I have to admit that when I began listening, I wanted to stop about fifteen minutes into the book. At first, the character of Alexia was really irritating. Also, I had a difficult time understanding the nature of her "soulless" condition. And most difficult of all was the constant changing and switching of the points of view. This made it difficult to know what's going on and whose head we're in---whether it be one of the characters or the omniscient narrator. The listening became increasingly frustrating.
But thank goodness I didn't stop! I ended up getting used to the switching POVs and grew to love the Alexia character and the wonderful singular British humor that runs throughout this book.
And I loved the ending! (No spoiler alert!) But now, like the other reviewers, I want more!
This book has so many things wrong with it, it is difficult to know where to begin. Here is a summation:
--Poor Plot Pacing: Everything happens at once, than nothing happens. Hero kisses heroine, and heroine discusses kiss with BFF for one entire chapter. BOR-ING.
--Poor Plot Elements: Some of the more horrific plot devices seem as if they were lifted directly from a 1950s "B" movie like "The Bride of Frankenstein Meets the Evil Mad Scientist".
--Poor Character Development: The characters are strictly one-dimensional: the abusive mother and sisters, the bumbling fat guy, the alpha male, etc. Other readers have commented on how tiresome it gets to hear about the heroine's "big nose"....and yes, by the 33rd time, it does.
--Narrator: Well, she does the main voice OK. She sounds rather like Bridget Jones but I can live with that. The problem is her secondary characters, especially the males. One male character sounds EXACTLY like the Martian in the Looney Tunes cartoons. Even the hero's voice is not that well done.
--Inconsistant references: The author keeps calling the Earl and Countess Woolsy (sp?) by Lord and Lady xyz. Um, no, a Countess would not be referred to as "Lady XYZ" unless she were the DAUGHTER of an Earl. The WIFE of an Earl is referred to "Alexia, Countess of Woolsy". Editors, where are you?
--Stereotypes: Could she make the gay Vampire any more stereotypical? (Reference, also, poor character development). The bashing on Americans also became tiresome very quickly.
I CANNOT believe all the positive reviews this book has earned, and furthermore cannot believe that it is the beginning of a whole series. It is trite, boring, and poorly done.
Don't waste a credit on this one.
This is the first time I've read this author and I'm not a big fan of this genre, but thought I would try something new. The wit and dialog of the characters is engaging and fun and the pace of the book is quick. The narrator does a great job. There was only one disturbing thing about the book that still bothers me in reflection. At one point in the book, the main characters sit about kissing each other while her supposed friend is down the hall being tortured to death. That's callous and just about ruined the book for me. What "friend" would do something like that?!
Lots of wit, neat spin on the paranormal, paid for this book and did not use a credit, it is sooooo worth it. There are 2 more according to amazon I guess I will have to read those instead of listening, but I would listen to them when available, this is definitely something to hear more than one time. Just loved it, giggled out loud at many parts. What a hoot. Not like any other Vamp, Wolf book ever read or listenend to. Have a sense of humor when you get this one, so worth it.
I'm the managing editor of the Fantasy Literature blog. Life's too short to read bad books!
This is a fun silly story that feels like one of those highlander romances set in Victorian England. Some sort of melding of Karen Marie Moning and Jane Austen, if I’m even allowed to say such a thing. It is definitely a romance and it definitely requires a lot of suspension of disbelief, but it will hit certain readers just right. This is Carriger’s debut and not as smoothly written as her later YA series, FINISHING SCHOOL, but still worthy of attention.
Audible has changed my life! Dry , itchy eyes were destroying one of my greatest pleasures - reading. Now I am experiencing books again!
I thought this would be just my cup of tea. Alas, it is a so-so rehash of two much better series: The Sookie Stackhouse series by Charlaine Harris and the Amelia Peabody series by Elizabeth Peters. If you like the supernatural element, go for Sookie; if you prefer witty, intelligent Victorian ladies, try Amelia.
This book lacks fully-rounded characters, careful plotting, and attention to historical detail. I believe it also lacks originality.
I easily place this book in the top two in the long list of audiobooks that I've listened to. What a pleasure! The writing was full of wit, with wonderful characters and a great story. The author took the time to think things through, and built an alternate world while staying within the historical events and views of the period.
And it IS addictive! I started this series by reading this book, then listened to it twice, all within a couple weeks. I'm trying to pace myself, but just can't do it. The second book has been read and the next Audible purchase I make will allow me to listen to it. This is an easy decision if you like the genre. Buy it!
In summary, this audiobook is 10 hours and 52 minutes - which is about six hours too long. It's about a prim-yet-lascivious Victorian spinster and an aging werewolf about whose junk I now know WAY too much.
Although the premise was excellent and the basic plot promising, I felt for most of the book as though I was an unwilling voyeur in some adolescent game of spin-the-bottle. I don't blame the author, because she's got a good imagination and a way with words - or the narrator because she does a pretty good job - but the editor, now, that's a different matter.
This book might have been awesome. But it just wasn't, and I wish I'd spent my time with an Amelia Peabody novel instead.
Didn't know what to expect but this was witty, fun and flowed well from start to finish. The narrator is amazing, I hope that there are more from this author and narrator added to audible soon.
Mystery reader (especially series) and Austen lover
"Soulless" is the first book in the Parasol Protectorate series, featuring Alexia Tarrabotti, a spinster of good family and ample means living in Victorian London. Alexia's England is peopled by normal humans, vampires, werewolves and ghosts, all of whom coexist under terms of an agreement entered into between the supernaturals and Queen Victoria. It turns out that Alexia is a preternatural -- normal in all ways except for the fact that she has no soul. This soulless state makes her able to neutralize vampires and werewolves merely by touching them. Supernaturals are told about preternaturals and warned to avoid them, but most humans have no idea that such people exist.
Alexia is an opinionated, impatient and educated woman, which explains her spinster situation, since few Victorian men are interested in an alliance with such an independent and free-thinking woman. Her attitude and manner of speech result in the book seeming a bit like a cross between Amelia Peabody and Urban Fantasy stories (not a bad mixture). In the opening scene of this story, Alexia actually kills a werewolf by accident while fending off his attacks upon her in a house where she is attending a ball. As a result of this occurence, Lord McConn, Earl of Woolsey, comes to the site of the killing to investigate. Lord McConn is a werewolf in charge of the London werewolf pack and of the Bureau charged with policing interactions among human and supernatural beings.
There are number of entertaining characters of all types, a good love story, and some very entertaining scenes in the story. Carriger has written a well-plotted story that kept my interest throughout. Emily Gray's narration was very well done and added to both the humor and the plot of this book.
A very enjoyable listen!