SNOWCRASH now as an audiobook (narrated by the superb Jonathan Davis) that I realized that anyone able to reach such dizzying fictional heights once deserves more than one strike. It was after this that I listened to ANATHEM; strike two. But there was one more title that had received acclaim that I first had to tackle before relegating Stephenson to one-hit-wonder status: CRYPTONOMICON. This was a home run; different from SNOWCRASH in almost every way but still wonderful, and really long. From this I learned three things: (1) Stephenson was not easy to pigeon-hole; and (2) He could handle fictional works in the long form; and (3) If you are not preoccupied with plot advancement, the rabbit trails can be quite scenic. So, once I learned that many of the characters in CRYPTONOMICON had ancestors in THE BAROQUE CYCLE, I determined to tackle the whole lot back-to-back, as if it were one giant novel. QUICKSILVER is the first audio installment of THE BAROQUE CYCLE, which is here divided into seven installments. In print form it is broken into eight books published in three hefty volumes.
I could tell from the comments of other listeners that this huge tome is not for everyone. If you require fast tight plotting, this may not be for you. If you enjoy witty repartee between vagabonds, kings, courtiers and thieves then this may be the mother lode. I liken Neal Stephenson to Gene Wolfe; another writer who can keep my interest just by the brilliance of his prose. It was in the middle of ODALISQUE, book three in the cycle, that I realized I didn’t much care that the plot was just creeping along, and that side trips to follow the numerous cast of characters kept taking me away from the one I liked best. I was enjoying the show and didn’t want it to end. This is truly not seven different novels, but one huge novel tied together by recurring characters and one vast and very satisfying story arc.
This accomplishment by Neal Stevenson is just the thing that the term magnum opus was coined for. Mr. Stevenson demonstrates his ability to manage a vast narrative alternate history and retains his focus over two-thousand six-hundred eighty-eight hardcover pages, through one-hundred fourteen hours of audiobook narration; yet the feel and texture and pacing is consistent throughout the entire work. Amazing. If you decide to tackle this tome you will be rewarded. It may cause you to rethink the whole audiobook medium.
I really enjoyed Stephenson’s insights into the politics of the scientific community, revolving around Isaac Newton. The fusing of Natural Philosophy (science), Alchemy, commodity-based monetary theory, rags-to-riches character transformations, and court intrigue make for a fascinating experience. Listening to this series is like taking a time-travel vacation to the eighteenth century. The shabby, muddy, miasmic grunge of the period’s living conditions sometimes remind me of Monty Python and the Holy Grail or Jabberwocky, with associated punch-lines. This is a very different world from the one we live in but I began to think I might understand it a little better and found that, in some ways, it might not be so bad.
If you are at all interested in free-market economics, and commodity-based monetary theory then one of the long-term story arcs will be of intense interest to you. Stevenson explores the impact of the foundation of the central Bank of England upon the flow of gold. And his deft insertion of an Alchemical component into the mix creates an enjoyable element of mystery. This is the storyline that required one-hundred hours to tell.
This is a Science Fiction work because the alternate-history angle with Alchemy infecting the realm of science will appeal to the SF fan. If you were provided with a plot outline or given some character sketches you may think this an historical novel, and it could be read from that perspective. But Science Fiction readers don’t as a rule read historical novels, but they will read this, therefore, whatever qualities it possesses, justify the SF label.
—PERSISTENT THEMES OF THE BAROQUE CYCLE—
Predestination versus Free-Will is on everyone’s mind
The debate between Protestantism versus Catholicism had a huge political impact
Geocentrism versus Heliocentrism is the only thing everyone can agree upon
Commodity-based Monetary theory makes the world work
Court Intrigue and witty conversations provide joy in every circumstance
Meritocracy rags-to-riches stories abound
People can endure much if they have hope
Vagabond underworld versus Persons of Quality show we have much in common
Alchemy counterpoised with Natural Philosophy revel the nature of science
Encryption and secret writing have long been employed
True love makes life worth living
Courtly liaisons show the shallowness of the ruling class to whom society is entrusted
Simon Prebble does yeoman’s work on this production. To my ear he nailed every single pronunciation of every word in the course of over one-hundred hours of narration—no mean feat. His character voicings are subtle but immediately recognizable. His talent allows him to even give convincing alternate pronunciations of words to the different characters that are appropriate to their individual personalities. The more foppish English characters habitually emphasize different syllables than the lower class characters. Despite the deep quality of his voice Simon Prebble handles both male and female character voices convincingly. His voice has a limited range but I was constantly amazed at how he could make subtle alterations in inflection, diction and pacing to effectively distinguish the various characters in a conversation. Simon Prebble achieves the desirable state of occupying the place in your head usually reserved for your own internal sub-vocalizations when you are reading a print book to yourself. This is a high achievement indeed and makes this a soothing book experience.
Narrated by Simon Prebble (Main text)
Kevin Pariseau (Chapter epigraphs)
Neal Stephenson (Introduction)