This marked the second fictional audiobook that I have listened to. At first, the narrator’s voice felt stiff, and almost computer-ish - but once the story itself became more interesting, the narrator’s voice started to sound more dynamic. Though some of Swanson’s “voices” for the dialogue blended together (causing moments of confusion), the writing itself retained its clarity so I never felt overly lost in Bacigalupi’s dystopian, flooded world.
Though this book would most likely be a one-sitting-read for me, by listening to it only at work, I really drew out the experience and I think savored it a lot more. I could easily see why comparisons were made to Suzanne Collins’ The Hunger Games trilogy, but this felt like a very different sort of dystopia - and one that answered a lot more of those questions concerning the transition between modern civilization to this fictional breakdown. Bacigalupi strayed a few times onto a soap box (the importance of diversity, global warming, differences between class), but the YA market often leads to those kind of PSA-feeling topics. Overall, those moments don’t detract from the strength of the overall story. A few repetitive phrases (pain always “blossomed” or “exploded”) distracted me a bit - but that might be more due to the audio version than something that I would actively notice in a printed version.
Bacigalupi created likable characters - I especially liked Tool and Nailer. Of all the characters, Tool was felt the most intriguing to me. He was enigmatic and genuinely fascinating. It is mostly due to him that I already purchased to listen the sequel, The Drowned Cities. Tool reminded me a bit of Ron Pearlman’s Beast - at least that was what he looked like in my head, anyways... And this crumbling society and land utterly captivated me, too, so I am also looking forward to hearing more about it as well. It’s dark, but age-appropriate and I think a book that would definitely interest younger, male readers.
Newly retired, I am a reading fiend! I like many types of books, both fiction and non-fiction, with the exception of romance and fantasy
This was an enjoyable, easy-to-listen-to, interesting YA novel with a fine narrator. If you like YA novels, go for it!
It was pretty interesting
Not much, really. He was ok, but not the best I've heard.
Book title is find as is.
Pretty good but not "gripping." I had no trouble stopping when I needed too. There have been other books where I would keep driving around the block just to keep listening.
The first few chapters of this book had me hanging on every word, but then it quickly went downhill. The book starts off w/ the main character crawling through the carcass of an old freighter, salvaging as much as he can. Outside is an earth that has suffered greatly from climate change. The setting of this book had me imagining modern pirates, dystopian cities and the many events that were to come. Instead it quickly takes a turn for the worse, introducing the same old drunk, abusive father character that's already been done too many times before, and the same old story of boy saves girl. Worst of all are the "dog-men", part man, part dog, part hyena, part tiger, blah blah blah. Reminds me of something a five year old boy would come up with. I almost stopped listening at this point. It completely ruined the book for me. Still I toughed it out to the end, hoping that I might be rewarded w/ a good ending. All I got was a disappointment. This book could have been so good, but was ruined by weak, stereotypical characters that I could care less about.
I'm sorry, but this narrator just did not fit this book. Most of the characters are ethnic, and Joshua Swanson's attempt at accents is just horrible. Half the time listening was spent trying to determine which character was speaking. For instance, one of the main characters is West Indian, but sounds more Scottish than Hindi.
Since it was a short book, I would say that it's worth the time.
I previously read The Windup Girl, and really enjoyed it. He really created a vivid world, realistic characters, and an engaging plot.
The narrator was slightly sub-par. But I was able to listen to the entire audiobook.
The Young Adult fiction genre has changed over the past 15 years or so. Modern YA is currently being enjoyed by many adults. But this novel, is truly written at a much younger level: it's audience is a younger reader, and it written as such. I felt stupid reading it. Like I was reading a Dr Seuss book. It was so much different than Paolo's other novel, The Windup Girl, which was written at the adult level.
Now, sometimes I enjoy reading a simple book, but I guess my expectations were so high after reading Windup Girl. If you enjoyed Windup Girl, be aware, this book is written with much simpler plots and themes. Nothing as complex as Windup Girl.
Big shout out to Paolo Bacigalupi. As in the Windup Girl, Ship Breaker and the companion work, Drowned Cities are futuristic worlds so completely imagined that every detail falls into place. Beautifully written, very well narrated, Ship Breaker will leave you with many questions, but fully satisfied. More please.
I bought this one through the paperback sale, and I am glad I did. This is a dystopian novel, set in what seems to be New Orleans post a massive hurricane that has left it beyond repair or rather people no longer wanted to restore a place that would just be storm ridden again in the future, a lost cause. The only inhabitants live off of scavenging ships that have been left behind after the "city-killer" storms. The author reminds me of James Dashner, if you enjoyed Maze Runner, you will enjoy this!
Bacigalupi invents a colorful and detailed future where human and quasi-human toil to survive. Grim but not without hope. The story takes place in a tropical and swampy South Coast and follows the struggle of two teenagers to escape their enemies and survive in a relentless world. The two protagonists come from very different background and yet learn to be with each other. The scenario and story show great inventiveness. Well written and read.