"Deep and technical, but accessible."
Underneath all the cryptography and tech, Cryptonomicon has a great story with well rounded, modern characters. The original novel features graphs and diagrams to explain pretty technical topics like frequency counting and van eck phreaking, but you don't notice them missing in this audio book, as the narrator carries you along with the in depth descriptions while progressing the narrative.
It's ensemble cast, split across two timeframes, provide plenty of variety, the occasional laugh, and lots of relatable geeks. It's a very long book, but it never drags. Once it's over, you want to find out what the characters are up to.
Like a piece of cryptography, patterns and associations begin to emerge the more you delve into this story. About two thirds of the way in, the disparate strands of the timelines and characters begin to come together in the most riveting way.
Worth 40 hours of your life? - Absolutely.
"A milestone in fiction"
Where to start...who but Neal Stephenson could write a book so epic in scope, seamlessly weaving a tale from the hayday of computing, WW2 wartime espionage and contemporary eCommerce underpinned by the fascinating field of cryptography. To call the book gripping is like describing the South Pole as "a bit nippy" Superlatives are rarely merited. In this case they are.
I really enjoyed Cryptonomicon. It's a dense story which requires the reader to involve themselves in a bit of brain work. Suprisingly, for an author who has a reputation as a cyberpunk I found the narrative of this book reminded me of authors such as Ken Kesey and predictably Joseph Heller. For some reason it reminded me alot of Kesey's 1992 book Sailor Song, which is hardly a bad thing.
Only down point; about half way through Neal starts recounting a letter a character is writing for Playboy, which goes on wayyyy too long. Stephenson obviously enjoyed writing that part too much.
"Excellent capture of the book"
I first Cryptonomicon around 10 years ago, and find myself rereading it every couple of years. Part WW2 spy thriller, part modern day geek drama, part introduction to basic cryptography, it is all brain candy.
On my last reread, I tried this audiobook version, and was extremely happy with how it captured both the tone and the charcters of the book.
William Dufris tone and consistent delivery manage to capture the underlying humour and bring life to Neal Stephenson's baroque prose. He manages to evoke the different settings and characters through subtle (and sometimes not so subtle) use of accents
I definitely recommend this.
"wonderful if very long book"
This is a superb book which I enjoyed listening too very much but it is not without flaws and peculiarities.
To start with it is arguable that it is unnecessarily long. One or two reviewers on Amazon have suggested that the author could have done with a good editor, and there is some truth in that; in some places the detail is mind-boggling and quite difficult to follow, particularly in an audiobook. However, I confess that I liked the detail - it must appeal to the inner nerd in me I think - and I do like books that explore the byways of history away from the main road, as it were. And the storyline is satisfyingly complicated and hooks you in gradually; do stick at it as it improves a lot after the first section.
Narration is excellent - indeed it makes the book. I do like William Dufris' style, amused and kinda laid-back, and he brings the book brilliantly to life, and his characterisations are perfect.
Not everyone's cup of tea, I'm sure, but five stars for me.
"The many levels of understanding and deception"
War is not just about bullets but concealment and secrecy, we are living proof of this reality, the the war on terror is fought in the networks and in communications and messages, in lies and half truth. This book works within all this elements but begins at beginnings of the second world war exposing what effect cryptography, Allied Codebreakers and tactical-deception had on the european and pacific fronts, and how those ideas changed our world. We are introduced two to sets of characters one set in WWII and the others in in the late 1990s this group is related through blood to the first ones and share some the interest of their relatives in cryptography and communications. We are exposed to history at its most brutal, and intelligent, some truly funny episodes and dialog mixed with high adventure, mathematics, ideas, philosophy, programing, geeks, super geeks, dentists, soldiers, submarines and lawyers. There are plots, subplots, ramblings and thoughts expounded in all seriousness and some just taking the piss.
This is more than a book it is an experience. A work madness and genius; madness because of its reach genius because of it erudition and entertainment value.
The reader manages to create voices for all the characters and move through the book with amazing ease. .
"Needlessly long and geeky"
The length was the worst bit. It was gratuitous. I like long books, deliberately seek them out, but this was pointlessly long. There was SO much that was unneeded.
Also the link up between the younger generation retreading the older generations' footsteps wasn't played out in the story. They should've made more of the fact they were hanging around with the same people their grandparents were, in the same countries.
I like the war stuff the most. Rudy, Laurence and Arthur.
The narration was immense. Very good. Only a couple of times did it slip, where I wasn't instantly sure who was talking.
The scene when Randy was doing a memo to his team. I HATED it. It was pure drivel and I had to skip the chapter. By this point I was tearing my hair out with the book, just wanted it to end. I had spent over 30 hrs on it, so wasn't going to give up but I so wanted to. This send was almost the tipping point.
The last few scenes with Laurence were good, the one when last complex code gets programmed was particularly pleasing.
Steer clear of Neal Stephenson.
The complexity of the story was mind blowing. Hats off to the author for putting it together.... BUT there was no need. It could have been half the size (it is LONG) and it would have been twice as enjoyable. There were whole chapters I had to skip as the drivel was mind numbing.
The narrator, William Dufris. This book was amazing in itself, but Kramer really did a number on this. I can easily imagine myself not having enjoyed the book as much were it not for being able to hear his performance.
Waterhouse, the socially inept little nerd, loved him right from the start, and it wasn't long before I grew to enjoy every single section featuring sergeant Shaftoe as well.
The fog horn mounted on 'there but for the grace of god'
This was no doubt about it, a really good book. But it is way too long and frequently boring as hell. Trying to piece together parts from one end of the story to another can be like playing sodoku by memory. But seen as a series of smaller events that are all in their own right very good, which work together to create one whole tapestry, yes, it works and it works well. But by heck its a lot of work.
When a chap in the story observes a spiders web and sees how the spider can react to different things, not because of the movement but because of the lack of certain movement, you should by that point know whether the book is for you or not. I loved this concept and all the concepts that tied in with it - and then their real world application and how they created a series of events that eventually became what they do.
However, these concepts draw together like a diagram of the final fastest and shortest era on Earth (according to the Aztecs) as this era is cast off, but then never takes us anywhere. There is no realisation to this story. Its just launch pad of concepts. Unlike many a book though, I wouldn't take back the time I spent on it (and its a lot!) because it has helped with mature and put form to many of my own ideas.