Love Thomas Perry, with the exception of his books devoted to the woman who hides people. Those are sappy with too sharp a divide between good and evil. Strip is fabulous: fast plot, smart and not overly gruesome. Michael Kramer is one of the best readers out there.
When I first moved to the Los Angeles area I couldn't pronounce Los Feliz the way Angelinos pronounced it, because I know how to speak Spanish and so pronounced the two words as they are pronounced in Spanish. I finally learned to pronounce it incorrectly which was the Angelino way -- Lahs Feelis. It drives me kinda crazy hearing Michael Kramer's pronunciation of the street name "Sepulveda," because he puts the accent on the wrong syllable, the penultimate syllable and pronounces the "e" as it would ordinarily be pronounced in Spanish. (He has done this in two Thomas Perry novels that I have listened to and I want to help him get it right). Michael, the accent is on the second syllable not the third and the letter "e" in the penultimate (3rd) syllable is pronounced more like a short "i" in English. Don't accent it; swallow it. Good luck.
I am a fan of Thomas Perry, and this book caught me off guard. I've let it set a couple of weeks before I write the review, and decided it is better than I thought.
Unlike his other books, there is no character I like-no one I rooted for-like the 'hit man' who is really a sympathetic soul forced to kill anyone who stands in his way! This book, on the other hand, is loaded with unlikeable characters. I didn't care what happened to any of them in this convoluted plot.
However, when Strip wrapped up, I took notice.
Michael Kramer is superb and voices all characters, male and female, distinctly and believably.
Get to the end. You'll see what I mean.
It contains a truly interesting cast of characters, and a good, twisty storyline.
There were only two things that detracted for me.
I'd become very intrigued about a character, and it would take such a long time for the narrative to circle back to that person. I'd start to wonder, "But what about... ?" Eventually it would get there and satisfy my curiosity, but during that wondering time, it made me less interested in the current chapter.
Also, and this is just personal preference, I think this type of story might have benefited from a little more dark or wry humor than was offered. I think it would have been in character for many of the more interesting people... Spence, Joe Carver, Manko Kapak. It was all played pretty straight.
The intricate storylines were wrapped up to satisfying and not entirely expected conclusions. A good read.
This novel presents a tableau of rather unique individuals not given enough attention by Perry to read true. A bigamist detective whose story falls flat. An Elmore Leonard type protagonist in witness protection who really should have been center stage, rather than an aging low-level gangster and strip-club owner. There's a sexy clubber cum homicidal gun moll, and the usual 2-dimensional thugs, thieves, and bodyguards from central casting. The worst part of listening to this novel, however, was the dialogue: pointless, rambling, and tedious, like a parody of a George Higgins novel. Are there no editors? Are there no fact checkers? Readers in L.A, have you ever heard of Sepul-VEE-da Boulevard? Or La Cien-AGA? Yet again I wonder about all the 5-star reviews for a very mediocre novel.
Absolutely. It's a complex but tightly told story of misfortunes that beset a strip club owner getting on in years and surrounded by an interesting but definitely unsavory cast of characters.
Everything -- but everything -- happens in the space of week: low lifes, strip joint men and women, and crooked but elegant policemen converge in a complex and fascinating -- often hilarious but also bloody -- series of mishaps.
Manco Capac, the owner of several strip joints and clubs in LA, is a fascinating character, whom you come to sympathize with in spite of his very spotted history.
It made me laugh, although there are some gruesome scenes (which some people may not like)
If you enjoy books by the late Ellmore Leonard, I'm sure you'll enjoy this book
Perry + Kramer = ideal combo. Really fun book - OK, the underlying story sounds violent - but It's just not that kind of book. There is a distance in the telling that allows you to care, but you're not sure about who. Nobody is a really "good hero" but everyone is human and tries hard and it all works. Highly recommended.
I thought the book started off a bit "iffy", but soon found it good. I had a lot going on while trying to listen to this book, so I may not have given it enough credit. Will definitely check out more books by this author.
Fast paced and good character develeopment
Spence, spence and more spence. I love him.
Spence, the mild southern accent is just soo... ooooohhh
Err not really.
The story was good, the characters were interesting, the drama and twists held my attention and kept the story exciting. I look forward to another Perry novel as I was nearing the end.
I cannot think of any at this moment but will consider Thomas Perry among my usual authors.
He is a great narrator, I will listen to more books he narrates. He gave just enough voice clues throughout without trying to change his voice too much.
The whole book was good, I suppose some of the twists were moving moments but the chuckles from the action were most memorable.
They should research how locals pronounce street names. Sepulveda Boulevard was mispronounced and at one point it was called street versus boulevard. This did not take from the story, but when a story takes place in an existing city versus some imagined place, why not make it as good as you can.