A sustained tour de force of hackneyed descriptive prose. Not quite "It was a dark and stormy night...", but pretty close.
Why would anyone give a way the ending at the beginning of the book? Instead of peaking someone's interest the author takes away from the climax of a great chase. If you do not listen to the prelude and just start at Chapter One you will find this a very good book.
it would have if the author did not give it away in the prelude
His speed and intonation are awesome, but is lessened by his inability to assign separate voices to characters.
Yes, I only listen when I am in my car and found myself listening in the garage after parking the car.
I had serious misgivings about wasting money on what has been described to me as a "guy's writer". But, during a sale I decided to try this book of Cussler's, which appeared to have a traditional mystery plot with a historical context. I was really ready to admit my misgivings when the mystery was solved, the perp caught, and it was what I thought was the end of the book. It was an interesting concept. Then it went off track, seeming to change modes, dwelling at great length on the San Francisco earthquake for some unknown reason, seemed filled with corny lines and situations (coming up to his "love", whom he had seen all of a few times, while she was tending to the mangled and dying earthquake victims, with the line "can you help me? My arm is gone"). After that, it was a tedious plunge into the dynamics of railroad trains, and a silent movie-seeming implausibe and unbearably corny ending. I stand by my first impression--shallow characters, corney relationships, and lots of "man-stuff"--not deep
I found this book interesting? I finished this book in record time with my ipod, If you like intrigue and action in a historic sense and time you will like this book,
I know this book had a lot of positive reviews, but it just was not compelling in the least for me. I gave it a couple of hours and then I was so disinterested I had to turn it off. The narration was good, but the story was flat. Villain is super-evil and supremely competent. Hero is oh-so-handsome with beautiful blue eyes and lighting-quick reflexes. Oh, did I mention he has beautiful blue eyes? Cussler does many times in the first couple of hours. The villain seemed boring even when killing people before jumping in his super-fancy undercover boxcar for his escape. Oh well, on to the next book...
Now I know what that term means! The first half of the book was tolerable, but the second half became cliche after cliche. I expected Guy Noire to show up at every turn. I'm so happy I got this book for cheap, it would have been a waste of a good credit.
anyone but him
I will be more careful to choose books with a less boring/irritating reader