I bought this for my grandkids and thought I better preview it first. I was immediately hooked by the story, the Jane Austen style and tone, and the amazing reader, who does children who don't speak exactly right, howling wolves, imperious aristocrats, an upright governess, and the rest of the cast with just the right theatricality. Wonderful for both grandmothers and their grandkids, who will get not only a great story but a humorous look at what used to be expected of children.
Katherine Kellgren was brilliant in bringing these quirky characters to life.
Not sure, something about interesting / quirky orphaned children perhaps?
We could write a book about that ... She was brilliant!
Yes definitely. It was always a rush to turn it back on when we got into the car.
Thoroughly enjoyed by 2 parents and 7 year old son.
I thought this story was pretty cute. Even though its a light and easy listen, it still has enough depth to keep you interested, focused, and eager to follow the series. I really enjoy how the characters developed throughout the chapters and also how there was always an air of mystery to most of them.
Katherine Kellgren is one of my favorite performers, so in my eyes she cant do wrong. She has enough personality, talent, and spunk to carry this series and I really look forward to listening to her narrate the rest of the Incorrigible's as well!
As for an age group, I don't really know if this would be the best story for little kids, just because it has lot of whit and humor which may go over their heads. Im in my 30's and enjoyed listening to it while I worked on a project, so I'd definitely recommend it for an older audience. Again, very light, but a very well developed story and plot with enough depth and that hint of mystery to keep you attention and interest.
Kellgren's over-the-top performance was tiring. While I liked the range of voices that she used for the many characters, there was very little range in volume. Kellgren is all loud, all the time verging on over acting. It's not a theater - you don't need to project to the back row.
My kids all loved the book and we'd definitely read more, but we'll be adding Katherine Kellgren to our "never again" list of audiobook narrators.
First of all, I should admit that I am a grown woman who often enjoys listening to juvenile or young adult fiction, but I'm often disappointed by the quality of the writing. This story, however, is just charming. The narrator's asides are witty and Penelope Lumley, the governess from Swanburne Academy for Poor Bright Females, is a delightfully satirical heroine in the vein of Jane Eyre. I will say that for the sequels I switched to reading the print versions, because while Katherine Kellgren does do a great job with her narration, I didn't love her portrayal of the children. She was a bit too shrill with their howling and too growly with their dialogue. That said, while I was reading the subsequent books, I heard her voice in my head as the narrator, because she is spot-on for that particular voice.
Mens Sana In Corpore Sano
The story asides are ponderous and the little cleverness is cloying.
Sure, but in book form. That way I can skip over the sound effects.
Less screeching, less urgency. All the voices are squawking, nasal, and braying. It would be fine if it made sense for the characters, but Kellgren uses the same voices for many of her other book performances. The voices of the children in the story don't sound like children, they sound like parrots on helium. It's headache inducing.
Better to read this one.
This was not worth the time I spent trying to listen to it. The story was awful in itself but add the narrator and it was an awful listen. I do not recommend it.
The story and reader kept me spellbound throughout the book. I am eager to acquire the next book in the series.
The teenage Miss Lumley (Lumeroo) was captivating as the protagonist and narrator.
I like the full book title minus the book number and hope that a screenplay or made-for-television mini-series is in the works.
The book itself is a fun work for youth.
Somebody who would not have howled nearly as much. It was grating on my nerves from the first, but it became intolerable. I switched to kindle versions for the next books in the series and I found that there was not nearly as much howling or whining written into the text itself and that it was the interpretation of the narrator.
Yes, there is still much left unfinished after the third installment.
Absolutely! It was engaging and led to deeper discussions about the mystery of the children's origins.
The humor is intelligent and Wood's plays on words are delightful. It is nice to listen to a book that is enjoyed by my (rather advanced) 8-year old and her grown-up parents as well.
I have not heard this performer before, but loved her. The accent really added a touch of authenticity and we understood her quite easily.
We particularly appreciated the progression of the characters. Ms. Lumley is spunky, but is also learning empathy for Lady Constance (who initially is dreadful.)
We would highly recommend this for families.