"Probably the best way to tackle this behemoth!"
Having read Stephenson's Quicksilver over a couple of months and having tried to get going on Anathem (currently put to one side, but that's partly because it's a hard copy brick) I thought this would be a good medium for Stephenson's brilliant but voluminous style. Boy was I right! I typically listen to audiobooks for about 2 hours a day (commuting) but sometimes a little more when I travel for work. This must have taken me over a month, but I really enjoyed it and was quite sad when it was all over.
In a way it doesn't feel like one immensely long opus, because there are actually 2-3 different narrative strands being brought together here, each of which has its own eddies and diversions. Stephenson loves to fit in some (sometimes gratuitous) mathematical and scientific digressions, which I personally enjoy, but I imagine could be a bit tiresome if you're really just looking for character and plot.
Fundamentally, this is a tale of the interaction of mathematics with the material world and of the impact that this apparently theoretical discipline can and does have on the world in which we live. There's quite a bit of philosophy and history thrown in too. Stephenson always writes with the assumption that his readers are as curious about everything as he himself is and seems to be at his best when exploring the hows and whys. His characters are vehicles for this and work perfectly well, if they're a little flat at times, this rarely feels like it really matters.
William Dufris's reading really brings the whole thing to life and simply being able to sit back and absorb the story, rather than wading through a punishing 1000-odd pages of novel is a much more manageable way to enjoy this book. For me, anyway.
"Philosophical, geeky, gripping"
I'm considering re-listening to Cryptonomicon right away. It's a completely immersive experience and it's one of the only audiobooks where I could just sit an listen without needing to do something else at the same time.
each storyline is gripping and they connect together in satisfying ways. There is a grand, philosophical arc to the story expressed in its own way in each narrative of the book, but there is also great small scale detail which adds lightness and accessibility.
William Dufris is an excellent narrator. He manages to give each main character his own distinctive voice (though Bobby Shaftoe probably sounds a little dumb). I especially liked the theatrical, surreal quality he brings to Douglas McArthur.
If the world is on the line, make sure the geeks are on your side.
I've listened to a lot of audiobooks and this one may be my favourite.
"Tied my mind in knots trying to keep track"
I am not a stranger to Neal Stephenson and enjoy the off-the-wall way he looks at technology. His ability to turn events that appear normal into Sci-fi or mystery is uncanny. But this book ... whew ... I could not keep up with the characters and the story line. I realised early on that we were switching between the 1940's and 1990's, but this realisation did not clarify any of the events for me. I enjoyed his explanations of technology. I like the twists he puts into his explanations. But in between these explanations, I could not work out "who was who".
I also found that his male protagonists are quite mysogonistic. As the events unfolded, I found myself questioning why the women introduced into the story were one-dimensional, predictable, and seemingly only there for sex. It became more and more irritating, until after about 35 hours of listening, I abandoned the book.
I hate abandoning books, particularly Neal Stephenson, because I know somewhere in the last 7 hours 53 minutes there would have been a mind-numbing, incredibly unusual take on technology or science. I can't tell you what it is, because his sexist approach to women, and the confusing story, made we want to take a rest. Which I did.
The narrator, William Dufris. This book was amazing in itself, but Kramer really did a number on this. I can easily imagine myself not having enjoyed the book as much were it not for being able to hear his performance.
Waterhouse, the socially inept little nerd, loved him right from the start, and it wasn't long before I grew to enjoy every single section featuring sergeant Shaftoe as well.
The fog horn mounted on 'there but for the grace of god'
This was no doubt about it, a really good book. But it is way too long and frequently boring as hell. Trying to piece together parts from one end of the story to another can be like playing sodoku by memory. But seen as a series of smaller events that are all in their own right very good, which work together to create one whole tapestry, yes, it works and it works well. But by heck its a lot of work.
When a chap in the story observes a spiders web and sees how the spider can react to different things, not because of the movement but because of the lack of certain movement, you should by that point know whether the book is for you or not. I loved this concept and all the concepts that tied in with it - and then their real world application and how they created a series of events that eventually became what they do.
However, these concepts draw together like a diagram of the final fastest and shortest era on Earth (according to the Aztecs) as this era is cast off, but then never takes us anywhere. There is no realisation to this story. Its just launch pad of concepts. Unlike many a book though, I wouldn't take back the time I spent on it (and its a lot!) because it has helped with mature and put form to many of my own ideas.
"Stunning jouney from 1942 to the Web"
Educational and stunning story interlaced from 1942 to the present day.
Nicely integrates the story with a cameo of Alan Turing and Bletchley park
I would have listened to this in one sitting but it is a very long book (42hrs 53 mins) so that isn't really practical. But the book is compelling and wanted to listen again and again as soon as possible.
Get it Now...
"Oh so nearly fantastic."
If you had asked me to review the first thirty something hours of Cryptonomicon then it would have received four, maybe even five stars and I would, mostly, have been singing its praises. There are a few segments in those hours that didn't quite come up to scratch and I wanted to press the fast forward button (except you might miss a completely different section if one did as the story does jump around a bit).
The plot is varied, and yes there is jargon, and other elements, there that may not please all, but the story draws one in fantastically and I found myself anticipating a fabulous ending.
So I was ever so disappointed by the last few hours, and the ending. It felt as if the story completely fizzled out. In fact I might almost wondered if the final few hours of the book were written by the same person. Gone was the intrigue that I had felt and now I wanted to press the fast forward button in the hope that we would get back to the same level of intrigue. Patience prevailed and I refrained from skipping forward. I wish I hadn't bothered. This will not be an audiobook that I will bother listening to again.
William Dufris' narration, on the other hand was fantastic throughout - definitely a narrator to be listening out for!
What a book!
Intricate story, great characters and fast paced. So interwoven with documented events of the past that you wonder where fact ends and fiction begins. This story was so captivating I even ended up doing research to understand historical details to see how well they fitted in.
This is a long listen and worth every second.
"Treasure Island updated"
Cleverly weaving together action from WW2 and the present day with humour, visceral war images maths and cryptology ( yes a bit over my head but not essential to understand) he tells a terrific tale that keeps you listening through 42 hours
I loved this book. If you have any interest in mathematics, codes, the second world war and so many other things, this is a brilliant book for you. I don't rate many books highly but this is 5 out of 5. It kept me spellbound for days and I couldn't wait to return to it. My husband felt a bit left out! But I got so much done whilst listening to it!
A thoroughly good book. The style of narration takes a little getting used to, but persist, you'll soon love it.